Philosophers on Art from Kant to the Postmodernists PDF Download

Author: Christopher Kul-Want
Publisher: Columbia University Press
ISBN: 0231140940
Category : Philosophy
Languages : en
Pages : 378

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Book Description
Here, for the first time, Christopher Kul-Want brings together twenty-five texts on art written by twenty philosophers. Covering the Enlightenment to postmodernism, these essays draw on Continental philosophy and aesthetics, the Marxist intellectual tradition, and psychoanalytic theory, and each is accompanied by an overview and interpretation. The volume features Martin Heidegger on Van Gogh's shoes and the meaning of the Greek temple; Georges Bataille on Salvador Dal’'s The Lugubrious Game; Theodor W. Adorno on capitalism and collage; Walter Benjamin and Roland Barthes on the uncanny nature of photography; Sigmund Freud on Leonardo Da Vinci and his interpreters; Jacques Lacan and Julia Kristeva on the paintings of Holbein; Freud's postmodern critic, Gilles Deleuze on the visceral paintings of Francis Bacon; and Giorgio Agamben on the twin traditions of the Duchampian ready-made and Pop Art. Kul-Want elucidates these texts with essays on aesthetics, from Hegel and Nietzsche to Badiou and Rancire, demonstrating how philosophy adopted a new orientation toward aesthetic experience and subjectivity in the wake of Kant's powerful legacy.

Author: Paul Crowther
Publisher: Oxford University Press
ISBN: 0198236239
Category : Philosophy
Languages : en
Pages : 231

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Kant's theory of the sublime has become one of the most keenly studied elements in both his own aesthetics and aesthetic theory in general. This book offers a sustained analysis of Kant's theory of the sublime as found throughout his critical philosophy.

Author: Hugh J. Silverman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 334

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Book Description
The essays collected here present a cross section of the debates on postmodernism being waged in philosophy and the arts. Some contributors raise general questions about postmodernism, for example, its language and its politics. Others offer specific readings of architecture, painting, literature, theatre, photography, film, and television.

Author: Stephen R. C. Hicks
Publisher: Scholargy Publishing, Inc.
ISBN: 9781592476428
Category : Philosophy
Languages : en
Pages : 250

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Author: Arthur C. Danto
Publisher: Routledge
ISBN: 1134395450
Category : Art
Languages : en
Pages : 232

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Book Description
Since the mid-1980s, Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism. Out of the wake of modernist art, Danto discerns the emergence of a radically pluralistic art world. His essays illuminate this novel art world as well as the fate of criticism within it. As a result, Danto has crafted the most compelling philosophy of art criticism since Clement Greenberg. Gregg Horowitz and Tom Huhn analyze the constellation of philosophical and critical elements in Danto's new- Hegelian art theory. In a provocative encounter, they employ themes from Kantian aesthetics to elucidate the continuing persistence of taste in shaping even this most sophisticated philosophy of art.

Author: Paul Crowther
Publisher:
ISBN: 9780191597268
Category : Aesthetics
Languages : en
Pages : 214

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Book Description
Kant's theory of the sublime has become one of the most keenly studied elements in both his own aesthetics and aesthetic theory in general. This book offers a sustained analysis of Kant's theory of the sublime as found throughout his critical philosophy.

Author: Michael J. Matthis
Publisher: Cambridge Scholars Publishing
ISBN: 1527554074
Category : Art
Languages : en
Pages : 140

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Book Description
The eighteenth-century Enlightenment represents a turn toward experience, that is, toward the experiencing subject. Still the Enlightenment involves an aspiration toward objective truth in the ideals of the newly emerging sciences and in the experiments in democracy that were beginning to transform the political landscape of Europe and America. Immanuel Kant’s towering philosophical achievement in his critical works helps to reformulate a meaning of objectivity that is congenial to the climate of inquiry and freedom in that remarkable century, a meaning that is unburdened of the metaphysical commitments of many of his predecessors. Kant’s revolution in philosophical thought gives us an objectivity that is crucially related to epistemic conditions rooted in subjectivity, a correlation between subjectivity and objectivity that carries over as well into his critical treatises concerned with ethics and aesthetics. This book of essays explores the tension between subjectivity and objectivity as it develops in the Enlightenment in Winkelmann, Hume, and Kant. The focus is upon aesthetic theories concerning the beautiful, the sublime, and the grotesque. The question by two of the authors as to whether aesthetic enjoyment of the blues is morally justified underscores an interest in these essays in the connection between aesthetics and ethics. This concern of the relation of aesthetics to judgments in cognition and in morality underlies an area of peculiar interest to Kant, and therefore to many of these essays. Finally the authors examine a turn toward the subjective in the Postmodern world of art and aesthetic theory, a turn that represents a relaxation of the original Enlightenment tension between subjectivity and objectivity. It also represents perhaps a grotesque turn toward the extreme of subjectivity in the realm of Postmodern theory, an extreme toward which at least one of the authors casts a critical eye.

Author: Albrecht Wellmer
Publisher: John Wiley & Sons
ISBN: 0745692354
Category : Social Science
Languages : en
Pages : 279

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Book Description
In this timely new book Wellmer intervenes in the highly topical debates on modernity and post-modernity. Discussing the work of Adorno, Habermas, Peter Burger and Jean-François Lyotard, among others, he offers a penetrating analysis of the aesthetic, ethical and philosophical dimensions of the modern era. In opposition to those who view post-modernity as a sign of post-enlightenment, Wellmer makes a reasoned plea for a re-examination of the goals of emancipatory Enlightenment and explores its implications for the appreciation of modern art forms.

Author: Clive Cazeaux
Publisher: Routledge
ISBN: 1351226363
Category : Philosophy
Languages : en
Pages : 1560

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Book Description
The Continental Aesthetics Reader brings together classic and contemporary writings on art and aesthetics from the major figures in continental thought. The second edition is clearly divided into seven sections: Nineteenth-Century German Aesthetics Phenomenology and Hermeneutics Marxism and Critical Theory Excess and Affect Embodiment and Technology Poststructuralism and Postmodernism Aesthetic Ontologies. Each section is clearly placed in its historical and philosophical context, and each philosopher has an introduction by Clive Cazeaux. An updated list of readings for this edition includes selections from Agamben, Butler, Guattari, Nancy, Virilio, and iek. Suggestions for further reading are given, and there is a glossary of over fifty key terms. Ideal for introductory courses in aesthetics, continental philosophy, art, and visual studies, The Continental Aesthetics Reader provides a thorough introduction to some of the most influential writings on art and aesthetics from Kant and Hegel to Badiou and Ranci.

Author: Jean-Marie Schaeffer
Publisher: Princeton University Press
ISBN: 9780691016696
Category : Art
Languages : en
Pages : 378

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Book Description
This view encouraged theorists to consider artistic geniuses the high-priests of humanity, creators of works that reveal the invisible essence of the world."--BOOK JACKET.