Author: Marion Turner Publisher: Princeton University Press ISBN: 0691210152 Category : Biography & Autobiography Languages : en Pages : 626
Book Description
"More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life--yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer's adventurous life, focusing on the places and spaces that fired his imagination. Uncovering important new information about Chaucer's travels, private life, and the early circulation of his writings, this innovative biography documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer's experiences as a prisoner of war in France, as a father visiting his daughter's nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer's writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales. By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant's son became the poet of The Canterbury Tales." -- Publisher's description.
Author: Daniel Pinti Publisher: Routledge ISBN: 1317944992 Category : Literary Criticism Languages : en Pages : 300
Book Description
This volume makes available to teachers, students, and scholars a convenient selection of the most provocative and influential articles from the past 20 years on Chaucer's afterlife in the 15th century, one of the most dynamic topics in Chaucer studies today. Much recent work in the field of Chaucer studies has shown how our understanding of Chaucer's poetry is mediated by his 15th-century readers and scribes. Increased scholarly interest in various 15th-century Chaucerian poets-notably Hoccleve, Lydgate, and Henryson-has prompted medievalists to read these sometimes neglected poems anew The classic essays in this volume, plus two written just for this collection, investigate the scribes, glossators, and poets whose reception and transmission of Chaucer's writings influence our own reading of them today, focusing chiefly on the Chaucerian influence in their poetry. Written by eminent Chaucer scholars, these essays cover not only a wide range of Chaucer's writings, but also touch on the history of the English language, the glosses to Chaucer's poetry, English and Scottish poets' appropriations of Chaucer, the implicit criticism and interpretations of Chaucer's writings in the 15th century, and the first printing of Chaucer's works by William Caxton Timely and unique, this collection will prove indispensable for research libraries, a convenient and valuable resource for scholars, and an essential introduction for students.
Author: Nicole Nyffenegger Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110575876 Category : Literary Criticism Languages : en Pages : 280
Book Description
Owing to its relatedness to parchment as the primary writing matter of the Middle Ages, human skin was not only a topic to write about in medieval texts, it was also conceived of as an inscribable surface, both in the material and in the figurative sense. This volume explores the textuality of human skin as discussed by Geoffrey Chaucer and other writers (medical, religious, philosophical, and literary) of the fourteenth and fifteenth century. It presents four main aspects of the complex relations between text, parchment, and human skin as they have been discussed in recent scholarship. These four aspects are, first, the (mostly figurative) resonances between parchment-making and transformations of human skin, second, parchment as a space of contact between animal and human spheres, third, human skin and parchment as sites where (gender) identities are negotiated, and fourth, the place of medieval skin studies within cultural studies and its relationship to the major concerns of cultural studies: the difficult demarcation of skin from body, the instability of any inscription, and the skin’s precarious state as an entity of its own.
Author: Lynn Arner Publisher: Penn State Press ISBN: 0271062037 Category : Literary Criticism Languages : en Pages : 210
Book Description
Chaucer, Gower, and the Vernacular Rising examines the transmission of Greco-Roman and European literature into English during the late fourteenth and early fifteenth centuries, while literacy was burgeoning among men and women from the nonruling classes. This dissemination offered a radically democratizing potential for accessing, interpreting, and deploying learned texts. Focusing primarily on an overlooked sector of Chaucer’s and Gower’s early readership, namely, the upper strata of nonruling urban classes, Lynn Arner argues that Chaucer’s and Gower’s writings engaged in elaborate processes of constructing cultural expertise. These writings helped define gradations of cultural authority, determining who could contribute to the production of legitimate knowledge and granting certain socioeconomic groups political leverage in the wake of the English Rising of 1381. Chaucer, Gower, and the Vernacular Rising simultaneously examines Chaucer’s and Gower’s negotiations—often articulated at the site of gender—over poetics and over the roles that vernacular poetry should play in the late medieval English social formation. This study investigates how Chaucer’s and Gower’s texts positioned poetry to become a powerful participant in processes of social control.
Author: Dieter Mehl Publisher: Routledge ISBN: 1317871545 Category : Literary Criticism Languages : en Pages : 193
Book Description
Written in an engaging and accessible manner, English Literature in the Age of Chaucer serves as both a lucid introduction to Middle English literature for those coming fresh to the study of earlier English writing, and as a stimulating examination of the themes, traditions and the literary achievement of a number of particulary original and interesting authors. In addition to detailed and sensitive treatment of Chaucer's major works, the book includes chapters on his chief contemporaries, such as John Gower, William Langland and the Gawain-poet. It also examines the often underrated contribution to the English literary tradition of his successors John Lydgate and Thomas Hoccleve, as well as the interesting and original work of the Scottish poets, Robert Henryson, William Dunbar and Gavin Douglas, who also claim Chaucer as their model. Apart from the narrative poetry of Chaucer and his followers, the book also contains chapters on the Middle English lyric; Middle English prose, including Mandeville's travels; the most original and imaginative writings of the Middle English mystics, in particular Julian of Norwich and Margery Kempe; and Thomas Malory's impressive prose compilation of Arthurian stories.
Author: Geoffrey Chaucer Publisher: DigiCat ISBN: Category : Poetry Languages : en Pages : 50
Book Description
The Book of the Duchess is a surreal poem that was presumably written as an elegy for Blanche, Duchess of Lancaster's (the wife of Geoffrey Chaucer's patron, the royal Duke of Lancaster, John of Gaunt) death in 1368 or 1369. The poem was written a few years after the event and is widely regarded as flattering to both the Duke and the Duchess. It has 1334 lines and is written in octosyllabic rhyming couplets.
Author: Glending Olson Publisher: Cornell University Press ISBN: 1501746758 Category : Literary Criticism Languages : en Pages : 244
Book Description
This book studies attitudes toward secular literature during the later Middle Ages. Exploring two related medieval justifications of literary pleasure—one finding hygienic or therapeutic value in entertainment, and another stressing the psychological and ethical rewards of taking time out from work in order to refresh oneself—Glending Olson reveals that, contrary to much recent opinion, many medieval writers and thinkers accepted delight and enjoyment as valid goals of literature without always demanding moral profit as well. Drawing on a vast amount of primary material, including contemporary medical manuscripts and printed texts, Olson discusses theatrics, humanist literary criticism, prologues to romances and fabliaux, and Chaucer's Canterbury Tales. He offers an extended examination of the framing story of Boccaccio's Decameron. Although intended principally as a contribution to the history of medieval literary theory and criticism, Literature as Recreation in the Later Middle Ages makes use of medical, psychological, and sociological insights that lead to a fuller understanding of late medieval secular culture.
Author: Marion Turner
Author: Daniel Pinti
Author: Nicole Nyffenegger
Author: Geoffrey Chaucer
Author: Lynn Arner
Author: Dieter Mehl
Author: Geoffrey Chaucer
Author: Geoffrey Chaucer
Author: Glending Olson
Author: Geoffrey Chaucer