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Author: Abraham Joshua Heschel Publisher: A&C Black ISBN: 0826418937 Category : Religion Languages : en Pages : 206
Book Description
Written between 1927 and 1933—and never published in English before—this is the intimate spiritual diary of a devout European Jew, loyal to the revelation at Sinai and afflicted with reverence for all human beings.
Author: Abraham Joshua Heschel Publisher: A&C Black ISBN: 0826418937 Category : Religion Languages : en Pages : 206
Book Description
Written between 1927 and 1933—and never published in English before—this is the intimate spiritual diary of a devout European Jew, loyal to the revelation at Sinai and afflicted with reverence for all human beings.
Author: Mark Sameth Publisher: Wipf and Stock Publishers ISBN: 1532693834 Category : Religion Languages : en Pages : 190
Book Description
The God of ancient Israel—universally referred to in the masculine today—was understood by its earliest worshipers to be a dual-gendered, male-female deity. So argues Mark Sameth in The Name. Needless to say, this is no small claim. Half the people on the planet are followers of one of the three Abrahamic religions—Judaism, Christianity, and Islam—each of which has roots in the ancient cult that worshiped this deity. The author’s evidence, however, is compelling and his case meticulously constructed. The Hebrew name of God—YHWH—has not been uttered in public for over two thousand years. Some thought the lost pronunciation was “Jehovah” or “Yahweh.” But Sameth traces the name to the late Bronze Age and argues that it was expressed Hu-Hi—Hebrew for “He-She.” Among Jewish mystics, we learn, this has long been an open secret. What are the implications for us today if “he” was not God?
Author: Abraham Heschel Publisher: Simon and Schuster ISBN: 068483331X Category : Religion Languages : en Pages : 312
Book Description
Heschel was one of the outstanding Judaic philosophers and theologians of our time, and this is more than just a comprehensive introduction to contemporary Judaism as he attempts to bridge the gap between traditions of Eastern European Jewry and the scholarship of Western civilisation.
Author: Tovia Singer Publisher: ISBN: 9780996091329 Category : Languages : en Pages : 428
Book Description
Explore the Jewish and Christian Scriptures with the world renowned Bible scholar and expert on Jewish evangelism, Rabbi Tovia Singer. This new two-volume work, Let's Get Biblical! Why Doesn't Judaism Accept the Christian Messiah?, takes the reader on an eye-opening journey through timeless passages in Tanach, and answers a pressing question: Why doesn't Judaism accept the Christian messiah? Are the teachings conveyed in the New Testament compatible with ageless prophecies in the Jewish Scriptures? Rabbi Singer's fascinating new work clearly illustrates why the core doctrines of the Church are utterly incompatible with the cornerstone principles expressed by the Prophets of Israel, and are opposed by the most cherished tenets conveyed in the Jewish Scriptures. Moreover, this book demonstrates how the Church systematically and deliberately altered the Jewish Scriptures in order to persuade potential converts that Jesus is the promised Jewish messiah. To accomplish this feat, Christian "translators" manipulated, misquoted, mistranslated, and even fabricated verses in the Hebrew Scriptures so that these texts appear to be speaking about Jesus. This exhaustive book probes and illuminates this thought-provoking subject. Tragically, over the past two millennia, the church's faithful have been completely oblivious to this Bible-tampering because virtually no Christian can read or understand the Hebrew Scriptures in its original language. Since time immemorial, earnest parishioners blindly and utterly depended upon manmade Christian "translations" of the "Old Testament" in order to understand the "Word of God." Understandably, churchgoers are deeply puzzled by the Jewish rejection of their religion's claims. They wonder aloud why Jewish people, who are reared since childhood in the Holy Tongue, and are the bearers and protectors of the sacred Oracles of God, do not accept Jesus as their messiah. How can such an extraordinary people dismiss such an extraordinary claim? Are they just plain stubborn? Let's Get Biblical thoroughly answers these nagging, age-old questions.
Author: Andrei A. Orlov Publisher: Mohr Siebeck ISBN: 9783161554476 Category : Religion Languages : en Pages : 260
Book Description
"In this work, Andrei A. Orlov examines the apocalyptic profile of the angel Yahoel as the mediator of the divine Name, demonstrating its formative influence not only on rabbinic and Hekhalot beliefs concerning the supreme angel Metatron, but also on the unique aural ideology of early Jewish mystical accounts."--Back of dust jacket.
Author: Gerard Gertoux Publisher: Lulu.com ISBN: 1329205057 Category : Languages : en Pages : 72
Book Description
The understanding of God's name YHWH is so controversial that it is eventually the controversy of controversies, or the ultimate controversy. Indeed, why most of competent Hebrew scholars propagate patently false explanations about God's name? Why do the Jews refuse to read God's name as it is written and read Adonay "my Lord" (a plural of majesty) instead of it? Why God's name is usually punctuated e, â (shewa, qamats) by the Masoretes what makes its reading impossible, because the 4 consonants of the name YHWH must have at least 3 vowels (long or short) to be read, like the words 'aDoNâY and 'eLoHîM "God" (a plural of majesty), which have 4 consonants and 3 vowels? At last, why the obvious reading "Yehowah", according to theophoric names, which all begin by Yehô-, without exception, is so despised, and why the simple biblical meaning, "He will be" from Exodus 3:14, is rejected.
Author: John Courtney Murray Publisher: Yale University Press ISBN: 9780300001716 Category : Religion Languages : en Pages : 140
Book Description
In an urbane and persuasive tract for our time, the distinguished Catholic theologian combines a comprehensive metaphysics with a sensitivity to contemporary existentialist thought. Father Murray traces the “problem of God” from its origins in the Old Testament, through its development in the Christian Fathers and the definitive statement by Aquinas, to its denial by modern materialism. Students and nonspecialist intellectuals may both benefit by the book, which illuminates the problem of development of doctrine that is now, even more than in the days of Newman, a fundamental issue between Roman Catholic and Protestant, theologians and nonspecialst intellectuals alike will find the subject of vital interest. As a challenge to the ecumenical dialogue, the question is raised whether, in the course of its development through different phases, the problem of God has come back to its original position. Father Murray is Ordinary professor of theology at Woodstock College, Woodstock, Maryland. St. Thomas More Lectures, 1. "A gem of a book—lucid, illuminating, brilliantly written. A fine contribution to the current Catholic theological renaissance."—Paul Weiss.
Author: David C. Mitchell Publisher: Campbell Publishers ISBN: 1916619045 Category : Religion Languages : en Pages : 311
Book Description
Codes hidden for 3,000 years unveil the origin of the fifteen Songs of Ascents. Mysterious marks in medieval manuscripts disclose the lost temple song. Rabbinic traditions reveal the place of the ark of the covenant. And the secret message of the Book of Psalms is laid bare. Question: What do you get when you cross a period-performance Director of Music with a specialist on the Psalms? Answer: The ultimate book on the Psalms in Temple worship. In this book, I wear both my hats to show how these Psalms were sung in ancient Israel. Want to know more? It’s all here in the largest book ever written on the Songs of Ascents, with 27 pictures, 14 tables, and 29 musical examples. REVIEWS David Mitchell’s Songs of Ascents is a fresh direction in the study of the Psalms. The Psalms of Ascents, he argues, were composed not only for Solomon’s Temple but actually for its dedication; yet they represent also a coherent collection, with shared themes and a progression of thought. Drawing on his musical knowledge, he also shows how they may have been sung, here adapting and developing the theories of Suzanne Haïk-Vantoura about the meaning of the Masoretic cantillation signs. John Barton, FBA, Oriel & Lang Professor of the Interpretation of Holy Scripture, Oriel College, Oxford The Songs of Ascents establishes a long-overdue link between the worlds of Biblical Studies and Near Eastern Archaeomusicology. Mitchell addresses the issue with great competence and meticulousness. He has combined researches on both church and synagogue musical traditions, and depicts a credible picture of how the psalms would have been sung in ancient Jerusalem. Richard Dumbrill, Professor of Near Eastern Archaeomusicology, University of London David Mitchell takes just one collection of fifteen psalms to recreate a scholarly and engaging account which brings together, in an original but careful way, the disciplines of the Hebrew language, psalmody, and music. For anyone interested in how the psalms functioned as ancient Temple Songs, and how this might apply to our appreciation of them in synagogues and churches today, this book is an absolute gem. Susan Gillingham, Professor of the Hebrew Bible, Worcester College, Oxford Since the publication of Suzanne Haȉk-Vantoura’s La musique de la Bible révélée in 1976 the quest to identify a musical interpretation of the Masoretic cantillation marks in the poetic biblical books has acquired some impetus. David Mitchell, combining musical expertise and biblical scholarship, has made in this monograph a significant contribution to this on-going quest. He identifies a persuasive chain of tradition which could support the view that the cantillations are a genuine representation of a musical tradition known to the Masoretes, but subsequently lost. Building on Haȉk-Vantoura’s work, and using as a test case the Gregorian tonus peregrinus for Psalm 114 (whose melody is echoed in both Sephardic and Ashkenazi melodies for the same Psalm), he provides a musical understanding of the cantillations which transfers into explicit musical directions (which he reproduces) for each of the Psalms of Ascents. This study deserves to be taken very seriously indeed. Dr Alastair Hunter, Glasgow University. Society of Old Testament Studies Book Review 2016 David Mitchell’s book contains a broad range of explorations of these fifteen psalms, which betrays engagement with many pertinent questions about the Psalms, worship in the Jerusalem Temples, and ancient music. Mitchell’s reading is thorough and eclectic, his thinking is imaginative and novel, and his writing engaging and thought-provoking….This is an enjoyable book for a musician and Psalms scholar. Dr Megan Daffern, Chaplain, Jesus College, Oxford. Expository Times Book Review 2017 This study, in a unique combination of psalter exegesis, historical localization, and music-historical observations, reveals the thesis that Psalms 120-134 were redacted between 975 and 959 BC for the consecration of Solomon’s Temple on 15 Ethanim (Tishri) 959 BC, and that one of each of these 15 psalms was sung during the Succoth festival on the 15 steps of the Temple of Jerusalem. The author proposes that the poets of these psalms were David (for Ps. 122, 124, 131, and 133), Solomon (for Psalm 127), and, by virtue of its Aramaic coloring, Jeduthun and the Merarite Levites (Ps. 120, 121, 123, 125, 126, 130, and 132). In these attributions, and in the reconstruction of the original chant, Mitchell draws on the masoretic cantillation, on rabbinic and early Christian sources on psalmody, on ancient oriental representations of musicians and instruments, and also on gematria. Professor Markus Witte, Lehrstuhl für Exegese und Literaturgeschichte des Alten Testaments, Humboldt-Universität, Berlin. Zeitschrift für die alttestamentlichen Wissenschaft Book Review, June 2017
Author: Abraham Joshua Heschel
Author: Abraham Joshua Heschel
Author: Mark Sameth
Author: Abraham Heschel
Author: Abraham Joshua Heschel
Author: Tovia Singer
Author: Andrei A. Orlov
Author: Gerard Gertoux
Author: John Courtney Murray
Author: David C. Mitchell
Author: George Washington Carey