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Author: Michael Glencross Publisher: Boydell & Brewer ISBN: 9780859914635 Category : Literary Collections Languages : en Pages : 216
Book Description
This book examines French Romantic medievalism through one of its many manifestations, the treatment of the Arthurian legends. Examining works of historiography and literary history, as well as literary texts proper, it assesses the place of the Arthurian material in French culture in the period up to 1860, the date of publication of Edgar Quinet's Merlin l'enchanteur. In so doing, it reveals key features of French Romanticism and traces the origins of some of the problems and contradictions which still affect the practice of medieval studies, the study of medieval literature, and the representation of the Middle Ages. The author argues that the depiction of Arthurian legends in French Romantic writing discloses some of the underlying ideological positions of the movement, such as the division between liberal and royalist views of the Middle Ages and the construction of a French national identity. He also explores the developing tensions between the interests of a general literary public and the ambitions of scholars seeking to define and promote medieval literature as an emerging field of study. In addition to scholars such as Claude Fauriel, Paulin Paris and Francisque Michel, other important figures in French Romanticism are considered, including Edgar Quinet and Michelet.
Author: Michael Glencross Publisher: Boydell & Brewer ISBN: 9780859914635 Category : Literary Collections Languages : en Pages : 216
Book Description
This book examines French Romantic medievalism through one of its many manifestations, the treatment of the Arthurian legends. Examining works of historiography and literary history, as well as literary texts proper, it assesses the place of the Arthurian material in French culture in the period up to 1860, the date of publication of Edgar Quinet's Merlin l'enchanteur. In so doing, it reveals key features of French Romanticism and traces the origins of some of the problems and contradictions which still affect the practice of medieval studies, the study of medieval literature, and the representation of the Middle Ages. The author argues that the depiction of Arthurian legends in French Romantic writing discloses some of the underlying ideological positions of the movement, such as the division between liberal and royalist views of the Middle Ages and the construction of a French national identity. He also explores the developing tensions between the interests of a general literary public and the ambitions of scholars seeking to define and promote medieval literature as an emerging field of study. In addition to scholars such as Claude Fauriel, Paulin Paris and Francisque Michel, other important figures in French Romanticism are considered, including Edgar Quinet and Michelet.
Author: Joanne Parker Publisher: Oxford University Press ISBN: 0191648272 Category : Literary Criticism Languages : en Pages : 709
Book Description
In 1859, the historian Lord John Acton asserted: 'two great principles divide the world, and contend for the mastery, antiquity and the middle ages'. The influence on Victorian culture of the 'Middle Ages' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This 'medievalism' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically 'Victorian'—in an attempt to emulate their Anglo-Saxon forefathers. Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of 'medievalism' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.
Author: Christopher Prendergast Publisher: OUP Oxford ISBN: 0191527009 Category : Literary Collections Languages : en Pages : 328
Book Description
Focusing on a moment and a source in nineteenth-century France, Christopher Prendergast takes up a big question that is still with us: What is a classic? The question is, by virtue of its insistent recurrence, itself a classic question. It returns to haunt us. It provided the title of a text for French critic Charles-Augustin Sainte-Beuve in 1850 ('Qu'est-ce qu'un classique?'), as it did in the twentieth century for T.S. Eliot and John Coetzee. Centring on Sainte-Beuve in his nineteenth-century context, Prendergast's inquiry takes us historically to many places (antiquity, the middle ages, the seventeenth and eighteenth as well as the nineteenth and early twentieth centuries). He also provides an intellectual history that travels across multiple disciplinary territories (in addition to literary criticism and literary history, classical studies, comparative philology, historiography and political thought). Against this background, The Classic maps the evolution of Sainte-Beuve's thought from an initially cosmopolitan conception of the classic (close in spirit to Goethe's notion of Weltliteratur) to an increasingly nationalist conception, with a strong emphasis on the heritage of Latinity and France as its principal legatee. This emphasis was taken up by the extreme right in France after Sainte-Beuve's death, in a determined mobilizing of a version of the 'classic' on behalf of a proto-fascist agenda. The final chapter deals with this appropriation and ends with a question of our own about Sainte-Beuve's original question: in the light of this bleak history, perhaps the time has come to dispense with the term 'classic' altogether.
Author: Peter H. Goodrich Publisher: Routledge ISBN: 1135583404 Category : Literary Criticism Languages : en Pages : 454
Book Description
This book deals with all aspects of the Merlin legend, from its origins to its expression in medieval and modern literature, film, and popular culture. Two of the reprinted essays are translated into English for the first time.
Author: Thomas Oliphant Publisher: Simon and Schuster ISBN: 1501105582 Category : Political Science Languages : en Pages : 528
Book Description
A “provocative reconstruction of John F. Kennedy’s ‘five-year campaign’ for the White House” (The New Yorker), beginning with his bold, failed attempt to win the vice presidential nomination in 1956 and culminating when he plotted his way to the presidency and changed the way we nominate and elect presidents. John F. Kennedy and his young warriors invented modern presidential politics. They turned over accepted wisdom that his Catholicism was a barrier to winning an election. They hired Louis Harris to become the first presidential pollster. They twisted arms and they charmed. They turned the traditional party inside out. They invented The Missile Gap in the Cold War and out-glamoured Richard Nixon in the TV debates. Now “Thomas Oliphant and Curtis Wilkie, both veteran political journalists, retell the story of this momentous campaign, reminding us of now forgotten details of Kennedy’s path to the White House” (The Wall Street Journal). The authors have examined more than 1,600 oral histories at the John F. Kennedy library; they’ve interviewed surviving sources, including JFK’s sister Jean Smith, and they draw on their own interviews with insiders including Ted Sorensen and Arthur Schlesinger, Jr. From the start of the campaign in 1955, “The Road to Camelot brings much new insight to an important playbook that has echoed through the campaigns of other presidential aspirants as disparate as Barack Obama and Donald Trump. The authors take us step by step on the road to the Kennedy victory, leaving us with an appreciation for the maniacal attention to detail of both the candidate and his brother Robert, the best campaign manager in American political history” (The Washington Post). “A must-read for fans of presidential history” (USA TODAY), this is “an excellent chronicle of JFK’s innovations, his true personality, and how close he came to losing” (Kirkus Reviews, starred review).
Author: Stephen C. Meyer Publisher: Oxford University Press ISBN: 0190658452 Category : Music Languages : en Pages : 736
Book Description
The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Pärt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.
Author: Clare A. Simmons Publisher: Routledge ISBN: 1135782725 Category : History Languages : en Pages : 176
Book Description
Medievalism, the later reception of the Middle Ages, has been used by many writers, not just during the Victorian period but from the Renaissance to the present, as a means of commenting on their own societies and systems of values. Until recently, this self-interest was used to distinguish between Medievalism, a selective, often romanticised, view of the past, and medieval studies, with its quest for an authentic Middle Ages. The essays in this collection suggest that the search for knowledge of a "real" Middle Ages has always been a problematic one, and that the vitality of the vision of Medievalism is demonstrated by its constant adaption to current concerns.
Author: Norris J. Lacy Publisher: Boydell & Brewer Ltd ISBN: 1843840693 Category : Art Languages : en Pages : 306
Book Description
A survey of critical attention devoted to Arthurian matters. This book offers the first comprehensive and analytical account of the development of Arthurian scholarship from the eighteenth century, or earlier, to the present day. The chapters, each written by an expert in the area under discussion, present scholarly trends and evaluate major contributions to the study of the numerous different strands which make up the Arthurian material: origins, Grail studies, editing and translation of Arthurian texts, medieval and modern literatures (in English and European languages), art and film. The result is an indispensable resource for students and a valuable guide for anyone with a serious interest in the Arthurian legend. Contributors: NORRIS LACY, TONY HUNT, KEITH BUSBY, JANE TAYLOR, CHRISTOPHER SNYDER, RICHARD BARBER, SIAN ECHARD, GERALD MORGAN, ALBRECHT CLASSEN, ROGER DALRYMPLE, BART BESAMUSCA, MARIANNE E. KALINKE, BARBARA MILLER, CHRISTOPHER KLEINHENZ, MURIEL WHITAKER, JEANNE FOX-FRIEDMAN, DANIEL NASTALI, KEVIN J. HARTY NORRIS J. LACY is Edwin Erle Sparks Professor of French and Medieval Studies at Pennsylvania State University.
Author: Richard Barber Publisher: Penguin UK ISBN: 0141937238 Category : History Languages : en Pages : 446
Book Description
The Holy Grail is an image familiar to us all as an almost unattainable, infinitely desirable goal. The idea has passed into everyday speech and the legends behind it are as current in today's culture as they have ever been. And yet the Grail has no real religious meaning and is nowhere mentioned in the Bible. What is the truth behind this elusive symbol? Here, Barber traces the history of the stories surrounding the Holy Grail. He describes how through a long series of imaginative transformations, the grail has moved from the sphere of romance to religion, and in twentieth century popular culture has become an emblem of mysticism and man's highest aspirations, intimately linked with the central ritual of the Christian faith. The search for the grail has always been described as a quest; in this book, Barber goes on his own quest, brilliantly exploring the richness of the Holy Grail's cultural impact. Barber traces the history of legends surrounding the Holy Grail, from Chretien de Troyes' great romances to the popular bestsellers of the late twentieth century.
Author: Michael Glencross
Author: Michael Glencross
Author: Joanne Parker
Author: Christopher Prendergast
Author: Peter H. Goodrich
Author: Thomas Oliphant
Author: Stephen C. Meyer
Author: Elizabeth Archibald
Author: Clare A. Simmons
Author: Norris J. Lacy
Author: Richard Barber