Formless PDF Download

Author: Yve-Alain Bois
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312

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Book Description
Published to accompany exhibition held at the Centre Georges Pompidou, Paris 22/5 - 26/8 1996.

Author: Joan Stambaugh
Publisher: SUNY Press
ISBN: 9780791441503
Category : Philosophy
Languages : en
Pages : 192

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Book Description
Bringing together the depth insights of eastern & western traditions, this book places the topic of the self in a new context.

Author: Patrick Crowley
Publisher: Peter Lang
ISBN: 9783039100569
Category : Art
Languages : en
Pages : 268

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Book Description
The papers in this volume challenge the concept of form and aim to set out, explore and develop different theories and examples of 'the formless'. In so doing, they raise questions of form, and notions of formlessness (as distinct from something called 'the formless'). The starting point for many of the contributors is Georges Bataille's highly influential article entitled 'informe' ('formless'). Here, in a context where art, philosophy and anthropology were merging, Bataille tried to question the idea of formlessness as simply applying to things without form. This book, through a diversity of articles in various domains, asks how and why 'the formless' is such a dominant idea from the nineteenth century onwards and it asks the question: 'what is formless?'

Author: Jaime Rodríguez Matos
Publisher: Fordham Univ Press
ISBN: 0823274098
Category : Political Science
Languages : en
Pages : 248

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Book Description
In this book, Jaime Rodríguez Matos proposes the “formless” as a point of departure in thinking through the relationship between politics and time. Thinking through both literary and political writings around the Cuban Revolution, Rodríguez Matos explores the link between abstract symbolic procedures and various political experiments that have sought to give form to a principle of sovereignty based on the category of representation. In doing so, he proposes the formless as the limit of modern and contemporary reflections on the meaning of politics while exploring the philosophical consequences of a formless concept of temporality for the critique of metaphysics. Rodríguez Matos takes the writing and thought of José Lezama Lima as the guiding thread in exploring the possibility of a politicity in which time is imagined beyond the disciplining functions it has had throughout the metaphysical tradition—a time of the absence of time, in which the absence of time no longer means eternity.

Author: Eldritch Priest
Publisher: Bloomsbury Publishing USA
ISBN: 144112408X
Category : Music
Languages : en
Pages : 336

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Book Description
Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure rubs elbows with the categories of chance, noise, and obscurity. In these works we hear failure anew. We hear boredom, formlessness, and nonsense in a way that gives new purchase to aesthetic, philosophical, and ethical questions that falter in their negative capability. Reshaping current debates on failure as an aesthetic category, eldritch Priest shows failure to be a duplicitous concept that traffics in paradox and sustains the conditions for magical thinking and hyperstition. Framing recent experimental composition as a deviant kind of sound art, Priest explores how the affective and formal elements of post-Cagean music couples with contemporary culture's themes of depression, distraction, and disinformation to create an esoteric reality composed of counterfactuals and pseudonymous beings. Ambitious in content and experimental in its approach, Boring Formless Nonsense will challenge and fracture your views on failure, creativity, and experimental music.

Author: Helen Hamilton
Publisher: Balboa Press
ISBN: 1982283203
Category : Religion
Languages : en
Pages : 41

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Book Description
Many beings have revelations of our true Self and yet few come to live and move in the world as the Sage does. We must deeply assimilate what it means to be formless and allow that knowledge to pervade our entire consciousness. Questions such as “How can I come to know that I cannot die?” and “How do I live from this place of Truth?” begin to become very important to us. In this book we will look at specific points of contemplation that are designed to help come to know beyond doubt that to be formless means we cannot die, we cannot suffer and we are infinite. This book embodies the process that every awakened being has gone through and will allow you to let go of all doubt and fear. Think of this book as a road map to the awakened state of Being. It is the essence of every Sage’s journey and it will allow you to bring forth the Sage that is in you right now. This book is the answer to every student’s question of “How do I live as this?”

Author: Hans Mol
Publisher: Wilfrid Laurier Univ. Press
ISBN: 0889206783
Category : Religion
Languages : en
Pages : 112

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Book Description
This volume is woven around the idea that wholeness (the firm) and fragmentation (risking formlessness) alternate in human affairs. This theme is applied to the history and the present condition of Australian Aboriginals. Their religion is seen as a way to bolster a precarious identity and to affirm order in an existence which would otherwise become formless. It deals with totemism as a form of ordering a variety of often conflicting identities. The author describes the modern predicament of Aborigines in Australian society and concludes that their revitalization will occur only when they manage to make economic self-sufficiency subordinate to a viable and firm view of existence. He critically integrates into his analyses and interpretations the positions of such well-known scholars as Frazer, Durkheim, Freud, Lévi-Strauss, Radcliffe-Brown, Eliade, and Stanner. The volume will be of interest to students of sociology, anthropology, and religion.

Author: Jaime Rodríguez Matos
Publisher:
ISBN: 9780823274123
Category : Electronic books
Languages : en
Pages : 187

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Book Description
This book proposes the "formless" as a way of thinking through the impasses of contemporary politics. The writing of the formless, as it can be traced in the work of Lezama Lima and the Cuban Revolution, is the point of departure in thinking through the relationship between politics and time.

Author: Rashad Young
Publisher: Createspace Independent Publishing Platform
ISBN: 9781729631034
Category :
Languages : en
Pages : 148

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Book Description
To Be Formless means to become something without a form. It's to live a life without limits, without validation from others, and become fearless. Too often, we lived in a world where we're boxed in and blocked off. We block ourselves of our full potential because of fear within, and fear of what others may think about us. We live in a world where people are too afraid to step out of their comfort zones and become the person they're designed to be. We instead, live life through illusions and filters to block the true essence of who we are. We rather live life seeking validation and acceptance of others to feel self-fulfilled. In the end, we're all human, we have flaws, we suffer, we strive, and we live. You matter through it all. Don't change who you are because you don't know who you can become until you stretch out and reach the sky.

Author: Peter Noever
Publisher: Hatje Cantz Pub
ISBN: 9783775722476
Category : Design
Languages : en
Pages : 133

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Book Description
In the mid-1960s, artists like Robert Morris, Joseph Beuys, Michelangelo Pistoletto and Lynda Benglis began to experiment with formlessness in their materials. The maxim Form follows material," however, was not only proclaimed in the era's avant-garde art: it had a distinct impact on furniture design as well--for example, on Gunnar A. Andersen's experimental polyurethane Portrait of My Mother's Chesterfield Chair of 1964 and Zanotta's famous Sacco beanbag chair of 1968. Edited by Peter Noever, Director of Vienna's MAK museum of applied and contemporary art, this volume is the first to concentrate on formlessness in furniture design. Featuring work from the 1960s through today by such revolutionary figures as Frank Gehry, Gaetano Pesce, Ron Arad and Karim Rashid, it illuminates connections between the historical avant-garde and the applied arts, and tracks the various manifestations of design formlessness to have emerged over the past half century--from Robert Dean's 1967 Sea Urchin chair to today's computer-assisted "blobjects.""