The Availability of Printed Music in Great Britain PDF Download

Author: International Association of Music Libraries, Archives, and Documentation Centres. United Kingdom Branch
Publisher: Lincoln [England] : The Branch
ISBN: 9780950233949
Category : Music
Languages : en
Pages : 22

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Author: Martin Kingsbury
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 28

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Book Description

Author: Andrea Lindmayr-Brandl
Publisher: Routledge
ISBN: 1000387089
Category : Music
Languages : en
Pages : 423

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Book Description
This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe. Chapters consider dimensions of music printing in Britain, the Holy Roman Empire, the Netherlands, France, Spain and Italy, showing how this area of inquiry can engage a wide range of cultural, historical and theoretical issues. From the economic consequences of the international book trade to the history of women music printers, the contributors explore the nuances of the interrelation between the materiality of print music and cultural, aesthetic, religious, legal, gender and economic history. Engaging with the theoretical turns in the humanities towards material culture, mobility studies and digital research, this book offers a wealth of new insights that will be relevant to researchers of early modern music and early print culture alike.

Author: Donald William Krummel
Publisher: London : Bibliographical Society
ISBN:
Category : Art
Languages : en
Pages : 226

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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 764

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Book Description

Author: Robert Steele
Publisher: London : Printed for the Bibliographical Society at the Chiswick Press
ISBN:
Category : Music
Languages : en
Pages : 218

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Author: Royal College of Music (Great Britain)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 380

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Book Description

Author: Christina Fuhrmann
Publisher: Liverpool University Press
ISBN: 1638040435
Category : Music
Languages : en
Pages : 392

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Book Description
Recently, studies of opera, of print culture, and of music in Britain in the long nineteenth century have proliferated. This essay collection explores the multiple point of interaction among these fields. Past scholarship often used print as a simple conduit for information about opera in Britain, but these essays demonstrate that print and opera existed in a more complex symbiosis. This collection embeds opera within the culture of Britain in the long nineteenth century, a culture inundated by print. The essays explore: how print culture both disseminated and shaped operatic culture; how the businesses of opera production and publishing intertwined; how performers and impresarios used print culture to cultivate their public persona; how issues of nationalism, class, and gender impacted reception in the periodical press; and how opera intertwined with literature, not only drawing source material from novels and plays, but also as a plot element in literary works or as a point of friction in literary circles. As the growth of digital humanities increases access to print sources, and as opera scholars move away from a focus on operas as isolated works, this study points the way forward to a richer understanding of the intersections between opera and print culture.

Author: United States Centennial Commission
Publisher:
ISBN:
Category : Centennial Exhibition
Languages : en
Pages : 1286

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Book Description

Author: Kate van Orden
Publisher: Univ of California Press
ISBN: 0520276507
Category : Music
Languages : en
Pages : 256

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Book Description
What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western musicÕs adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.