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Author: Alexander Pepple Publisher: ISBN: 9780986533808 Category : Poetry Languages : en Pages : 0
Book Description
The Able Muse Anthology -- from the new Able Muse Press -- celebrates Able Muse's journey through its first decade and beyond, by showcasing the best of the published poetry, fiction, essays, interviews, book reviews, art and photography, including a foreword by Timothy Steele. This anthology has received high praise and acclaim from Dana Gioia, David Mason, Charles Martin, Catharine Savage-Brosman, X.J. Kennedy, Catharine Savage Brosman and others. PRAISE FOR THE ABLE MUSE ANTHOLOGY: . . . This book fills an important gap in understanding what is really happening in early twenty first century American poetry. - Dana Gioia. . . . You hold in your hands a remarkable anthology of poems, translations, an interview, essays, short stories and visual art. - David Mason. . . . This extraordinarily rich collection of fiction, poetry, essays and art by so many gifted enablers of the Muse is both a present satisfaction and a promise of future performance. - Charles Martin. . . . Neither unskilled, lethargic, nor distracted from their proper enterprise, the muses in the past decade have been singularly able, as this outstanding anthology of work from The Able Muse demonstrates. - Catharine Savage-Brosman. . . . Here's a generous serving of the cream of Able Muse, including not only formal verse but nonmetrical work that also displays careful craft, memorable fiction (seven remarkable stories), striking artwork and photography, and incisive critical prose. - X.J. Kennedy. CONTENTS: FOREWORD by Timothy Steele. INTRODUCTION by Alexander Pepple. FICTION -- Kristen Edwards, Thaisa Frank, Delaney Lundberg, Marge Lurie, Molly Malone, Dennis Must, Nina Schuyler. ESSAYS & BOOK REVIEWS -- Suzanne J. Doyle (on Turner Cassity), Daniel L. Corrie, Leslie Monsour (on Richard Wilbur). INTERVIEWS -- Kevin Durkin (with Timothy Steele). POETRY TRANSLATION -- Charles Baudelaire translated by Jennifer Reeser, translations from the Persian by Dick Davis, Hafiz translated by Jeffrey Einboden and John Slater, Louise Labé translated by Annie Finch, Petrarch translated by A.M. Juster, Giovanni Pascoli translated by Geoffrey Brock. POETRY -- Brian Culhane, Shekhar Aiyar, Rhina P. Espaillat, Geoffrey Brock, Kate Benedict, Turner Cassity, Cally Conan-Davies, Catherine Chandler, Maryann Corbett, Kevin Durkin, John Beaton, Stephen Edgar, Annie Finch, Jeff Holt, R.S. Gwynn, Rachel Hadas, Dolores Hayden, Beth Houston, Mark Jarman, Julie Kane, Julie Carter, Rose Kelleher, Robin Kemp, X.J. Kennedy, Len Krisak, Lyn Lifshin, April Lindner, Thomas David Lisk, Dennis Loney, Amit Majmudar, Ted McCarthy, Mebane Robertson, Richard Moore, Esther Greenleaf Mürer, Timothy Murphy, Estill Pollock, Aaron Poochigian, Jay Prefontaine, Chelsea Rathburn, Leslie Monsour, A.E. Stallings, Timothy Steele, Richard Wakefield, David Stephenson, Alan Sullivan, Marilyn L. Taylor, Diane Thiel, Deborah Warren, Geraldine Connolly, Robert West, Gail White, Bob Watts, Kim Bridgford, William Conelly. ART & PHOTOGRAPHY -- Üzeyir Lokman Çayci, Andrew Dolphin, Misha Gordin, Terri Graham, Solitaire Miles, Billy Monday, Royena Rasnat, Linda Spencer, Kamil Varga, Christopher Woods.
Author: Alexander Pepple Publisher: ISBN: 9780986533808 Category : Poetry Languages : en Pages : 0
Book Description
The Able Muse Anthology -- from the new Able Muse Press -- celebrates Able Muse's journey through its first decade and beyond, by showcasing the best of the published poetry, fiction, essays, interviews, book reviews, art and photography, including a foreword by Timothy Steele. This anthology has received high praise and acclaim from Dana Gioia, David Mason, Charles Martin, Catharine Savage-Brosman, X.J. Kennedy, Catharine Savage Brosman and others. PRAISE FOR THE ABLE MUSE ANTHOLOGY: . . . This book fills an important gap in understanding what is really happening in early twenty first century American poetry. - Dana Gioia. . . . You hold in your hands a remarkable anthology of poems, translations, an interview, essays, short stories and visual art. - David Mason. . . . This extraordinarily rich collection of fiction, poetry, essays and art by so many gifted enablers of the Muse is both a present satisfaction and a promise of future performance. - Charles Martin. . . . Neither unskilled, lethargic, nor distracted from their proper enterprise, the muses in the past decade have been singularly able, as this outstanding anthology of work from The Able Muse demonstrates. - Catharine Savage-Brosman. . . . Here's a generous serving of the cream of Able Muse, including not only formal verse but nonmetrical work that also displays careful craft, memorable fiction (seven remarkable stories), striking artwork and photography, and incisive critical prose. - X.J. Kennedy. CONTENTS: FOREWORD by Timothy Steele. INTRODUCTION by Alexander Pepple. FICTION -- Kristen Edwards, Thaisa Frank, Delaney Lundberg, Marge Lurie, Molly Malone, Dennis Must, Nina Schuyler. ESSAYS & BOOK REVIEWS -- Suzanne J. Doyle (on Turner Cassity), Daniel L. Corrie, Leslie Monsour (on Richard Wilbur). INTERVIEWS -- Kevin Durkin (with Timothy Steele). POETRY TRANSLATION -- Charles Baudelaire translated by Jennifer Reeser, translations from the Persian by Dick Davis, Hafiz translated by Jeffrey Einboden and John Slater, Louise Labé translated by Annie Finch, Petrarch translated by A.M. Juster, Giovanni Pascoli translated by Geoffrey Brock. POETRY -- Brian Culhane, Shekhar Aiyar, Rhina P. Espaillat, Geoffrey Brock, Kate Benedict, Turner Cassity, Cally Conan-Davies, Catherine Chandler, Maryann Corbett, Kevin Durkin, John Beaton, Stephen Edgar, Annie Finch, Jeff Holt, R.S. Gwynn, Rachel Hadas, Dolores Hayden, Beth Houston, Mark Jarman, Julie Kane, Julie Carter, Rose Kelleher, Robin Kemp, X.J. Kennedy, Len Krisak, Lyn Lifshin, April Lindner, Thomas David Lisk, Dennis Loney, Amit Majmudar, Ted McCarthy, Mebane Robertson, Richard Moore, Esther Greenleaf Mürer, Timothy Murphy, Estill Pollock, Aaron Poochigian, Jay Prefontaine, Chelsea Rathburn, Leslie Monsour, A.E. Stallings, Timothy Steele, Richard Wakefield, David Stephenson, Alan Sullivan, Marilyn L. Taylor, Diane Thiel, Deborah Warren, Geraldine Connolly, Robert West, Gail White, Bob Watts, Kim Bridgford, William Conelly. ART & PHOTOGRAPHY -- Üzeyir Lokman Çayci, Andrew Dolphin, Misha Gordin, Terri Graham, Solitaire Miles, Billy Monday, Royena Rasnat, Linda Spencer, Kamil Varga, Christopher Woods.
Author: Alexander Pepple Publisher: Able Muse, Print Edition ISBN: 9781773491158 Category : Literary Collections Languages : en Pages : 182
Book Description
This is the annual Able Muse Review (Print Edition - Winter 2021/22, Number 29), a review of poetry, prose & art: with winning & finalist story and poems from the 2021 Write Prize; Distance art show; featured poet: Rhina P. Espaillat.
Author: Alexander Pepple Publisher: Able Muse Press ISBN: 1927409462 Category : Foreign Language Study Languages : en Pages : 228
Book Description
This is the seminannual Able Muse Review (Print Edition) - Summer 2014 issue, Number 17. This issue continues the tradition of masterfully crafted poetry, fiction, essays, art & photography, and book reviews that have become synonymous with the Able Muse-online and in print. After more than a decade of online publishing excellence, Able Muse print edition maintains the superlative standard of the work presented all these years in the online edition, and, the Able Muse Anthology (Able Muse Press, 2010). ". . . [ ABLE MUSE ] fills an important gap in understanding what is really happening in early twenty-first century American poetry." - Dana Gioia. CONTENTS: A TRANSLATION ANTHOLOGY FEATURE ISSUE - Guest Edited by Charles Martin EDITORIAL - Alexander Pepple. GUEST EDITORIAL - Charles Martin. ESSAYS - Michael Palma. POETRY TRANSLATIONS BY - X.J. Kennedy, A.E. Stallings, Rachel Hadas, William Baer, Willis Barnstone, Tony Barnstone, Michael Palma, Dick Davis, Jay Hopler, Ned Balbo, N.S. Thompson, John Ridland, Kate Light, John Whitworth, Andrew Frisardi, Diane Furtney, Teresa Iverson, Julie Kane, Maryann Corbett, Bilal Shaw, Mark S. Bauer, Michael Bradburn-Ruster, Heidi Czerwiec, Claudia Routon, Brett Foster, Catherine Chandler, Terese Coe, Adam Elgar, Rima Krasauskytė, Kent Leatham, R.C. Neighbors, Deborah Ann Percy, Dona Roşu, Arnold Johnston, Maria Picone, Robert Schechter, Wendy Sloan, Jeff Sypeck, Ryan Wilson, Shifra Zisman, Laine Zisman Newman. POETRY TRANSLATIONS OF - Victor Hugo, Arthur Rimbaud, C.P. Cavafy, Fernando Pessoa, Miguel de Unamuno, Catullus, Charles Baudelaire, Francesco Petrarch, Rainer Maria Rilke, Asadullah Khan Ghalib, Horace, Martial, José Luis Puerto, José Corredor-Matheos, Cecco Angiolieri, Delmira Agustini, Heinrich Heine, Christine de Pizan, Nur Jahan, Ayesheh-ye afghan, Jahan Khanom, Reshheh, Gaspara Stampa, Dante Alighieri, Armand Sully Prudhomme, Gérard de Nerval, François Villon, Euripides, Georg Trakl, Nelly Sachs, Tautvyda Marcinkevičiūtė, Gavin Douglas, William Fowler, William Dunbar, Bertolt Brecht, Antonio Malatesti, Giovanni Raboni, Fosildo Mirtunzio (Pseudonym), Zaharia Stancu, Paul Valéry, Tove Ditlevsen, Sor Juana Inés de la Cruz, Giacomo Leopardi, Paul the Deacon, Giovanni Pascoli, Meleager, Lope de Vega, Dovid Zisman.
Author: Maryann Corbett Publisher: Able Muse Press ISBN: 1773490540 Category : Poetry Languages : en Pages : 92
Book Description
In Code was born out of Maryann Corbett’s years of work for the Minnesota Legislature, with a nonpartisan office that mandated that she maintain a public silence about politics. In poems that go from elegiac to fiery to funny, she examines behind-the-scenes legislative labor and the people who do it, the tensions of working for government in a climate hostile to government, and the buildings and grounds that put a beautiful face on a history full of ambiguities. This well-honed collection, Corbett's fifth, reflects on doublespeak and public poses; on coworkers and commutes; on legalese, courts, and elections; on news and history; and at last on retirement—through poems masterfully deployed in a dazzling array of forms: including the prose poem, the sonnet, the ghazal, the villanelle, and the canzone. Maryann Corbett is a candid, wistful, purposeful, and meditative poet in command of her craft. Of her years working for the Minnesota Legislature, Maryann Corbett writes in Rattle: "There was the frisson supplied by the constant presence of the media, the satisfaction of believing one's work served the public, the thrill of working with smart, motivated people, the pleasure of being surrounded by the striking buildings and gardens of the Capitol grounds, the sense of history. There was also the uncomfortable awareness that with every legislative session there are winners and losers, and that the same battles for justice are fought, and often lost, by the same people, year after year." In Code features poems that reflect on both those pleasures and that discomfort, as in these lines from "Seven Little Poems about Making Laws": Capitol café: German proverbs, whitewashed since 1917, are restored to view with bright applause. Old hatreds have new objects now. PRAISE FOR MARYANN CORBETT: Ned Balbo: . . . an extraordinary poet. Tony Barnstone: . . . metrical poetry infused with gorgeous imagery and the vernacular of our scientized world. Richard Wilbur: . . . accurate and delightful. Rhina P. Espaillat: . . . every section touches me and keeps calling me back. A.M. Juster: . . . wit without meanness, warmth without sentimentality, and craft without pretension. Geoffrey Brock: . . . one of the best-kept secrets of American poetry. Marilyn Taylor: . . . poignant, perceptive, exquisitely formed poems . . . a poet to be genuinely grateful for. Peter Campion: . . . a poet of the first order. Willis Barnstone: . . . a newborn Robert Frost, with a wicked eye for contemporary life. Susan McLean: . . . a stunner. ABOUT THE AUTHOR: Maryann Corbett earned a doctorate in English in 1981, with a specialization in medieval literature and linguistics. She expected to be teaching Beowulf and Chaucer and the history of the English language. Instead, she spent almost thirty-five years working for the Minnesota Legislature, helping attorneys to write in plain English and coordinating the creation of finding aids for the law. She is the author of five books of poetry and is a past winner of the Richard Wilbur Award and the Willis Barnstone Translation Prize. Her work is widely published in journals on both sides of the Atlantic and is included in anthologies like Measure for Measure: An Anthology of Poetic Meters and The Best American Poetry 2018.
Author: D.R. Goodman Publisher: Able Muse Press ISBN: 1927409373 Category : Poetry Languages : en Pages : 114
Book Description
Greed: A Confession showcases D.R. Goodman’s honed sensitivity to the human experience and the natural world around us. Her sensible scientific background melds with a meditative outlook: “this// is a vertebra/ from a cow.// It will win no prize./ It is just the childish wonder/ from which the rest derives.” This collection is a wellspring of keen observations, insight and secrets of nature, freely spilling out for those greedy for knowledge and enlightenment—as in the immediacy of “a certain joy/ that depends on nothing” and “wraps a tightness around your heart.” Here is a masterfully crafted finalist for the 2013 Able Muse Book Award—one brimming with delight, wit and insight. PRAISE FOR GREED: A CONFESSION I feel incredibly fortunate to have learned of D. R. Goodman’s poetry. Her technical control and powers of observation are extraordinary; diction, meter, and rhyming, superb. Writing about an egret, she details its “mind,/ a laser-focused eye, the weight of will”—attributes that apply equally to the poet. In “Autumn in a Place Without Winter,” she says, “The season brings/ no clarity, but this: we’re here, alive. . . .” This poet is alive to everything. You want this book. It’s terrific. —Kelly Cherry Goodman is greedy for things of this world—not in the rapacious, bottom-line manner of plutocrats, misers, and Wall Street brokers but for the enlightenment of the senses and the enrichment of her poetry. She’s sharing the wealth she accumulates. —John Drury (from the foreword) At the core of Greed: A Confession are natural ironies, or disjunctures, or improbabilities replete with intrigue. The poems are frames through which we view the events. D.R. Goodman is a scientist of natural history, which, for her, includes human experience. The poet shows us how to see. The deep pleasure she takes in the process displays itself, with characteristic irony, in “A Certain Joy.” —Clive Matson D.R. Goodman’s carefully crafted poems register a deep appreciation of the intricate meanings emanating from Nature’s tangible riches. “Depth cannot hide” from Goodman’s keen eye. “And so it flutters, sings,/ Betrays itself upon the face of things.” From the sudden appearance of a hundred tiny, freshly metamorphosed frogs, to ginkgo leaves’ brilliant, moonlit gold that “spurs imagination to those old/ heroic, dangerous quests of greed and sin,” the wondrous wealth of existence evokes joy that compels the poet to confess her “greed” in the presence of such good fortune. Even the blithe partake of a “certain joy”—certain: particular and definite—that is not attained or stumbled upon; it simply is—the gift of being: “There is a certain joy/ that depends on nothing./ One inhabits it./ It is there in the day/ when you walk out, whether chill and gray/ or magnified by light, and you inhale it.” Complex yet accessible, these formal and free-verse poems gift us with abundant insights to enjoy. —Beth Houston
Author: Will Cordeiro Publisher: Able Muse Press ISBN: 1773490583 Category : Poetry Languages : en Pages : 130
Book Description
Will Cordeiro's Trap Street travels a shifting landscape. Keenly observed deserts, woods, highways, seaside enclaves, mountainsides, and motels parade in an expansive sweep of the natural and the manmade, often returning to inhabited settings and navigating spirited-to-tense family and social situations. Cordeiro's vivid musings are deployed with a precision of craft and diction, buttressed by symphonic wordsmithing worthy of a lexicographer. This exceptional debut poetry collection, winner of the 2019 Able Muse Book Award, does not look away from either grime or beauty, but lays bare the nature of things. PRAISE FOR TRAP STREET The formal elegance and beauty of these poems clash smartly with the hardscrabble world where they occur. Back-road towns and landscapes, down-and-out rust belt cities, the worn-out West-this is a book that bears witness to the fizzled American dream. What's left? Mindless jobs, litter, distraction, addiction, voiceless anxiety, environmental desecration, and we are to make a meaningful life from this. These are poems written in the long pastoral tradition, except the pristine, inspiring pasture-scene, starkly, is no longer there. I expect there is a bit of exaggeration here, along with the honest depiction, and that makes this a book both of witness and warning. -Maurice Manning, author of Railsplitter Trap Street is a map of vanishing dreams, true to the country as it struggles to exist. Yet the person who inhabits these poems has dignified the writing of them with real care and an ear for the elevated vernacular. His declaration that "Earth's everything I am" runs through every page of the book, mordant, restless, and abiding. -David Mason, 2019 Able Muse Book Award judge, author of The Sound "Not everything must have some cosmic meaning." That is the sort of red-wheelbarrow faith Will Cordeiro depends on as his adventurous eye records the variegated appearance of the natural and manmade world, no detail too small to merit commemoration. The scholastic philosopher Duns Scotus cited the "haecceitas" ("this-ness") of observed experience as one component in the quest for the divine, so there is every reason to regard Cordeiro's poems as bridging the gap between life's overlooked detritus and exalted vision itself. And visual acuity here is matched by a strenuous verbality, color-coordinated vowels informing chewable consonants in a lexicon ranging from "cattywampus" to "glumes" to "blear." It's a pied-beauty diction and syntax that remind me of Hopkins and Marianne Moore. We should all join in welcoming Will Cordeiro's amazing debut. -Alfred Corn, author of The Poem's Heartbeat ABOUT THE AUTHOR: Will Cordeiro has work published in Agni, Best New Poets, the Cincinnati Review, Copper Nickel, the Offing, DIAGRAM, Poetry Northwest, Threepenny Review, THRUSH Poetry Journal, and elsewhere. Will coedits the small press Eggtooth Editions and is grateful for a grant from the Arizona Commission on the Arts, a scholarship from Sewanee Writers' Conference, and a Truman Capote Writer's Fellowship, as well as residencies from ART 342, Blue Mountain Center, Ora Lerman Trust, Petrified Forest National Park, and Risley Residential College. Will received an MFA and PhD from Cornell University. Will is also coauthor of Experimental Writing: A Writer's Guide and Anthology, forthcoming from Bloomsbury. Currently, Will lives in Flagstaff and teaches in the Honors College at Northern Arizona University.
Author: Katie Hartsock Publisher: Able Muse Press ISBN: 1927409667 Category : Poetry Languages : en Pages : 144
Book Description
Katie Hartsock’s Bed of Impatiens is astir in myths and mythmaking in the backdrop of the grit, waters, scenes and atmospheres of the Midwest. While its tributes to Saint Augustine’s Confessions are by turns meditative and daring, its travelogue of “Hotels, Motels, and Extended Stays” is quirky, irreverent and, yes, delightful. In Bed of Impatiens you can feel “the bliss/ and the burning too.” Little wonder it is a finalist in the 2015 Able Muse Book Award. PRAISE FOR BED OF IMPATIENS: Has American poetry ever produced a fresher, savvier, grittier, more elegant, and drop-dead formally exhilarating sequence than Katie Hartsock’s “Hotels, Motels, and Extended Stays”? If so, I’ve yet to see it. Hartsock is as deft (and loving) with the vulgarities of truck stop rent-by-the-hour as with the secret wit of rhyme, or the venerables of Homeric epic: her range and her inventiveness appear to know no limit. And this is just a fraction of what bursts to life in Bed of Impatiens. I’m dazzled by the sheer bounty of it. -Linda Gregerson Like René Magritte I want to paint “This is not a first book” under this first book. It is Lolita all grown up and taking us on a cross-country tour of the motels she stayed in with Humbert. It’s St. Augustine as Dennis Rodman, elbowing us out of position underneath God’s basket. But it’s not a cacophony of surrealism. Ms. Hartsock’s classical training-her knowledge and powerful rhythms-is the ground, the spine of this book (pun intended); but the excitement is watching the ancient and the contemporary meet in an explosion of true Form. -James Cummins Katie Hartsock’s Bed of Impatiens characteristic vantage includes landscapes derelict and macabre, like the flooded grave in the first poem, and the endless highways of the US, with their extended-stay motels and the ghosts that inhabit them. Hartsock is a sharp and clever reader of the books of nature and of art, yet writes in nobody’s shadow. -Mary Kinzie What truth to find in a world whose rivers “we cannot swim in and no/ cannot drink the water/ cannot imagine that,” a land of “seedless sweetness” and dank motels that are its monuments to transience? Katie Hartsock’s answer in her ambitious first collection, Bed of Impatiens, is to wander and “let the weather in,” to keep recalibrating her position in an ever-shifting poetic landscape. -Lee Sharkey Katie Hartsock is attracted to “beauty in otherwise unlovely place.” An often amused and goodhearted spirit sets the tone of some of Hartsock’s poems, but the long historical and literary view of this poet also encompasses the tragic. Open to encounter, memory, feeling, avid for them, eloquent about them, these poems. -Reginald Gibbons (from the foreword)
Author: Jan D. Hodge Publisher: Able Muse Press ISBN: 1927409578 Category : Poetry Languages : en Pages : 80
Book Description
An eclectic mix of shapes and subjects populate Taking Shape—Jan D. Hodge’s full-length collection of carmina figurata (sometimes called shaped poems, pattern poetry, or figure poems). Hodge’s many masterpieces include depictions of a saxophone, a Madonna and Child, a combination piano/guillotine, and other silhouettes of amazing difficulty and detail. These poems are not only visually stunning, they are also sonically beautiful, and retain a transcendent freedom while conforming to both illustrative and metrical constraints. Taking Shape is a visual feast of inspired poetry. PRAISE FOR TAKING SHAPE: Are not all printed formal poems shaped poems? The sonnet, the hymn, the sestina, and the ghazal all have characteristic shapes rather like boxes that confine their subjects. In Jan D. Hodge’s Taking Shape the subjects have burst from their cages and confront us immediately with what they are. Then the words they are made of can reveal their inner beings. The long closure of “Spring” describes the best way to read these poems. I have long known what prayer is, but I never knew what one looked like until I read “Madonna and Child.” — Fred Chappell, author of The Fred Chappell Reader Here is a perfect matching of shapes and poetry. Through a wide-ranging array of subjects and tones, Hodge’s mastery of language within such challenging constraints is truly impressive. Syntax and rhythm, metaphor and symbol (see for instance “The One That Got Away” or “The Lesson of the Snow”), conversational snippets and quatrains, are surprisingly nuanced. Even the occasional poems—wedding, elegy, Valentine’s day, Halloween, Christmas, an early morning poetry reading—find new things to say and striking ways to say them. These poems reward reading again and again. — Robert J. Conley, author of Mountain Windsong Jan D. Hodge is the master par excellence of carmina figurata. In Taking Shape you’ll see such word-pictures as the Chinese ideogram for spring; a harpsichord poised before a guillotine; a still life with quill pen and ink bottle, T-square and drafting triangle. More amazing still, Hodge forms many of the intricate images with metered language—in one case in medieval alliterative verse! In a poem about baseball Hodge writes, “forgiveness/ is the best/ we dare hope for in this bruised world/ the thinnest/ chance that lets us somehow/ slide home free”; here “only by grace . . . can we be safe.” Hodge knows of grace, his poems are full of grace, and Taking Shape, like grace itself, is a gift of utter beauty. — Vince Gotera, Editor, North American Review
Author: Alexander Pepple
Author: Alexander Pepple
Author: Alexander Pepple
Author: Alexander Pepple
Author: Maryann Corbett
Author: Hailey Leithauser
Author: D.R. Goodman
Author: Will Cordeiro
Author: Jacob M. Appel
Author: Katie Hartsock
Author: Jan D. Hodge