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Author: J. C. Wells Publisher: Cambridge University Press ISBN: 1316824691 Category : Language Arts & Disciplines Languages : en Pages : 225
Book Description
How do you pronounce biopic, synod, and Breughel? - and why? Do our cake and archaic sound the same? Where does the stress go in stalagmite? What's odd about the word epergne? Pontcysyllte is obviously Welsh, but Penge is Welsh too! How cool is Caol in the Highlands of Scotland? What can Wesley's hymns tell us about sound change in English? How do people pronounce Wrocław in Poland? How can anyone manage to say Gdynia as just two syllables? Why is the village of Frith in the island of Montserrat usually pronounced as if spelt Frits? What embarrassing faux pas in English did a Russian conglomerate make? Should I bild a cubbard instead of building a cupboard? How should we capitalize an exclamation mark, and why might we need to? What's a depressor consonant? As a finale, the author writes a letter to his 16-year-old self.
Author: J. C. Wells Publisher: Cambridge University Press ISBN: 1316824691 Category : Language Arts & Disciplines Languages : en Pages : 225
Book Description
How do you pronounce biopic, synod, and Breughel? - and why? Do our cake and archaic sound the same? Where does the stress go in stalagmite? What's odd about the word epergne? Pontcysyllte is obviously Welsh, but Penge is Welsh too! How cool is Caol in the Highlands of Scotland? What can Wesley's hymns tell us about sound change in English? How do people pronounce Wrocław in Poland? How can anyone manage to say Gdynia as just two syllables? Why is the village of Frith in the island of Montserrat usually pronounced as if spelt Frits? What embarrassing faux pas in English did a Russian conglomerate make? Should I bild a cubbard instead of building a cupboard? How should we capitalize an exclamation mark, and why might we need to? What's a depressor consonant? As a finale, the author writes a letter to his 16-year-old self.
Author: J. C. Wells Publisher: Cambridge University Press ISBN: 110715779X Category : Language Arts & Disciplines Languages : en Pages : 225
Book Description
How do you pronounce biopic, synod, and Breughel? - and why? Do our cake and archaic sound the same? Where does the stress go in stalagmite? What's odd about the word epergne? Pontcysyllte is obviously Welsh, but Penge is Welsh too! How cool is Caol in the Highlands of Scotland? What can Wesley's hymns tell us about sound change in English? How do people pronounce Wrocław in Poland? How can anyone manage to say Gdynia as just two syllables? Why is the village of Frith in the island of Montserrat usually pronounced as if spelt Frits? What embarrassing faux pas in English did a Russian conglomerate make? Should I bild a cubbard instead of building a cupboard? How should we capitalize an exclamation mark, and why might we need to? What's a depressor consonant? As a finale, the author writes a letter to his 16-year-old self.
Author: J. C. Wells Publisher: Cambridge University Press ISBN: 1107074703 Category : Language Arts & Disciplines Languages : en Pages : 221
Book Description
Sounds Interesting explores a range of current and widely researched topics such as pronunciation, teaching, intonation, spelling, and accents.
Author: Richard Cullen Rath Publisher: Cornell University Press ISBN: 9780801472725 Category : Hearing Languages : en Pages : 244
Book Description
In early America, every sound had a living, wilful force at its source - sometimes these forces were not human or even visible. The author recreates in detail a world remote from our own, one in which sounds were charged with meaning and power.
Author: Peter Horsley Publisher: Pen and Sword ISBN: 1473818443 Category : Biography & Autobiography Languages : en Pages : 275
Book Description
The distinguished RAF commander recounts his life of service and adventure from WWII to the Royal Household and encounters with unexplained phenomena. A decorated war hero and longtime associate of the Royal Family, Sir Peter Horsley led a uniquely fascinating life. In Sounds from Another Room, he chronicles the many formative—and transformative—experiences that shaped it. Horsley joined the Royal Air Force shortly after the outbreak of World War II. Shot down over the English Channel during the Normandy invasion, he not only survived but continued to serve in the RAF throughout the war and for decades afterward. Horsley also spent seven years as equerry to His Royal Highness Prince Philip. It was at Philip’s request that Horsley investigated numerous UFO sightings. He offers a candid account of that work, including a mysterious encounter with a Mr. Janus, who exhibited telepathic abilities and an intimate knowledge of extraterrestrial life.
Author: Trevor Cox Publisher: W. W. Norton & Company ISBN: 039324282X Category : Science Languages : en Pages : 304
Book Description
“A lucid and passionate case for a more mindful way of listening. . . . Anyone who has ever clapped, hollered or yodeled at an echo will delight in [Cox’s] zestful curiosity.”—New York Times Trevor Cox is on a hunt for the sonic wonders of the world. A renowned expert who engineers classrooms and concert halls, Cox has made a career of eradicating bizarre and unwanted sounds. But after an epiphany in the London sewers, Cox now revels in exotic noises—creaking glaciers, whispering galleries, stalactite organs, musical roads, humming dunes, seals that sound like alien angels, and a Mayan pyramid that chirps like a bird. With forays into archaeology, neuroscience, biology, and design, Cox explains how sound is made and altered by the environment, how our body reacts to peculiar noises, and how these mysterious wonders illuminate sound’s surprising dynamics in everyday settings—from your bedroom to the opera house. The Sound Book encourages us to become better listeners in a world dominated by the visual and to open our ears to the glorious cacophony all around us.
Author: Magdalena Wrembel Publisher: Routledge ISBN: 1000712087 Category : Language Arts & Disciplines Languages : en Pages : 401
Book Description
This innovative work highlights interdisciplinary research on phonetics and phonology across multiple languages, building on the extensive body of work of Katarzyna Dziubalska-Kołaczyk on the study of sound structure and speech. // The book features concise contributions from both established and up-and-coming scholars who have worked with Katarzyna Dziubalska-Kołaczyk across a range of disciplinary fields toward broadening the scope of how sound structure and speech are studied and how phonological and phonetic research is conducted. Contributions bridge the gap between such fields as phonological theory, acoustic and articulatory phonetics, and morphology, but also includes perspectives from such areas as historical linguistics, which demonstrate the relevance of other linguistic areas of inquiry to empirical investigations in sound structure and speech. The volume also showcases the rich variety of methodologies employed in existing research, including corpus-based, diachronic, experimental, acoustic and online approaches and showcases them at work, drawing from data from languages beyond the Anglocentric focus in existing research. // The collection reflects on Katarzyna Dziubalska-Kołaczyk’s pioneering contributions to widening the study of sound structure and speech and reinforces the value of interdisciplinary perspectives in taking the field further, making this key reading for students and scholars in phonetics, phonology, sociolinguistics, psycholinguistics, and speech and language processing.
Author: Nicole Brittingham Furlonge Publisher: University of Iowa Press ISBN: 1609385616 Category : Literary Criticism Languages : en Pages : 183
Book Description
Forging new ideas about the relationship between race and sound, Furlonge explores how black artists--including well-known figures such as writers Ralph Ellison and Zora Neale Hurston, and singers Bettye LaVette and Aretha Franklin, among others--imagine listening. Drawing from a multimedia archive, Furlonge examines how many of the texts call on readers to "listen in print." In the process, she gives us a new way to read and interpret these canonical, aurally inflected texts, and demonstrates how listening allows us to engage with the sonic lives of difference as readers, thinkers, and citizens.
Author: David Crystal Publisher: Profile Books ISBN: 1782832343 Category : Language Arts & Disciplines Languages : en Pages : 304
Book Description
It's not what you say, it's the way that you say it ... There have long been debates about 'correct' pronunciation in the English language, and Britain's most distinguished linguistic expert, David Crystal, is here to set the record straight. Sounds Appealing tells us exactly why, and how, we pronounce words as we do. Pronunciation is integral to communication, and is tailored to meet the demands of the two main forces behind language: intelligibility and identity. Equipping his readers with knowledge of phonetics, linguistics and physiology - with examples ranging from Eliza Doolittle to Winston Churchill - David Crystal explores the origins of regional accents, how they are influenced by class and education, and how their peculiarities have changed over time.
Author: Carol Simpson Stern Publisher: Northwestern University Press ISBN: 0810126672 Category : Drama Languages : en Pages : 574
Book Description
In Learning to Perform. Carol Simpson Stern and Bruce Henderson introduce the art and craft of performing literary texts, including poetry, prose fiction, and drama, as well as personal narratives and ethnographic materials. They present a performance methodology that offers instruction in close reading and analysis, the development and refinement of performance skills, and the ability to think critically about and discuss a performance. As students become reacquainted with the world of the imagination and its possibilities, the insights they gain in the classroom can become the basis for achievement not only on the stage or in front of the camera but in many facets of public life. By addressing an expanded sense of text that includes cultural as well as literary artifacts, Stern and Henderson bridge the gap between oral interpretation and the more inclusive field of performance studies. A substantial appendix provides a dozen texts for performance in the classroom, including works by Jane Hamilton, Willa Cather, Henry James, E.M. Forster, Henrik Ibsen, Jane Austen, and Michael S. Bowman.
Author: J. C. Wells
Author: J. C. Wells
Author: J. C. Wells
Author: J. C. Wells
Author: Richard Cullen Rath
Author: Peter Horsley
Author: Trevor Cox
Author: Magdalena Wrembel
Author: Nicole Brittingham Furlonge
Author: David Crystal
Author: Carol Simpson Stern