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Author: Tav Falco Publisher: ISBN: 9780983248088 Category : Photography Languages : de Pages : 0
Book Description
Musician/performer, filmmaker, and photographer, Tav Falco guides us through the home towns and gravel roads of America s deep South, the backwoods spiritual sanctuary that he knows so well. AN ICONOGRAPHY OF CHANCE is a psycho-iconography in pictures, with a captioned intertext of the urban specters, rural fables and visual cliches that have made the gothic South a netherworld of dreams and a necropolis of terrors. Roadside icons in Arkansas, Louisana, Mississippi, and Tennessee evoke more than indexed/nuanced signs and meanings; they are infused with emotion, and through Falco s lens become living, breathing images. Whether overtly or discreetly conjured, these images resonate with the undercurrent of sentiment, of betrayal, of lost causes in which the photographer's pictures are soaked. The secret eye of Falco is drawn to that which was overlooked, thrown out and rejected by established norms of perception, whilst his decorticated compositional framing reveals the sadness and nakedness of America forlorn, adrift, and distracted with colliding identities. In Falco's hands the camera excavates an Orphic vision of the American South, penetrating like no other in his stated mission to agitate the dark waters of the unconscious. "
Author: Tav Falco Publisher: ISBN: 9780983248088 Category : Photography Languages : de Pages : 0
Book Description
Musician/performer, filmmaker, and photographer, Tav Falco guides us through the home towns and gravel roads of America s deep South, the backwoods spiritual sanctuary that he knows so well. AN ICONOGRAPHY OF CHANCE is a psycho-iconography in pictures, with a captioned intertext of the urban specters, rural fables and visual cliches that have made the gothic South a netherworld of dreams and a necropolis of terrors. Roadside icons in Arkansas, Louisana, Mississippi, and Tennessee evoke more than indexed/nuanced signs and meanings; they are infused with emotion, and through Falco s lens become living, breathing images. Whether overtly or discreetly conjured, these images resonate with the undercurrent of sentiment, of betrayal, of lost causes in which the photographer's pictures are soaked. The secret eye of Falco is drawn to that which was overlooked, thrown out and rejected by established norms of perception, whilst his decorticated compositional framing reveals the sadness and nakedness of America forlorn, adrift, and distracted with colliding identities. In Falco's hands the camera excavates an Orphic vision of the American South, penetrating like no other in his stated mission to agitate the dark waters of the unconscious. "
Author: Robin Kelsey Publisher: Harvard University Press ISBN: 0674744004 Category : Art Languages : en Pages : 409
Book Description
As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.
Author: Nigel Jonathan Spivey Publisher: Univ of California Press ISBN: 9780520230224 Category : Art Languages : en Pages : 280
Book Description
Sebastians pierced with arrows, self-portraits of the aging Rembrandt, and the tortured art of Vincent van Gogh. Exploring the tender, complex rapport between art and pain, Spivey guides us through the twentieth-century photographs of casualties of war, Edvard Munch's The Scream, and back to the recorded horrors of the Holocaust.".
Author: Samuel L. Terrien Publisher: Penn State University Press ISBN: Category : Art Languages : en Pages : 356
Book Description
Do artists who deal with biblical scenes study the texts that inspire them? At the same time, do scholars pay attention to artists as biblical interpreters? Eminent biblical scholar Samuel Terrien seeks to answer these questions in this first ever comprehensive survey of Jobian iconography from the third century to modern times. Through an analysis of the varying depictions of Job he finds that artists were not usually subservient to directives of religious authorities; rather, they often contradicted or preceded the exegetical trends of these commentators. Terrien has selected more than 150 masterpieces from the approximate 800 images of Job that have escaped oblivion. His vast knowledge of the biblical text illumines the rich discussion, which ranges over artistic medium and time from the fresco of the Dura-Europos synagogue, the miniatures of the Patmos manuscript, the Doge Dandolo mosaic of the San Marco Baptistry in Venice, the mercy seats of Champeaux-en-Brie, the Sacra Allegoria of Giovannni Bellini in Florence, and Albrecht Dürer's Jabach Altarpiece in Cologne and Frankfurt, to the mystery soldier in Salvator Rosas Job in the Uffizi and the Job Geometricized à la Cimabuë by Marc Chagall in St.-Paul-de-Vence. This rich interdisciplinary work reveals for the first time that Jobian artists saw in the ancient hero not only the prophet of a new life or the model of revolt and faith but also--and surprisingly--the intercessor of sexual reprobates, the patron saint of musicians, and, in modern times, the existential man.
Author: Graeme Abernethy Publisher: University Press of Kansas ISBN: 0700619208 Category : Social Science Languages : en Pages : 304
Book Description
From Detroit Red to El-Hajj Malik El-Shabazz, the man best known as Malcolm X restlessly redefined himself throughout a controversial life. His transformations have appeared repeatedly in books, photographs, paintings, and films, while his murder set in motion a series of tugs-of-war among journalists, biographers, artists, and his ideological champions over the interpretation of his cultural meaning. This book marks the first systematic examination of the images generated by this iconic cultural figure—images readily found on everything from T-shirts and hip-hop album covers to coffee mugs. Graeme Abernethy captures both the multiplicity and global import of a person who has been framed as both villain and hero, cast by mainstream media during his lifetime as “the most feared man in American history,” and elevated at his death as a heroic emblem of African American identity. As Abernethy shows, the resulting iconography of Malcolm X has shifted as profoundly as the American racial landscape itself. Abernethy explores Malcolm’s visual prominence in the eras of civil rights, Black Power, and hip-hop. He analyzes this enigmatic figure’s representation across a variety of media from 1960s magazines to urban murals, tracking the evolution of Malcolm’s iconography from his autobiography and its radical milieu through the appearance of Spike Lee’s 1992 biopic and beyond. Its remarkable gallery of illustrations includes reproductions of iconic photographs by Richard Avedon, Eve Arnold, Gordon Parks, Henri Cartier-Bresson, and John Launois. Abernethy reveals that Malcolm X himself was keenly aware of the power of imagery to redefine identity and worked tirelessly to shape how he was represented to the public. His theoretical grasp of what he termed “the science of imagery” enabled him both to analyze the role of representation in ideological control as well as to exploit his own image in the interests of black empowerment. This provocative work marks a startling shift from the biographical focus that has dominated Malcolm X studies, providing an up-to-date—and comprehensively illustrated—account of Malcolm’s cultural afterlife, and addressing his iconography in relation to images of other major African American figures, including Martin Luther King, Jr., Angela Davis, Kanye West, and Barack Obama. Analyzing the competing interpretations behind so many images, Abernethy reveals what our lasting obsession with Malcolm X says about American culture over the last five decades.
Author: Matthew Wilson Publisher: Thames & Hudson ISBN: 0500777705 Category : Art Languages : en Pages : 501
Book Description
A stimulating resource that guides readers through the most significant symbols from art history, spanning many civilizations and centuries while revealing the common heritage of a global visual language. The Hidden Language of Symbols covers a wide-ranging selection of visual culture and art under one unified theme: symbols. Often not immediately apparent, our day-to-day lives abound with symbols of various kinds, from national emblems to emojis, allegories to logos, all of which have a fascinating story. Organized across four all-encompassing themes—power, faith, hope, and uncertainty—this stimulating illustrated account of forty-eight key symbols from global art history is aimed at museum-goers, armchair art sleuths, or anyone who wants to understand the history of their visual environment from an unusual and creative angle. Drawing on artistic examples from the imaginary, natural, physical, and religious worlds, from dragons to eagles, butterflies to labyrinths, and rainbows to wheels, author and art historian Matthew Wilson discusses the lives of these different types of symbols. Analyzing their development, why they evolved, and the various ways they have been interpreted, Wilson also explains in what way symbols are markers of identity, that is, how they gain the power to unite and divide societies. Looking at how they have shaped the world beyond the museum, Wilson reveals their impact on the appearance of our cities, the language of advertising, and even the design of corporate logos.
Author: Tav Falco Publisher: SCB Distributors ISBN: 190992346X Category : Music Languages : en Pages : 200
Book Description
"Ghost Behind The Sun", Tav Falco's sprawling study of Memphis, begins with the Civil War massacre at Fort Pillow, the Yellow Fever epidemic of 1878 and the grisly murders of the Harp Brothers. Falco traces these legends of Reconstruction-era Memphis to an equally brutal twentieth century underworld – Beale Street kingpin Jim Canaan, Edward Crump's political machine, the Dixie Mafia, and others. Also included are revelatory dialogues concerning the city’s many music legends, from rockabilly icons Elvis Presley, Jerry Lee Lewis and Charlie Feathers to more underground figures such as Jim Dickinson and country blues wailer Jessie Mae Hemphill. Interwoven with these accounts is an autobiographical history of Falco’s own time in Memphis, including his involvement with performance art ensemble Insect Trust, working with pop/rock maverick Alex Chilton, and the formation of his seminal rock and roll band, Panther Burns. Illustrated throughout.
Author: Jan Backlund Publisher: Aarhus Universitetsforlag ISBN: 8771848290 Category : Art Languages : en Pages : 329
Book Description
When images look like something they do so because they are different from what they resemble. This difference is not sufficiently captured by the traditional theories of representation and mimesis, and yet it is the condition for any such theory. Various contemporary image theorists have pointed out that Plato already understood that images are not what they look like. Images have their own existence which cannot be identified with a concept, but should be examined in terms of actions. This book comprises fifteen articles that investigate what images do, particularly in relation to the disciplines of architecture, design and visual arts. It claims that it is the differentiating power of images-their actions-which constitutes their capacity to look like something they are not, as well as create something that does not yet exist. What Images Do addresses the crucial role that images might play in producing and investigating what we have not yet seen or understood in and of reality.
Author: Tav Falco
Author: Tav Falco
Author: Robin Kelsey
Author: Nigel Jonathan Spivey
Author: Helene E. Roberts
Author: Luciano Cheles
Author: Samuel L. Terrien
Author: Graeme Abernethy
Author: Matthew Wilson
Author: Tav Falco
Author: Jan Backlund