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Author: Rosie Miles Publisher: A&C Black ISBN: 0826437672 Category : Literary Criticism Languages : en Pages : 217
Book Description
Introduces the poetry of the Victorian era (including writers like Browning, Rossetti and Tennyson) and its social, cultural and political contexts.
Author: Rosie Miles Publisher: A&C Black ISBN: 0826437672 Category : Literary Criticism Languages : en Pages : 217
Book Description
Introduces the poetry of the Victorian era (including writers like Browning, Rossetti and Tennyson) and its social, cultural and political contexts.
Author: Isobel Armstrong Publisher: Routledge ISBN: 1134970668 Category : Literary Collections Languages : en Pages : 554
Book Description
In a work that is uniquely comprehensive and theoretically astute, Isobel Armstrong rescues Victorian poetry from its longstanding sepia image as `a moralised form of romantic verse', and unearths its often subversive critique of nineteenth-century culture and politics.
Author: Valentine Cunningham Publisher: John Wiley & Sons ISBN: 1444340425 Category : Literary Criticism Languages : en Pages : 552
Book Description
This book is the definitive guide to Victorian poetry, which its author approaches in the light of modern critical concerns and contemporary contexts. Valentine Cunningham exhibits encyclopedic knowledge of the poetry produced in this period and offers dazzling close readings of a number of well-known poems Draws on the work of major Victorian poets and their works as well as many of the less well-known poets and poems Reads poems and poets in the light of both Victorian and modern critical concerns Places poetry in its personal, aesthetic, historical, and ideological context Organized in terms of the Victorian anxieties of self, body, and melancholy Argues that rhyming/repetition is the major formal feature of Victorian poetry Highlights the Victorian obsession with small subjects in small poems Shows how Victorian poetry attempts to engage with the modern subject and how its modernity segues into modernism and postmodernism
Author: Charles LaPorte Publisher: University of Virginia Press ISBN: 0813931657 Category : Literary Criticism Languages : en Pages : 304
Book Description
Victorian Poets and the Changing Bible charts the impact of post-Enlightenment biblical criticism on English literary culture. The eighteenth and nineteenth centuries saw a widespread reevaluation of biblical inspiration, in which the Bible’s poetic nature came to be seen as an integral part of its religious significance. Understandably, then, many poets who followed this interpretative revolution—including Alfred, Lord Tennyson, Robert Browning, and Elizabeth Barrett Browning—came to reconceive their highest vocational ambitions: if the Bible is essentially poetry, then modern poetry might perform a cultural role akin to that of scripture. This context equally illuminates the aims and achievements of famous Victorian unbelievers such as Arthur Hugh Clough and George Eliot, who also responded enthusiastically to the poetic ideal of an inspired text. Building upon a recent and ongoing reevaluation of religion as a vital aspect of Victorian culture, Charles LaPorte shows the enduring relevance of religion in a period usually associated with its decline. In doing so, he helps to delineate the midcentury shape of a literary dynamic that is generally better understood in Romantic poetry of the earlier part of the century. The poets he examines all wrestled with modern findings about the Bible's fortuitous historical composition, yet they owed much of their extraordinary literary success to their ability to capitalize upon the progress of avant-garde biblical interpretation. This book's revisionary and provocative thesis speaks not only to the course of English poetics but also to the logic of nineteenth-century literary hierarchies and to the continuing evolution of religion in the modern era. Victorian Literature and Culture Series
Author: Kathryn Ledbetter Publisher: Routledge ISBN: 1317046242 Category : Literary Criticism Languages : en Pages : 244
Book Description
This is the first book-length study of Tennyson's record of publication in Victorian periodicals. Despite Tennyson's supposed hostility to periodicals, Ledbetter shows that he made a career-long habit of contributing to them and in the process revealed not only his willingness to promote his career but also his status as a highly valued commodity. Tennyson published more than sixty poems in serial publications, from his debut as a Cambridge prize-winning poet with "Timbuctoo" in the Cambridge Chronicle and Journal to his last public composition as Poet Laureate with "The Death of the Duke of Clarence and Avondale" in The Nineteenth Century. In addition, poems such as "The Charge of the Light Brigade" were shaped by his reading of newspapers. Ledbetter explores the ironies and tensions created by Tennyson's attitudes toward publishing in Victorian periodicals and the undeniable benefits to his career. She situates the poet in an interdependent commodity relationship with periodicals, viewing his individual poems as textual modules embedded in a page of meaning inscribed by the periodical's history, the poet's relationship with the periodical's readers, an image sharing the page whether or not related to the poem, and cultural contexts that create new meanings for Tennyson's work. Her book enriches not only our understanding of Tennyson's relationship to periodical culture but the textual implications of a poem's relationship with other texts on a periodical page and the meanings available to specific groups of readers targeted by individual periodicals.
Author: Ciaran Cronin Publisher: John Wiley & Sons ISBN: 1405123184 Category : Literary Criticism Languages : en Pages : 632
Book Description
This Companion brings together specially commissioned essays by distinguished international scholars that reflect both the diversity of Victorian poetry and the variety of critical approaches that illuminate it. Approaches Victorian poetry by way of genre, production and cultural context, rather than through individual poets or poems Demonstrates how a particular poet or poem emerges from a number of overlapping cultural contexts. Explores the relationships between work by different poets Recalls attention to a considerable body of poetry that has fallen into neglect Essays are informed by recent developments in textual and cultural theory Considers Victorian women poets in every chapter
Author: Kirstie Blair Publisher: Clarendon Press ISBN: 0191534382 Category : Literary Criticism Languages : en Pages : 284
Book Description
Victorian Poetry and the Culture of the Heart is a significant and timely study of nineteenth-century poetry and poetics. It considers why and how the heart became a vital image in Victorian poetry, and argues that the intense focus on heart imagery in many major Victorian poems highlights anxieties in this period about the ability of poetry to act upon its readers. In the course of the nineteenth century, this study argues, increased doubt about the validity of feeling led to the depiction of the literary heart as alienated, distant, outside the control of mind and will. This coincided with a notable rise in medical literature specifically concerned with the pathological heart, and with the development of new techniques and instruments of investigation such as the stethoscope. As poets feared for the health of their own hearts, their poetry embodies concerns about a widespread culture of heartsickness in both form and content. In addition, concerns about the heart's status and actions reflect upon questions of religious faith and doubt, and feed into issues of gender and nationalism. This book argues that it is vital to understand how this wider culture of the heart informed poetry and was in turn influenced by poetic constructs. Individual chapters on Barrett Browning, Arnold, and Tennyson explore the vital presence of the heart in major works by these poets - including Aurora Leigh, 'Empedocles on Etna', In Memoriam, and Maud - while the wide-ranging opening chapters present an argument for the mutual influence of poetry and physiology in the period and trace the development of new theories of rhythm as organic and affective.
Author: Rosie Miles
Author: Rosie Miles
Author: Isobel Armstrong
Author: Joseph Bristow
Author: Linda K. Hughes
Author: Valentine Cunningham
Author: Charles LaPorte
Author: Kathryn Ledbetter
Author: Bernard Arthur Richards
Author: Ciaran Cronin
Author: Kirstie Blair