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Author: William Jay Risch Publisher: Lexington Books ISBN: 0739178237 Category : History Languages : en Pages : 320
Book Description
Youth and Rock in the Soviet Bloc explores the rise of youth as consumers of popular culture and the globalization of popular music in Russia and Eastern Europe. This collection of essays challenges assumptions that Communist leaders and Western-influenced youth cultures were inimically hostile to one another. While initially banning Western cultural trends like jazz and rock-and-roll, Communist leaders accommodated elements of rock and pop music to develop their own socialist popular music. They promoted organized forms of leisure to turn young people away from excesses of style perceived to be Western. Popular song and officially sponsored rock and pop bands formed a socialist beat that young people listened and danced to. Young people attracted to the music and subcultures of the capitalist West still shared the values and behaviors of their peers in Communist youth organizations. Despite problems providing youth with consumer goods, leaders of Soviet bloc states fostered a socialist alternative to the modernity the capitalist West promised. Underground rock musicians thus shared assumptions about culture that Communist leaders had instilled. Still, competing with influences from the capitalist West had its limits. State-sponsored rock festivals and rock bands encouraged a spirit of rebellion among young people. Official perceptions of what constituted culture limited options for accommodating rock and pop music and Western youth cultures. Youth countercultures that originated in the capitalist West, like hippies and punks, challenged the legitimacy of Communist youth organizations and their sponsors. Government media and police organs wound up creating oppositional identities among youth gangs. Failing to provide enough Western cultural goods to provincial cities helped fuel resentment over the Soviet Union’s capital, Moscow, and encourage support for breakaway nationalist movements that led to the Soviet Union’s collapse in 1991. Despite the Cold War, in both the Soviet bloc and in the capitalist West, political elites responded to perceived threats posed by youth cultures and music in similar manners. Young people participated in a global youth culture while expressing their own local views of the world.
Author: William Jay Risch Publisher: Lexington Books ISBN: 0739178237 Category : History Languages : en Pages : 320
Book Description
Youth and Rock in the Soviet Bloc explores the rise of youth as consumers of popular culture and the globalization of popular music in Russia and Eastern Europe. This collection of essays challenges assumptions that Communist leaders and Western-influenced youth cultures were inimically hostile to one another. While initially banning Western cultural trends like jazz and rock-and-roll, Communist leaders accommodated elements of rock and pop music to develop their own socialist popular music. They promoted organized forms of leisure to turn young people away from excesses of style perceived to be Western. Popular song and officially sponsored rock and pop bands formed a socialist beat that young people listened and danced to. Young people attracted to the music and subcultures of the capitalist West still shared the values and behaviors of their peers in Communist youth organizations. Despite problems providing youth with consumer goods, leaders of Soviet bloc states fostered a socialist alternative to the modernity the capitalist West promised. Underground rock musicians thus shared assumptions about culture that Communist leaders had instilled. Still, competing with influences from the capitalist West had its limits. State-sponsored rock festivals and rock bands encouraged a spirit of rebellion among young people. Official perceptions of what constituted culture limited options for accommodating rock and pop music and Western youth cultures. Youth countercultures that originated in the capitalist West, like hippies and punks, challenged the legitimacy of Communist youth organizations and their sponsors. Government media and police organs wound up creating oppositional identities among youth gangs. Failing to provide enough Western cultural goods to provincial cities helped fuel resentment over the Soviet Union’s capital, Moscow, and encourage support for breakaway nationalist movements that led to the Soviet Union’s collapse in 1991. Despite the Cold War, in both the Soviet bloc and in the capitalist West, political elites responded to perceived threats posed by youth cultures and music in similar manners. Young people participated in a global youth culture while expressing their own local views of the world.
Author: Timothy W. Ryback Publisher: Oxford University Press, USA ISBN: Category : Music Languages : en Pages : 312
Book Description
Rock Around the Bloc presents an in-depth history of rock music in communist Europe from the mid-1950s to the present, touching on such highlights as the Elvis craze in the late 1950s, Beatlemania in the 1960s and 1970s, and punk and heavy metal music of the 1980s. The reader comes to realize that in some ways, life in the Soviet bloc was surprisingly similar to life in the West. But there are striking differences as well, most notably, the thirty-year war between rock fans and party officials. Book jacket.
Author: James Riordan Publisher: Springer ISBN: 134919932X Category : Social Science Languages : en Pages : 159
Book Description
Soviet youth behaviour and contemporary problems are discussed, including culture and pop music, gangs and drug addicts, delinquents and deviants, providing an insight into their life and attitudes, and an opportunity to understand youth problems in another society and the ways they are dealt with.
Author: Ewa Mazierska Publisher: Springer ISBN: 1137592737 Category : Social Science Languages : en Pages : 311
Book Description
This book explores popular music in Eastern Europe during the period of state socialism, in countries such as Poland, Hungary, Yugoslavia, Romania, Czechoslovakia, the GDR, Estonia and Albania. It discusses the policy concerning music, the greatest Eastern European stars, such as Karel Gott, Czesław Niemen and Omega, as well as DJs and the music press. By conducting original research, including interviews and examining archival material, the authors take issue with certain assumptions prevailing in the existing studies on popular music in Eastern Europe, namely that it was largely based on imitation of western music and that this music had a distinctly anti-communist flavour. Instead, they argue that self-colonisation was accompanied with creating an original idiom, and that the state not only fought the artists, but also supported them. The collection also draws attention to the foreign successes of Eastern European stars, both within the socialist bloc and outside of it. v>
Author: Thomas Cushman Publisher: SUNY Press ISBN: 9780791425442 Category : Social Science Languages : en Pages : 436
Book Description
Describes the Russian rock music counterculture and how it is changing in response to Russia's transition from a socialist to a capitalist society. It explores the lived experiences, the thoughts and feelings of the rock musicians as they meet the challenges of change.
Author: Alexander Herbert Publisher: ISBN: 9781621064046 Category : MUSIC Languages : en Pages : 0
Book Description
"Punk arrived in Soviet Russia in 1978, spreading through black market records before exploding into state-controlled performance halls, where authorities found the raucous youth movement easier to control. In fits and starts, the scene grew and flourished, always a step ahead of secret police and neo-Nazis, through glastnost, perestroika, and the end of the Cold War. Despite a few albums smuggled out of the country and released in Europe and the U.S., most Westerners had never heard of Russia's punk movement until Pussy Riot burst onto the international stage. Includes never-before-published photographs of many of the bands"--Back cover.
Author: Joanna Stingray Publisher: Doppelhouse Press ISBN: 9781733957922 Category : Music and youth Languages : en Pages : 0
Book Description
A memoir by an American who almost single-handedly introduced Soviet rock to the free world, [...] Stingray, who wrote this memoir with her daughter, Madison, nicely captures her daring amid an atmosphere of liberation and fear, and she's a study in moxie and enthusiasm. --Kirkus Reviews As one of the first American musicians to break through the Soviet scene, and one of the few women to be seen as an equal amongst Leningrad's pantheon of rock superstars, Stingray's perspective on the development of late Soviet rock is probably the single most important source for those who want a birds-eye view of late Soviet youth culture, and Stingray's stories are as entertaining as they are relevant and illuminating. --Alexander Herbert, author of What About Tomorrow?: An Oral History of Russian Punk from the Soviet Era to Pussy Riot Wild and vivid -- a rollicking memoir of romance and rock 'n' roll in an era of upheaval and transition. From Los Angeles to Leningrad and back again, Joanna's story is borne along by her infectious, headlong enthusiasm. It's quite a ride. --Patrick Radden Keefe, creator of the Wind of Change podcast and author of Say Nothing: A True Story of Murder and Memory in Northern Ireland The history of Russian rock music could have been very different without Joanna Stingray. Joanna was friends with rock musicians, recorded songs with them, shot their videos and brought them clothes and instruments from the West. Her video footage, capturing young icons of Russian rock like Viktor Tsoi, Sergei Kuryokhin, Timur Novikov and Boris Grebenshchikov, is rare evidence of the golden era of the Soviet underground. --The Moscow Times Red Wave is a warm and conversational autobiography about a lost world, peopled with courageous artists risking their freedom for the ideas of expression, art, and rock 'n' roll. [...] We root for her and her friends to overcome bureaucracy, oppression, isolation, deprivation, and the heavy footsteps of the KGB. [...] In a readable and personable way, Red Wave helps shine some light into this remarkable corner of rock history. --Tim Sommer, Guernica Joanna Stingray's appearance in St. Petersburg in the early 1980s must have been God's response to our unconscious prayers. Her naive bravery, curiosity and generosity created a kind of a lifeline for us rockers: she brought in things we needed to play our music, and took out not only our recordings but the very message of our existence. Had it not been for her and her Red Wave, it would have taken Aquarium many more years to have official records on Melodiya and Kino to start touring Europe. This fearless maiden broke through the siege that looked hopelessly unbreakable. She threw a life-saver into our waters and she changed everything. No matter how many times we thank her -- it's never enough. --Boris Grebenshchikov (Aquarium), 2018
Author: Alexei Yurchak Publisher: Princeton University Press ISBN: 1400849101 Category : Social Science Languages : en Pages : 347
Book Description
Soviet socialism was based on paradoxes that were revealed by the peculiar experience of its collapse. To the people who lived in that system the collapse seemed both completely unexpected and completely unsurprising. At the moment of collapse it suddenly became obvious that Soviet life had always seemed simultaneously eternal and stagnating, vigorous and ailing, bleak and full of promise. Although these characteristics may appear mutually exclusive, in fact they were mutually constitutive. This book explores the paradoxes of Soviet life during the period of "late socialism" (1960s-1980s) through the eyes of the last Soviet generation. Focusing on the major transformation of the 1950s at the level of discourse, ideology, language, and ritual, Alexei Yurchak traces the emergence of multiple unanticipated meanings, communities, relations, ideals, and pursuits that this transformation subsequently enabled. His historical, anthropological, and linguistic analysis draws on rich ethnographic material from Late Socialism and the post-Soviet period. The model of Soviet socialism that emerges provides an alternative to binary accounts that describe that system as a dichotomy of official culture and unofficial culture, the state and the people, public self and private self, truth and lie--and ignore the crucial fact that, for many Soviet citizens, the fundamental values, ideals, and realities of socialism were genuinely important, although they routinely transgressed and reinterpreted the norms and rules of the socialist state.
Author: William Jay Risch
Author: William Jay Risch
Author: Timothy W. Ryback
Author: James Riordan
Author: Sergei I. Zhuk
Author: Ewa Mazierska
Author: Thomas Cushman
Author: Alexander Herbert
Author: Joanna Stingray
Author: Artemy Troitsky
Author: Alexei Yurchak