A Short History of the Hungarian Cinema PDF Download

Author: István Nemeskürty
Publisher:
ISBN:
Category : Motion picture producers and directors
Languages : en
Pages : 52

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Author: Gyöngyi Balogh
Publisher:
ISBN: 9789631348774
Category : Motion pictures
Languages : en
Pages : 51

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Author: Bryan Burns
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637227
Category : Business & Economics
Languages : en
Pages : 266

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Book Description
Hungarian cinema began in cafes, and short films were projected at the Velence coffee-house in Budapest in the late 1890s. By 1912, a distinct film culture had formed in Hungary, which - unlike the imported American popular entertainment cinema - throughout its history has shown a commitment to the idea of film as art. This new book is a detailed historical, critical and appreciative account of the Hungarian cinema from its early days to the transforming 1990s, and provides an extended analysis of some 50 directors and their key films. It describes the ways in which the industry has developed, largely with the assistance of the state, especially since the Second World War, and shows how the Hungarian cinema has achieved an international success out of all proportion to its size, and despite the potential obstructions of language and culture. The author concludes with a survey of recent filmmaking activities, and a look towards the future in rapidly changing Eastern Europe. This book will appeal to all those interested in Hungarian and Eastern European film and history.

Author: Graham Petrie
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 356

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Author: István Nemeskürty
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 308

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Author: John Cunningham
Publisher: Wallflower Press
ISBN: 9781903364796
Category : Performing Arts
Languages : en
Pages : 282

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Book Description
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó (Hungarian Rhapsody, The Red and the White), István Szabó (Mephisto, Sunshine) and Márta Mészaros (Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.

Author: Istvan Nemeskurty
Publisher: Burns & Oates
ISBN: 9780804426565
Category :
Languages : en
Pages : 296

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Author: Andrea Virginás
Publisher: Rowman & Littlefield
ISBN: 1793613443
Category : Performing Arts
Languages : en
Pages : 353

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Book Description
Film Genres in Hungarian and Romanian Cinema: History, Theory, and Reception discusses how the Hungarian and Romanian film industries show signs of becoming a regional hub within the Eastern European canon, a process occasionally facilitated by the cultural overlap through the historical province of Transylvania. Andrea Virginás employs a film historical overview to merge the study of small national cinemas with film genre theory and cultural theory and posits that Hollywood-originated classical film genres have been important fields of reference for the development of these Eastern European cinemas. Furthermore, Virginás argues that Hungarian and Romanian genre films demonstrate a valid evolution within the given genre’s standards, and thus need to be incorporated into the global discourse on this subject. Scholars of film studies, Eastern European studies, cultural studies, and history will find this book particularly useful.

Author: Norman Stone
Publisher: Profile Books
ISBN: 1782834486
Category : History
Languages : en
Pages :

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Book Description
The victors of the First World War created Hungary from the ruins of the Austro-Hungarian empire, but, in the centuries before, many called for its creation. Norman Stone traces the country's roots from the traditional representative councils of land-owning nobles to the Magyar nationalists of the nineteenth century and the first wars of independence. Hungary's history since 1918 has not been a happy one. Economic collapse and hyperinflation in the post-war years led to fascist dictatorships and then Nazi occupation. Optimism at the end of the Second World War ended when the Iron Curtain descended, and Soviet tanks crushed the last hopes for independence in 1956 along with the peaceful protests in Budapest. Even after the fall of the Berlin Wall, consistent economic growth has remained elusive. This is an extraordinary history - unique yet also representative of both the post-Soviet bloc and of nations forged from the fall of empires.

Author: Bert Cardullo
Publisher: Algora Publishing
ISBN: 1628941316
Category : Performing Arts
Languages : en
Pages : 276

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Book Description
The essays in this insightful film-analysis text show cover twenty-one of the best European films made between the coming of World War II and the end of the twentieth century, showing what makes each of them outstanding. These essays are clear and readable—that is, sophisticated and meaty yet not overly technical or jargon-heavy. They will make perfect introductions to their respective films as well as important contributions to the field of film studies in general. Written with university students in mind, these essays cover some of the central films treated—and central issues raised—in today’s cinema courses and provide students with practical models to help them improve their own writing and analytical skills. A list of questions for discussion is included, to trigger further thinking among film buffs and to help educators prepare for class. The book is aimed at students, teachers, and cinephiles with an interest in European cinema in particular and cinema studies in general, as well as at those educated readers with an interest in the practice of film analysis and criticism. The only competition comes from Stanley Kauffmann’s relatively brief Ten Great Films (136 pp., 2012). The current work offers twenty-one illustrated essays (Kauffmann’s book contains no images) and focuses on Europe. (The countries represented are France, Italy, England, Hungary, Belgium, Sweden, Scotland, Denmark, Russia, Spain, Germany, Scotland, and Finland.) Twenty-One Landmark European Films, 1939-1999 overlaps with Kauffmann’s book only in the case of L’avventura, though the two approach this film from vastly different angles. Moreover, the book provides a complete critical apparatus—notes, bibliographies, credits, and filmographies, whereas Kauffmann’s has none. This book could be one of the primary texts for courses in film analysis, to accompany a work like Timothy Corrigan’s A Short Guide to Writing about Film (8th edition, 2011). It would also be a suitable supplementary or secondary text in such courses as 'Introduction to Film' or 'Film Appreciation'; 'Western European Cinema'; 'History of Film' or 'Global Cinema'; and 'Film Directors' or 'Film Style and Imagination.'