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Author: Emily Hind Publisher: University of Arizona Press ISBN: 0816539898 Category : Literary Criticism Languages : en Pages : 321
Book Description
How did men become the stars of the Mexican intellectual scene? Dude Lit examines the tricks of the trade and reveals that sometimes literary genius rests on privileges that men extend one another and that women permit. The makings of the “best” writers have to do with superficial aspects, like conformist wardrobes and unsmiling expressions, and more complex techniques, such as friendship networks, prizewinners who become judges, dropouts who become teachers, and the key tactic of being allowed to shift roles from rule maker (the civilizado) to rule breaker (the bárbaro). Certain writing habits also predict success, with the “high and hard” category reserved for men’s writing and even film directing. In both film and literature, critically respected artwork by men tends to rely on obscenity interpreted as originality, negative topics viewed as serious, and coolly inarticulate narratives about bullying understood as maximum literary achievement. To build the case regarding “rebellion as conformity,” Dude Lit contemplates a wide set of examples while always returning to three figures, each born some two decades apart from the immediate predecessor: Juan Rulfo (with Pedro Páramo), José Emilio Pacheco (with Las batallas en el desierto), and Guillermo Fadanelli (with Mis mujeres muertas, as well as the range of his publications). Why do we believe Mexican men are competent performers of the role of intellectual? Dude Lit answers this question through a creative intersection of sources. Drawing on interviews, archival materials, and critical readings, this provocative book changes the conversation on literature and gendered performance.
Author: Emily Hind Publisher: University of Arizona Press ISBN: 0816539898 Category : Literary Criticism Languages : en Pages : 321
Book Description
How did men become the stars of the Mexican intellectual scene? Dude Lit examines the tricks of the trade and reveals that sometimes literary genius rests on privileges that men extend one another and that women permit. The makings of the “best” writers have to do with superficial aspects, like conformist wardrobes and unsmiling expressions, and more complex techniques, such as friendship networks, prizewinners who become judges, dropouts who become teachers, and the key tactic of being allowed to shift roles from rule maker (the civilizado) to rule breaker (the bárbaro). Certain writing habits also predict success, with the “high and hard” category reserved for men’s writing and even film directing. In both film and literature, critically respected artwork by men tends to rely on obscenity interpreted as originality, negative topics viewed as serious, and coolly inarticulate narratives about bullying understood as maximum literary achievement. To build the case regarding “rebellion as conformity,” Dude Lit contemplates a wide set of examples while always returning to three figures, each born some two decades apart from the immediate predecessor: Juan Rulfo (with Pedro Páramo), José Emilio Pacheco (with Las batallas en el desierto), and Guillermo Fadanelli (with Mis mujeres muertas, as well as the range of his publications). Why do we believe Mexican men are competent performers of the role of intellectual? Dude Lit answers this question through a creative intersection of sources. Drawing on interviews, archival materials, and critical readings, this provocative book changes the conversation on literature and gendered performance.
Author: Emily Hind Publisher: University of Arizona Press ISBN: 081653926X Category : Literary Criticism Languages : en Pages : 321
Book Description
How did men become the stars of the Mexican intellectual scene? Dude Lit examines the tricks of the trade and reveals that sometimes literary genius rests on privileges that men extend one another and that women permit. The makings of the “best” writers have to do with superficial aspects, like conformist wardrobes and unsmiling expressions, and more complex techniques, such as friendship networks, prizewinners who become judges, dropouts who become teachers, and the key tactic of being allowed to shift roles from rule maker (the civilizado) to rule breaker (the bárbaro). Certain writing habits also predict success, with the “high and hard” category reserved for men’s writing and even film directing. In both film and literature, critically respected artwork by men tends to rely on obscenity interpreted as originality, negative topics viewed as serious, and coolly inarticulate narratives about bullying understood as maximum literary achievement. To build the case regarding “rebellion as conformity,” Dude Lit contemplates a wide set of examples while always returning to three figures, each born some two decades apart from the immediate predecessor: Juan Rulfo (with Pedro Páramo), José Emilio Pacheco (with Las batallas en el desierto), and Guillermo Fadanelli (with Mis mujeres muertas, as well as the range of his publications). Why do we believe Mexican men are competent performers of the role of intellectual? Dude Lit answers this question through a creative intersection of sources. Drawing on interviews, archival materials, and critical readings, this provocative book changes the conversation on literature and gendered performance.
Author: Publisher: BRILL ISBN: 9004525300 Category : Social Science Languages : en Pages : 371
Book Description
This groundbreaking collection of essays shows how the American Western has been reimagined in different national contexts, producing fictions that interrogate, reframe, and remix the genre in unexpectedly critical ways.
Author: Elizabeth Coonrod Martínez Publisher: Modern Language Association ISBN: 1603295100 Category : Language Arts & Disciplines Languages : en Pages : 204
Book Description
Mexicana and Chicana authors from the late 1970s to the turn of the century helped overturn the patriarchal literary culture and mores of their time. This landmark volume acquaints readers with the provocative, at times defiant, yet subtle discourses of this important generation of writers and explains the influences and historical contexts that shaped their work. Until now, little criticism has been published about these important works. Addressing this oversight, Teaching Late-Twentieth-Century Mexicana and Chicana Writers starts with essays on Mexicana and Chicana authors. It then features essays on specific teaching strategies suitable for literature surveys and courses in cultural studies, Latino studies, interdisciplinary and comparative studies, humanities, and general education that aim to explore the intersectionalities represented in these works. Experienced teachers offer guidance on using these works to introduce students to border studies, transnational studies, sexuality studies, disability studies, contemporary Mexican history and Latino history in the United States, the history of social movements, and concepts of race and gender.
Author: Ian Almond Publisher: Routledge ISBN: 1000407136 Category : Literary Criticism Languages : en Pages : 183
Book Description
What would world literature look like, if we stopped referring to the “West”? Starting with the provocative premise that the “‘West’ is ten percent of the planet”, World Literature Decentered is the first book to decenter Eurocentric discourses of global literature and global history – not just by deconstructing or historicizing them, but by actively providing an alternative. Looking at a series of themes across three literatures (Mexico, Turkey and Bengal), the book examines hotels, melancholy, orientalism, femicide and the ghost story in a series of literary traditions outside the “West”. The non-West, the book argues, is no fringe group or token minority in need of attention – on the contrary, it constitutes the overwhelming majority of this world.
Author: David Dean Publisher: Page Publishing Inc ISBN: 1645440141 Category : Biography & Autobiography Languages : en Pages : 202
Book Description
As a kid, David used to always look up to drug dealers, pimps, and players because he thought that they had everything—money, cars, and whores. Even though he wanted to be a lawyer, he wanted to live like them, but his mother was not having that kind of life for him and his big brother, Mike. She raised them like middle class even though they were poor. Growing up, David never saw drugs, pimps, or players. It was not until David turned eighteen that he started to see drugs and prostitution after some guy had left David for dead because they were jealous of him for going to school and working and even trying to get a scholarship to college to play basketball. But his so-called best friend put a stop to that, and David’s whole life had changed. He became that person that he looked up to when he was a kid. He became one of the biggest drug dealers in Detroit and the state of Michigan. He kept the bad-ass killers, the biggest drug dealers and the most scandalous thieves around him. He felt that if they can’t get past him, nobody could. David got married even though he was married to the game and lived that kind of lifestyle. His wife didn’t really know David was in the game until after the wedding. They had the house he bought, the cars they drove, and the jewelry they wore. That’s when David started noticing her stealing money and depositing it into her own private credit union. He thought that she was putting it away for a rainy day, so he never said anything. It seemed like everybody was trying to steal from him—his family, his best friend, everybody except for his mother and father. But this was David’s way of keeping up with the game. It was David’s way of practicing for the people that were not family or friends. The people that were close to David wanted to bring him down and take over his little cartel. And his cousin did bring him down, sending David to federal prison. This story details the life of David Dean.
Author: Nicholas Irving Publisher: Macmillan ISBN: 1250088356 Category : Biography & Autobiography Languages : en Pages : 305
Book Description
A thrilling account of Nick "The Reaper" Irving's 10 greatest sniper kill missions that provide insight into the art of being a sniper
Author: Jeffery Deaver Publisher: Simon and Schuster ISBN: 1668012936 Category : Fiction Languages : en Pages : 496
Book Description
A classic thriller from New York Times bestselling author Jeffery Deaver featuring the intricate forensic detail, masterful plot twists, and harrowing breakneck pace that made A Maiden’s Grave, The Bone Collector, and The Coffin Dancer national bestsellers. It’s New Year’s Eve, December 31, 1999, and Washington, DC, is under siege. Early in the day, a grisly machine gun attack in the Dupont Circle Metro station leaves dozens dead and the city crippled with fear. A note delivered to the mayor’s office pins the massacre on the Digger, a robotlike assassin programmed to wreak havoc on the capital every four hours—until midnight. Only a ransom of $20 million delivered to the Digger’s accomplice—and mastermind—will end the death and terror. But the Digger becomes a far more sinister threat when his accomplice is killed in a freak accident while en route to the money drop. With the ransom note as the single scrap of evidence, Special Agent Margaret Lukas calls upon Parker Kincaid, a retired FBI agent and the top forensic document examiner in the country. Somehow, by midnight, they must find the Digger—before he finds them.
Author: Emily Hind
Author: Emily Hind
Author: Emily Hind
Author: 
Author: American Poland-China Record Association
Author: 
Author: Elizabeth Coonrod Martínez
Author: Ian Almond
Author: David Dean
Author: Nicholas Irving
Author: Jeffery Deaver