Postmodernism, Music and Cultural Theory PDF Download

Author: David Bennett
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 200

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Book Description
Demonstrates how theories of postmodernism as 'incredulity toward grand narrative' speak to musical history and aesthetics. This book illustrates how music has figured centrally in poststructuralist theory and can itself open up fresh perspectives for reassessing that theory.

Author: John Storey
Publisher: Pearson Education
ISBN: 9780131970694
Category : Civilization
Languages : en
Pages : 684

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Book Description
"This book is a companion volume to Cultural theory and popular culture: an introduction, 4th ed., Pearson, 2006. It collects together work by most of the critics and theorists discussed in Cultural theory and popular culture: an introduction and also contains work by other critics and theorists ..."--Pref.

Author: Judy Lochhead
Publisher: Routledge
ISBN: 1135717788
Category : Music
Languages : en
Pages : 350

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Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Kenneth Gloag
Publisher: Cambridge University Press
ISBN: 0521151570
Category : Music
Languages : en
Pages : 223

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Book Description
What is postmodernism? How does it relate to music? This introduction clarifies the concept, providing ways of interpreting postmodern music.

Author: Sally Macarthur
Publisher: Routledge
ISBN: 131700910X
Category : Music
Languages : en
Pages : 206

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Book Description
Towards a Twenty-First-Century Feminist Politics of Music opens up a new way of thinking about the absence of women's music. It does not aim to find 'a solution' in a liberal feminist sense, but to discover new potentialities, new possibilities for thought and action. Sally Macarthur encourages us, with the assistance of Deleuze, and feminist-Deleuzian work, to begin the important work of imagining what else might be possible, not in order to provide answers but to open up the as yet unknown. The power of thought - or what Deleuze calls the 'virtual' - opens up new possibilities. Macarthur suggests that the future for women's 'new' music is not tied to the predictable and known but to futures beyond the already-known. Previous research concludes that women's music is virtually absent from the concert hall, and yet fails to find a way of changing this situation. Macarthur finds that the flaw in the recommendations flowing from past research is that it envisages the future from the standpoint of the present, and it relies on a set of pre-determined goals. It thus replicates the present reality, so reinforcing rather than changing the status quo. Macarthur challenges this thinking, and argues that this repetitive way of thinking is stuck in the present, unable to move forward. Macarthur situates her argument in the context of current dominant neoliberal thought and practice. She argues that women have generally not thrived in the neoliberal model of the composer, which envisages the composer as an individual, autonomous creator and entrepreneur. Successful female composers must work with this dominant, modernist aesthetic and exploit the image of the neo-romantic, entrepreneurial creator. This book sets out in contrast to develop a new conception of subjectivity that sows the seeds of a twenty-first-century feminist politics of music.

Author: Angela McRobbie
Publisher: Routledge
ISBN: 1134900864
Category : Social Science
Languages : en
Pages : 240

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Book Description
Postmodernism and Popular Culture brings together eleven recent essays by Angela McRobbie in a collection which deals with the issues which have dominated cultural studies over the last ten years. A key theme is the notion of postmodernity as a space for social change and political potential. McRobbie explores everyday life as a site of immense social and psychic complexity to which she argues that cultural studies scholars must return through ethnic and empirical work; the sound of living voices and spoken language. She also argues for feminists working in the field to continue to question the place and meaning of feminist theory in a postmodern society. In addition, she examines the new youth cultures as images of social change and signs of profound social transformation. Bringing together complex ideas about cultural studies today in a lively and accessible format, Angela McRobbie's new collection will be of immense value to all teachers and students of the subject.

Author:
Publisher: A&C Black
ISBN: 0826463215
Category : Music
Languages : en
Pages : 833

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Book Description
‘This is an extraordinary achievement and it will become an absolutely vital and trusted resource for everyone working in the field of popular music studies. Even more broadly, anyone interested in popular music or popular music culture more generally will enjoy - and find many uses for - the wealth of information and insight captured in this volume.' Lawrence Grossberg, Morris Davis Professor of Communication Studies and Cultural Studies, University of North Carolina at Chapel Hill The first comprehensive reference work on popular music of the world Contributors are the world's leading popular music scholars Includes extensive bibliographies, discographies, sheet music listings and filmographies. Popular music has been a major force in the world since the nineteenth century. With the advent of electronic and advanced technology it has become ubiquitous. This is the first volume in a series of encyclopedic works covering popular music of the world. Consisting of some 500 entries by 130 contributors from around the world. Entries range between 250 and 5000 words, and is arranged in two Parts: Part 1: Social and Cultural Dimensions, covering the social phenomena of relevance to the practice of popular music. Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided. For more information visit the website at: www.continuumpopmusic.com

Author: John Shepherd
Publisher: A&C Black
ISBN: 184714473X
Category : Social Science
Languages : en
Pages : 833

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Book Description
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.

Author: Stuart Sim
Publisher: Edinburgh University Press
ISBN: 0748688056
Category : Philosophy
Languages : en
Pages : 264

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Book Description
Drawing on a multidisciplinary team of experts, The Lyotard Dictionary provides a clear and accessible introduction to all of his main concepts, contextualising these within his work as a whole and relating him to his contemporaries.

Author: Tim Woods
Publisher: Manchester University Press
ISBN: 9780719052118
Category : Literary Criticism
Languages : en
Pages : 308

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Book Description
"Postmodernism" has become the buzzword of contemporary society. Yet it remains baffling in its variety of definitions, contexts and associations. Beginning Postmodernism aims to offer clear, accessible and step-by-step introductions to postmodernism across a wide range of subjects. It encourages readers to explore how the debates about postmodernism have emerged from basic philosophical and cultural ideas. With its emphasis firmly on "postmodernism in practice," the book contains exercises and questions designed to help readers understand and reflect upon a variety of positions in the following areas of contemporary culture: philosophy and cultural theory; architecture and concepts of space; visual art; sculpture and the design arts; popular culture and music; film, video and television culture; and the social sciences.