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Author: Ulrika Maude Publisher: Bloomsbury Publishing ISBN: 1441194614 Category : Literary Criticism Languages : en Pages : 226
Book Description
Existentialism and poststructuralism have provided the two main theoretical approaches to Samuel Beckett's work. These influential philosophical movements, however, owe a great debt to the phenomenological tradition. This volume, with contributions by major international scholars, examines the phenomenal in Beckett's literary worlds, comparing and contrasting his writing with key figures including Edmund Husserl, Martin Heidegger, Jean-Paul Sartre and Maurice Merleau-Ponty. It advances an analysis of hitherto unexplored phenomenological themes, such as nausea, immaturity and sleep, in Beckett's work. Through an exploration of specific thinkers and Beckett's own artistic method, it offers the first sustained and comprehensive account of Beckettian phenomenology.
Author: Ulrika Maude Publisher: Bloomsbury Publishing ISBN: 1441194614 Category : Literary Criticism Languages : en Pages : 226
Book Description
Existentialism and poststructuralism have provided the two main theoretical approaches to Samuel Beckett's work. These influential philosophical movements, however, owe a great debt to the phenomenological tradition. This volume, with contributions by major international scholars, examines the phenomenal in Beckett's literary worlds, comparing and contrasting his writing with key figures including Edmund Husserl, Martin Heidegger, Jean-Paul Sartre and Maurice Merleau-Ponty. It advances an analysis of hitherto unexplored phenomenological themes, such as nausea, immaturity and sleep, in Beckett's work. Through an exploration of specific thinkers and Beckett's own artistic method, it offers the first sustained and comprehensive account of Beckettian phenomenology.
Author: E.F. Kaelin Publisher: Springer Science & Business Media ISBN: 9400985223 Category : Science Languages : en Pages : 345
Book Description
In the wake of so many other keys to the treasure, whoever undertakes still another book of criticism on the novels and drama of Samuel Beckett must assume the grave burden of justifying the attempt, especially for him who like one of John Barth's recent fictional characterizations of himself, believes that the key to the treasure is the treasure itself. No one will ever have the privilege of the last word on these texts, since any words other than the author's own found therein must be referred back to the text themselves for cautious verification. Indeed, the words the author has used to create the oeuvre stand by virtue of their own creativeness, or fail in their pretense, and need no critical comment to be appreciated for what they have achieved or have failed to achieve. In criticism there is no privileged point of view - not even the author's own. He has consulted his knowledge and experience to make the work, and whoever would criticize his efforts would seem to owe him the indulgence of doing the same. If communication is mediated through the works, the author and his readers respond in recipro cal fashion to the expressiveness of their contexts. For the philosopher of art, the challenge is extremely tempting - on a manifold count.
Author: Thomas Trezise Publisher: Princeton University Press ISBN: 1400861357 Category : Literary Criticism Languages : en Pages : 189
Book Description
Arguing that Beckett's understanding of subjectivity cannot be reduced to that of phenomenology or existential humanism, Thomas Trezise offers a major reinterpretation of Beckett in light of Freud and such post-modernists as Bataille, Blanchot, and Derrida. Through extended comparisons of Beckett's trilogy of novels with the writings of these thinkers, he emphasizes a "general economy" of signification that both produces and dispossesses the phenomenological self. Trezise shows how Beckett's work defines literature as an instance within this economy and in so doing challenges traditional conceptions of literature itself and of the subject. The undoing of historical time in an abyssal repetition, the involvement of the subject with an impersonal alterity, the priority of error, the understanding of art as an inspired failure--at once an impossibility and an imperative rather than an act of freedom and power--all underscore Beckett's contribution to a form of thought radically irreducible to phenomenology as well as to existential humanism. Trezise suggests that Beckett's own literary corpus be considered an exploration of the breach that this artistic failure opens in traditional philosophical approaches to the human subject. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: David Kleinberg-Levin Publisher: Bloomsbury Publishing ISBN: 1474216889 Category : Philosophy Languages : en Pages : 329
Book Description
At stake in this book is a struggle with language in a time when our old faith in the redeeming of the word-and the word's power to redeem-has almost been destroyed. Drawing on Benjamin's political theology, his interpretation of the German Baroque mourning play, and Adorno's critical aesthetic theory, but also on the thought of poets and many other philosophers, especially Hegel's phenomenology of spirit, Nietzsche's analysis of nihilism, and Derrida's writings on language, Kleinberg-Levin shows how, because of its communicative and revelatory powers, language bears the utopian "promise of happiness," the idea of a secular redemption of humanity, at the very heart of which must be the achievement of universal justice. In an original reading of Beckett's plays, novels and short stories, Kleinberg-Levin shows how, despite inheriting a language damaged, corrupted and commodified, Beckett redeems dead or dying words and wrests from this language new possibilities for the expression of meaning. Without denying Beckett's nihilism, his picture of a radically disenchanted world, Kleinberg-Levin calls attention to moments when his words suddenly ignite and break free of their despair and pain, taking shape in the beauty of an austere yet joyous lyricism, suggesting that, after all, meaning is still possible.
Author: Jayjit Sarkar Publisher: Vernon Press ISBN: 1622737326 Category : Literary Criticism Languages : en Pages : 116
Book Description
This work questions the problematic connections between illness and modernity: the complicated negotiations involving the body both in its physicality and phenomenology and the poetics and praxiality of illness. The project, which is predominantly conceptual in nature, for it does not see illness solely as a clinical-physical category (leaning heavily on the medical sciences), but rather perspectivizes its phenomenology and pathographical limits and manifestations, lateralizing on its critical correspondences with a selection of modernist texts ranging from Virginia Woolf to Samuel Beckett. The book unearths different ‘possibilities’ of illness without denying its (quite natural) association with morbidity, pain, suffering, dying and death. It looks at illness and its effects on different bodies phenomenologically with the help of some twentieth-century philosophers, including Martin Heidegger, Jean Luc-Nancy, Maurice Merleau-Ponty, Jean-Paul Sartre and Emmanuel Levinas. The book locates these phenomenological understandings in a reading of some of the important literary works of early twentieth-century Europe — five literary works from five different genres (poetry, drama, fiction, non-fiction and epistle) — critiquing the relevance of the phenomenological body in the literary and narrative world of the texts. The author deals with Samuel Beckett’s Endgame, Franz Kafka’s letters, Thomas Mann’s Death in Venice, Virginia Woolf’s On Being Ill and T. S. Eliot’s The Wasteland within the aesthetico-philosophical space and the epistemic dialogism that modernist aesthetics implies and espouses.
Author: Amanda M. Dennis Publisher: EUP ISBN: 9781474463003 Category : Languages : en Pages : 0
Book Description
Reveals how the body in Beckett, embedded in its material environment, exhibits embodied agency This book argues that the abject, decrepit body in Beckett does not signal the impossibility of agency but demands its reconceptualisation. Analysing the representation of the body in relation to the environment in Beckett's work, the author interrogates the power to do and act. Separating dynamic interaction from willed intention, Amanda Dennis shows how Beckett's oeuvre refashions subjectivity in dialogue with a disintegrating environment. The book provides a phenomenological reading of Beckett to argue that sensation and embodiment support our interactions with our material world, enabling possibilities for embodied agency in collaboration with our physical and linguistic surroundings. Amanda Dennis is Assistant Professor of Comparative Literature and English at the American University of Paris.
Author: Stuart Grant Publisher: Springer ISBN: 3319980599 Category : Performing Arts Languages : en Pages : 342
Book Description
This collection of essays addresses emergent trends in the meeting of the disciplines of phenomenology and performance. It brings together major scholars in the field, dealing with phenomenological approaches to dance, theatre, performance, embodiment, audience, and everyday performance of self. It argues that despite the wide variety of philosophical, ontological, epistemological, historical and methodological differences across the field of phenomenology, certain tendencies and impulses are required for an investigation to stand as truly phenomenological. These include: description of experience; a move towards fundamental conditions or underlying essences; and an examination of taken-for-granted presuppositions. The book is aimed at scholars and practitioners of performance looking to deepen their understanding of phenomenological concepts and methods, and philosophers concerned with issues of embodiment, performativity and enaction.
Author: Michelle Chiang Publisher: Springer ISBN: 3319915185 Category : Literary Criticism Languages : en Pages : 196
Book Description
Beckett’s Intuitive Spectator: Me to Play investigates how audience discomfort, instead of a side effect of a Beckett pedagogy, is a key spectatorial experience which arises from an everyman intuition of loss. With reference to selected works by Henri Bergson, Immanuel Kant and Gilles Deleuze, this book charts the processes of how an audience member’s habitual way of understanding could be frustrated by Beckett’s film, radio, stage and television plays. Michelle Chiang explores the ways in which Beckett exploited these mediums to reconstitute an audience response derived from intuition.
Author: Corey Wakeling Publisher: Bloomsbury Publishing ISBN: 1350153133 Category : Performing Arts Languages : en Pages : 225
Book Description
Offering fresh studies of Samuel Beckett in pre-production, in rehearsal, as an innovator of the script form, and as a speculative director and designer, Beckett's Laboratory reconsiders Beckett's stringent approach to stage direction through the lens of the laboratory and reveals his experimentalism with stage representation and composition. Wakeling argues that acknowledging Beckett's experimental processes, from their composition to their reception, is crucial to understanding the innovative representations of humanity that emerged at different stages in Beckett's practice. Repositioning Beckett's performance oeuvre in relation to philosophy, Wakeling draws upon post-dramatic, symbolist, materialist and post-structural understandings of theatre performance to reappraise Beckett's plays as a composition for performance. The philosophical underpinnings of Beckett's practices are explored through an eclectic mix of familiar and unexplored contemporary theatre productions and films of Beckett's works, including Not I, Nacht und Träume, Happy Days, Footfalls and Catastrophe. Beckett's Laboratory is a provocative examination of Beckett's experimentalism with the human spectacle and his playful reliance upon the interpretative powers of the actors and audience.
Author: Matthew Feldman Publisher: Columbia University Press ISBN: 383826701X Category : Literary Criticism Languages : en Pages : 344
Book Description
This collection of essays, most of which return to or renew something of an empirical or archival approach to the issues, represents the most comprehensive analysis of Beckett's relationship to philosophy in print, how philosophical issues, conundrums, and themes play out amid narrative intricacies. The volume is thus both an astonishingly comprehensive overview and a series of detailed readings of the intersection between philosophical texts and Samuel Beckett's oeuvre, offered by a plurality of voices and bookended by an historical introduction and a thematic conclusion.?S. E. Gontarski, Journal of Beckett StudiesThis is an important contribution to ongoing attempts to understand the relationship of Beckett's work to philosophy. It breaks some new ground, and helps us to consider not only how Beckett made use of philosophy but how his own thought might be understood philosophical.?Anthony Uhlmann, University of Western Sydney
Author: Ulrika Maude
Author: Ulrika Maude
Author: E.F. Kaelin
Author: Thomas Trezise
Author: David Kleinberg-Levin
Author: Jayjit Sarkar
Author: Amanda M. Dennis
Author: Stuart Grant
Author: Michelle Chiang
Author: Corey Wakeling
Author: Matthew Feldman