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Author: Michel Foucault Publisher: U of Minnesota Press ISBN: 1452944938 Category : Philosophy Languages : en Pages : 140
Book Description
As a transformative thinker of the twentieth century, whose work spanned all branches of the humanities, Michel Foucault had a complex and profound relationship with literature. And yet this critical aspect of his thought, because it was largely expressed in speeches and interviews, remains virtually unknown to even his most loyal readers. This book brings together previously unpublished transcripts of oral presentations in which Foucault speaks at length about literature and its links to some of his principal themes: madness, language and criticism, and truth and desire. The associations between madness and language—and madness and silence—preoccupy Foucault in two 1963 radio broadcasts, presented here, in which he ranges among literary examples from Cervantes and Shakespeare to Diderot, before taking up questions about Artaud’s literary correspondence, lettres de cachet, and the materiality of language. In his lectures on the relations among language, the literary work, and literature, he discusses Joyce, Proust, Chateaubriand, Racine, and Corneille, as well as the linguist Roman Jakobson. What we know as literature, Foucault contends, begins with the Marquis de Sade, to whose writing—particularly La Nouvelle Justine and Juliette—he devotes a full two-part lecture series focusing on notions of literary self-consciousness. Following his meditations on history in the recently published Speech Begins after Death, this current volume makes clear the importance of literature to Foucault’s thought and intellectual development.
Author: Michel Foucault Publisher: U of Minnesota Press ISBN: 1452944938 Category : Philosophy Languages : en Pages : 140
Book Description
As a transformative thinker of the twentieth century, whose work spanned all branches of the humanities, Michel Foucault had a complex and profound relationship with literature. And yet this critical aspect of his thought, because it was largely expressed in speeches and interviews, remains virtually unknown to even his most loyal readers. This book brings together previously unpublished transcripts of oral presentations in which Foucault speaks at length about literature and its links to some of his principal themes: madness, language and criticism, and truth and desire. The associations between madness and language—and madness and silence—preoccupy Foucault in two 1963 radio broadcasts, presented here, in which he ranges among literary examples from Cervantes and Shakespeare to Diderot, before taking up questions about Artaud’s literary correspondence, lettres de cachet, and the materiality of language. In his lectures on the relations among language, the literary work, and literature, he discusses Joyce, Proust, Chateaubriand, Racine, and Corneille, as well as the linguist Roman Jakobson. What we know as literature, Foucault contends, begins with the Marquis de Sade, to whose writing—particularly La Nouvelle Justine and Juliette—he devotes a full two-part lecture series focusing on notions of literary self-consciousness. Following his meditations on history in the recently published Speech Begins after Death, this current volume makes clear the importance of literature to Foucault’s thought and intellectual development.
Author: Michel Foucault Publisher: University of Chicago Press ISBN: 022677483X Category : Literary Criticism Languages : en Pages : 237
Book Description
"This remarkable volume brings together texts that reveal a unique perspective on Foucault's work on the interrelated topics of madness, language, and literature in the second half of the 1960s. Not only do these texts develop analyses and concepts that cannot be found anywhere else in Foucault's oeuvre, but they also show that Foucault's relation to structuralism in those years was far more complex and rich than he himself was ready to acknowledge. They show, more precisely, that between The Order of Things and The Archaeology of Knowledge, and specifically in relation to madness, literature, and literary criticism, Foucault turned to structuralism not only to challenge the central role attributed to the human subject, but also to analyze language and human experience as in a way detached from the historical conditions of their emergence and production. Madness, Language, Literature is organized around three main issues: the status and place of the madman in our societies; the relationship between madness, language, and literature in Baroque theater, the theater of cruelty by Antonin Artaud, and the work of Raymond Roussel; and the evolution of literary criticism in the 1960s. A study of the "absence of a work" in Balzac and of the relationship between desire and knowledge in Flaubert completes this ensemble, presenting a side of Foucault somewhat different from the one we know from the texts he published during this time"--
Author: Elie Wiesel Publisher: Schocken ISBN: 0805212124 Category : Fiction Languages : en Pages : 289
Book Description
Now in paperback, Wiesel’s newest novel “reminds us, with force, that his writing is alive and strong. The master has once again found a startling freshness.”—Le Monde des Livres A European expatriate living in New York, Doriel suffers from a profound sense of desperation and loss. His mother, a member of the Resistance, survived World War II only to die soon after in France in an accident, together with his father. Doriel was a hidden child during the war, and his knowledge of the Holocaust is largely limited to what he finds in movies, newsreels, and books. Doriel’s parents and their secrets haunt him, leaving him filled with longing but unable to experience the most basic joys in life. He plunges into an intense study of Judaism, but instead of finding solace, he comes to believe that he is possessed by a dybbuk. Surrounded by ghosts, spurred on by demons, Doriel finally turns to Dr. Thérèse Goldschmidt, a psychoanalyst who finds herself particularly intrigued by her patient. The two enter into an uneasy relationship based on exchange: of dreams, histories, and secrets. And despite Doriel’s initial resistance, Dr. Goldschmidt helps bring him to a crossroads—and to a shocking denouement. “In its own high-stepping yet paradoxically heart-wracking way, [Wiesel’s novel] can most assuredly be considered beautiful (almost beyond belief).”—The Philadelphia Inquirer
Author: Daniel Berthold-Bond Publisher: SUNY Press ISBN: 9780791425053 Category : Philosophy Languages : en Pages : 332
Book Description
This book shows how an understanding of the nature and role of insanity in Hegel's writing provides intriguing new points of access to many of the central themes of his larger philosophic project. Berthold-Bond situates Hegel's theory of madness within the history of psychiatric practice during the great reform period at the turn of the eighteenth century, and shows how Hegel developed a middle path between the stridently opposed camps of "empirical" and "romantic" medicine, and of "somatic" and "psychical" practitioners. A key point of the book is to show that Hegel does not conceive of madness and health as strictly opposing states, but as kindred phenomena sharing many of the same underlying mental structures and strategies, so that the ontologies of insanity and rationality involve a mutually illuminating, mirroring relation. Hegel's theory is tested against the critiques of the institution of psychiatry and the very concept of madness by such influential twentieth-century authors as Michel Foucault and Thomas Szasz, and defended as offering a genuinely reconciling position in the contemporary debate between the "social labeling" and "medical" models of mental illness.
Author: Sylvère Lotringer Publisher: U of Minnesota Press ISBN: 1937561925 Category : Philosophy Languages : en Pages : 176
Book Description
Those who are mad like Antonin Artaud, are they just as mad as he was? Madness, like the plague, is contagious, and everyone, from his psychiatrists to his disciples, family, and critics, everyone who gets close to Artaud, seems to participate in his delirium. Sylvère Lotringer explores various embodiments of this shared delirium through what Artaud called “mental dramas”—a series of confrontations with his witnesses or “persecutors” where we uncover the raw delirium at work, even in Lotringer himself. Mad Like Artaud does not intend to add one more layer of commentary to the bitter controversies that have been surrounding the cursed poet’s work since his death in 1948, nor does it take sides among the different camps who are still haggling over his corpse. This book speaks of the site where “madness” itself is simmering.
Author: Michel Foucault Publisher: ISBN: 9780816683208 Category : LITERARY CRITICISM Languages : en Pages : 0
Book Description
Speech Begins after Death is a transcript of critic Claude Bonnefoy's interview with Michel Foucault in which he reflects on his approach to the written word throughout his life, from his school days to his discovery of the pleasure of writing. Never before published in English, this is one of Foucault's most personal statements about his life and writing.
Author: Michel Foucault Publisher: Vintage ISBN: 0307833100 Category : History Languages : en Pages : 320
Book Description
Michel Foucault examines the archeology of madness in the West from 1500 to 1800 - from the late Middle Ages, when insanity was still considered part of everyday life and fools and lunatics walked the streets freely, to the time when such people began to be considered a threat, asylums were first built, and walls were erected between the "insane" and the rest of humanity.
Author: M. Guy Thompson Publisher: Routledge ISBN: 1317653971 Category : Philosophy Languages : en Pages : 212
Book Description
A stunning exploration of the relation between desire and psychopathology, The Death of Desire is a unique synthesis of the work of Laing, Freud, Nietzsche, and Heidegger that renders their often difficult concepts brilliantly accessible to and usable by psychotherapists of all persuasions. In bridging a critical gap between phenomenology and psychoanalysis, M. Guy Thompson, one of the leading existential psychoanalysts of our time, firmly re-situates the unconscious – what Freud called "the lost continent of repressed desires" – in phenomenology. In so doing, he provides us with the richest, most compelling phenomenological treatment of the unconscious to date and also makes Freud’s theory of the unconscious newly comprehensible. In this revised and updated second edition to the original published in 1985, M. Guy Thompson takes us inside his soul-searching seven-year apprenticeship with radical psychiatrist R. D. Laing and his cohorts as it unfolded in counterculture London of the 1970s. This rite de passage culminates with a four-year sojourn inside one of Laing’s post-Kingsley Hall asylums, where Laing’s unorthodox conception of treatment dispenses with conventional boundaries between "doctor" and "patient." In this unprecedented exploration, Thompson reveals the secret to Laing’s astonishing alternative to the conventional psychiatric and psychoanalytic treatment schemes. Movingly written and deeply personal, Thompson shows why the very concept of "mental illness" is a misnomer and why sanity and madness should be understood instead as inherently puzzling stratagems that we devise in order to protect ourselves from intolerable mental anguish. The Death of Desire offers a provocative and challenging reappraisal of depth psychotherapy from an existential perspective that will be of interest to psychoanalysts, psychotherapists, philosophers, social scientists, and students of the human condition.
Author: Azucena G. Blanco Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110669005 Category : Literary Criticism Languages : en Pages : 245
Book Description
This study proposes a revised interpretation of Foucault’s views on literature. It has been argued that the philosopher’s interest in literature was limited to the 1960s and of a mostly depoliticized nature. However, Foucault’s previously unpublished later works suggest a different reality, showing a sustained interest in literature and its politics. In the light of this new material, the book repositions Foucault's ideas within recent debates on the politics of literature.
Author: Galen A. Johnson Publisher: Fordham University Press ISBN: 0823288145 Category : Philosophy Languages : en Pages : 192
Book Description
Merleau-Ponty has long been known as one of the most important philosophers of aesthetics, yet most discussions of his aesthetics focus on visual art. This book corrects that balance by turning to Merleau-Ponty's extensive engagement with literature. From Proust, Merleau-Ponty developed his conception of “sensible ideas,” from Claudel, his conjoining of birth and knowledge as “co-naissance,” from Valéry came “implex” or the “animal of words” and the “chiasma of two destinies.” Literature also provokes the questions of expression, metaphor, and truth and the meaning of a Merleau-Pontian poetics. The poetic of Merleau-Ponty is, the book argues, a poetic of the flesh, a poetic of mystery, and a poetic of the visible in its relation to the invisible. Ultimately, theoretical figures or “figuratives” that appear at the threshold between philosophy and literature enable the possibility of a new ontology. What is at stake is the very meaning of philosophy itself and its mode of expression.
Author: Michel Foucault
Author: Michel Foucault
Author: Michel Foucault
Author: Elie Wiesel
Author: Daniel Berthold-Bond
Author: Sylvère Lotringer
Author: Michel Foucault
Author: Michel Foucault
Author: M. Guy Thompson
Author: Azucena G. Blanco
Author: Galen A. Johnson