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Author: Richard Greene Publisher: Open Court ISBN: 081269726X Category : Philosophy Languages : en Pages : 288
Book Description
What explains the huge popular following for Dexter, currently the most-watched show on cable, which sympathetically depicts a serial killer driven by a cruel compulsion to brutally slay one victim after another? Although Dexter Morgan kills only killers, he is not a vigilante animated by a sense of justice but a charming psychopath animated by a lust to kill, ritualistically and bloodily. However his gory appetite is controlled by “Harry’s Code,” which limits his victims to those who have gotten away with murder, and his job as a blood spatter expert for the Miami police department gives him the inside track on just who those legitimate targets may be. In Dexter and Philosophy, an elite team of philosophers don their rubber gloves and put Dexter’s deeds under the microscope. Since Dexter is driven to ritual murder by his “Dark Passenger,” can he be blamed for killing, especially as he only murders other murderers? Does Dexter fit the profile of the familiar fictional type of the superhero? What part does luck play in making Dexter who he is? How and why are horror and disgust turned into aesthetic pleasure for the TV viewer? How essential is Dexter’s emotional coldness to his lust for slicing people up? Are Dexter’s lies and deceptions any worse than the lies and deceptions of the non-criminals around him? Why does Dexter long to be a normal human being and why can’t he accomplish this apparently simple goal?
Author: Richard Greene Publisher: Open Court ISBN: 081269726X Category : Philosophy Languages : en Pages : 288
Book Description
What explains the huge popular following for Dexter, currently the most-watched show on cable, which sympathetically depicts a serial killer driven by a cruel compulsion to brutally slay one victim after another? Although Dexter Morgan kills only killers, he is not a vigilante animated by a sense of justice but a charming psychopath animated by a lust to kill, ritualistically and bloodily. However his gory appetite is controlled by “Harry’s Code,” which limits his victims to those who have gotten away with murder, and his job as a blood spatter expert for the Miami police department gives him the inside track on just who those legitimate targets may be. In Dexter and Philosophy, an elite team of philosophers don their rubber gloves and put Dexter’s deeds under the microscope. Since Dexter is driven to ritual murder by his “Dark Passenger,” can he be blamed for killing, especially as he only murders other murderers? Does Dexter fit the profile of the familiar fictional type of the superhero? What part does luck play in making Dexter who he is? How and why are horror and disgust turned into aesthetic pleasure for the TV viewer? How essential is Dexter’s emotional coldness to his lust for slicing people up? Are Dexter’s lies and deceptions any worse than the lies and deceptions of the non-criminals around him? Why does Dexter long to be a normal human being and why can’t he accomplish this apparently simple goal?
Author: S. Waller Publisher: John Wiley & Sons ISBN: 1444341405 Category : Philosophy Languages : en Pages : 263
Book Description
Serial Killers - Philosophy for Everyone investigates our profound intrigue with mass-murderers. Exploring existential, ethical and political questions through an examination of real and fictional serial killers, philosophy comes alive via an exploration of grisly death. Presents new philosophical theories about serial killing, and relates new research in cognitive science to the minds of serial killers Includes a philosophical look at real serial killers such as Ian Brady, Ted Bundy, John Wayne Gacy, Jeffrey Dahmer and the Zodiac killer, as well as fictional serial killers such as Dexter and Hannibal Lecter Offers a new phenomenological examination of the writings of the Zodiac Killer Contains an account of the disappearance of one of Ted Bundy's victims submitted by the organization Families and Friends of Missing Persons and Violent Crime Victims Integrates the insights of philosophers, academics, crime writers and police officers
Author: Brett A.B. Robinson Publisher: Routledge ISBN: 1000591476 Category : Performing Arts Languages : en Pages : 216
Book Description
This volume examines the significant increase in representations of serial killers as central characters in popular television over the last two decades. Via critical analyses of the philosophical and existential themes presented to viewers and their place in the cultural landscape of contemporary America, the authors ask: What is it about serial killers that incited such a boom in these types of narratives in popular television post-9/11? Looking past the serial format of television programming as uniquely suited for the presentation of the serial killer’s actions, the chapters delve into deeper reasons as to why TV has proven to be such a fertile ground for serial killer narratives in contemporary popular culture. An international team of authors question: What is it about serial killers that makes these characters deeply enlightening representations of the human condition that, although horrifically deviant, reflect complex elements of the human psyche? Why are serial killers intellectually fascinating to audiences? How do these characters so deeply affect us? Shedding new light on a contemporary phenomenon, this book will be a fascinating read for all those at the intersection of television studies, film studies, psychology, popular culture, media studies, philosophy, genre studies, and horror studies.
Author: Douglas Groothuis Publisher: InterVarsity Press ISBN: 0830899278 Category : Religion Languages : en Pages : 163
Book Description
Philosophy is not a closed club or a secret society. It's for anyone who thinks big questions are worth talking about. To get us started, Douglas Groothuis unpacks seven pivotal sentences from the history of western philosophy—a few famous, all short, none trivial. Included are: Socrates—The unexamined life is not worth living. Augustine—You have made us for yourself, and our hearts are restless until they rest in you. Descartes—I think, therefore I am. Pascal—The heart has reasons, that reason knows nothing of. Protagoras, Aristotle and Kierkegaard round out this quick tour. Since every philosopher has a story, not just a series of ideas, Groothuis also offers a bit of each one's life to set the stage. The seven sterling sentences themselves, while they can't tell us all there is to know, offer bridges into other lands of thought which can spark new ideas and adventures. And who knows where they might lead? The accessible primers in the Introductions in Seven Sentences collection act as brief introductions to an academic field, with simple organization: seven key sentences that give readers a birds-eye view of an entire discipline.
Author: Craig Fox Publisher: Springer Nature ISBN: 3031136543 Category : Performing Arts Languages : en Pages : 309
Book Description
This book challenges the long-standing presumption that serious philosophical engagement with film and television must be theoretical. It demonstrates, by example, how philosophy of film and film studies can move beyond the methodological assumption that understands philosophical to mean theoretical. In seventeen specially commissioned essays, one in-depth interview, and one reprint, leading philosophers and film scholars exploit the approaches, arguments, and insights of Ludwig Wittgenstein, Stanley Cavell, Iris Murdoch, Augustine, Berys Gaut, Noël Carroll, and Ordinary Language Philosophy, in exploring, amongst others, Gravity, Lone Star, The Handmaid’s Tale, Le notti di Cabiria, Dunkirk, L'Année dernière à Marienbad, Visitors, The Night it Rained, Philadelphia Story, Shoah, Mary Magdalene, Psycho, Blue Jasmine, Three Colours: Red, War Games, and Histoire(s) du Cinéma. In so doing, this collection argues for the power of theory-free philosophy and film studies as a way to expand our humanistic understanding.
Author: Antonia Gesche Publisher: GRIN Verlag ISBN: 3346381439 Category : Performing Arts Languages : en Pages : 45
Book Description
Bachelor Thesis from the year 2018 in the subject Communications - Movies and Television, grade: 1.0, University of Dusseldorf "Heinrich Heine" (Anglistik und Amerikanistik), language: English, abstract: This bachelor thesis aims to answer the following research question: Is it possible to morally absolve Dexter not only from a utilitarian and a Kantian point of view, but are there also aesthetical aspects influencing and reinforcing the viewer’s attitude? As the question consists of two parts, the analysis will correspondingly be carried out in two steps. The first part will investigate if the viewer is enabled to morally justify Dexter’s behavior by positively identifying with him, and if this dynamic is supported and reinforced by stylistic devices such as framing and mise-en-scène. The second part will investigate Dexter’s “activities” on the basis of the two abovementioned ethical theories and apply these to a selection of scenes from various seasons of the series. Unlike the article from dexterdaily.com, which suggests that Dexter may be morally absolved by both utilitarianism and Kant’s ethical theory, a preliminary assumption of this thesis is that Dexter might be offered moral amnesty by utilitarianism, rather than by Kant.
Author: Richard Greene
Author: Richard Greene
Author: Richard Greene
Author: Richard Greene
Author: S. Waller
Author: Brett A.B. Robinson
Author: John Phillips Marquand
Author: Douglas Groothuis
Author: Craig Fox
Author: Manfred Holler
Author: Antonia Gesche