Essay on the True Art of Playing Keyboard Instruments PDF Download

Author: Carl Philipp Emanuel Bach
Publisher: W W Norton & Company Incorporated
ISBN: 9780393097160
Category : Music
Languages : en
Pages : 449

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Book Description
J. S. Bach's musician son explains the technique for performing eighteenth-century compositions, discussing fingering, embellishments, bass, and accompaniment

Author: Carl Philipp Emanuel Bach
Publisher: W W Norton & Company Incorporated
ISBN: 9780393097160
Category : Music
Languages : en
Pages : 449

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Book Description
J. S. Bach's musician son explains the technique for performing eighteenth-century compositions, discussing fingering, embellishments, bass, and accompaniment

Author: Carl Philipp Emanuel Bach
Publisher:
ISBN:
Category : Musical accompaniment
Languages : de
Pages : 449

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Book Description

Author: Robert Palmieri
Publisher: Routledge
ISBN: 1135949646
Category : Music
Languages : en
Pages : 552

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Book Description
First Published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Muzician.com
Publisher: LearnToPlayMusic.com
ISBN: 9825325003
Category : Music
Languages : en
Pages : 218

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Book Description
For beginner keyboard players. Takes you from beginner to professional level in a variety of styles as well as teaching music theory and improvisation in an interesting and practical way. This method features a complete system of chords, scales and arpeggios.

Author: Enrico Fubini
Publisher: University of Chicago Press
ISBN: 9780226267319
Category : Music
Languages : en
Pages : 436

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Book Description
This book collects key writings about eighteenth century music . It brings together for the first time in one place, a wide selection of essential documents not only about music theory and practice, but about the historical, philosophical, aesthetic, ideological, and literary debates which held sway during a century when musical thought and criticism gained a privileged position in the culture of Europe. Enrico Fubini offers a sampling of English, French, German, and Italian writings on topics ranging from Enlightenment rationalism and the theories of harmony to German musical culture and the polemics on J. S. Bach. Organized by topic and historical period these selections go beyond writings dealing exclusively with specific musical works to larger issues of theory and the reception of musical ideas in the culture at large. The selections are from books, journals, newspapers, pamphlets, and letters; the contributors include Diderot, Rousseau, Voltaire, Grimm, Alfieri, Rameau, Quantz, Gluck, Tartini, Leopold and W. A. Mozart, and C. P .E. Bach. Many are translated here for the first time. With general and chapter introductions, restored footnotes, and other valuable annotations, and a biographical appendix, this anthology will interest music scholars, students, and teachers.

Author: George A. Kochevitsky
Publisher: John Deere Publishing
ISBN: 9781577840008
Category : Music
Languages : en
Pages : 108

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Book Description
This text on performing Bach's keyboard music presents in capsule form the various opinions current in late-1990s musicology, approaching controversial questions from a critical point of view.

Author: Sandra P. Rosenblum
Publisher: Indiana University Press
ISBN: 9780253206800
Category : Music
Languages : en
Pages : 0

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Book Description
Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility. Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum's detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. " . . . is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." —American Music Teacher "Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." —Journal of Musicological Research "The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." —Early Keyboard Journal "Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." —The Musical Times "Its importance to thoughtful musicians cannot be overstated." —Choice " . . . thoroughly musicological." —Performance Practice Review " . . . indispensable . . . " —New York Times

Author: Zachary Ziolkowski
Publisher: Christian Faith Publishing, Inc.
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 144

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Book Description
Howbeit when he, the Spirit of truth, is come, he will guide you into all truth: for he shall not speak of himself; but whatsoever he hear, that shall he speak: and he will shew you things to come. He shall glorify me: for he shall shew it unto you. --John 16:13-14 Have you ever heard it said, history repeats? Ever wonder why that is? Why the wheels keep spinning with no traction? How do you get out of that rut? Well, this book is for you. In this book, you can, within the context of Christianity, learn why the world is locked into a cycle of vengeance, and how becoming a Christian can set you apart from this cycle and set you on a pathway to joy. Just like in the first Book of Keys, I put a little bit of everything in this book, and in a way, that is easy to read and hopefully just as easy to comprehend. My doctrines aren't as perfect as Christ's, but I'm on the pursuit of His Protestantism. I'm very hopeful that there is something you are looking for in life in this book, and that it will help to fortify your belief. We need every Christian to step up and speak out as the forces of darkness have made their power play for world control. Study hard, study often, and trust Jesus Christ. I hope you as the reader of this book find the well you are looking for.

Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 640

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Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.