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Author: Adrian Curtin Publisher: Theatre: Theory - Practice - Performance ISBN: 9781526124708 Category : Criticism, interpretation, etc Languages : en Pages : 272
Book Description
Death in modern theatre offers a unique account of modern Western theatre, focusing on the ways in which dramatists and theatre-makers have explored historically informed ideas about death and dying in their work. It investigates the opportunities theatre affords to reflect on the end of life in a compelling and socially meaningful fashion. In a series of interrelated, mostly chronological, micronarratives beginning in the late nineteenth century and ending in the early twenty-first century, this book considers how and why death and dying are represented at certain historical moments using dramaturgy and aesthetics that challenge audiences' conceptions, sensibilities, and sense-making faculties. It includes a mix of well-known and lesser-known plays from an international range of dramatists and theatre-makers, and offers original interpretations through close reading and performance analysis.
Author: Adrian Curtin Publisher: Theatre: Theory - Practice - Performance ISBN: 9781526124708 Category : Criticism, interpretation, etc Languages : en Pages : 272
Book Description
Death in modern theatre offers a unique account of modern Western theatre, focusing on the ways in which dramatists and theatre-makers have explored historically informed ideas about death and dying in their work. It investigates the opportunities theatre affords to reflect on the end of life in a compelling and socially meaningful fashion. In a series of interrelated, mostly chronological, micronarratives beginning in the late nineteenth century and ending in the early twenty-first century, this book considers how and why death and dying are represented at certain historical moments using dramaturgy and aesthetics that challenge audiences' conceptions, sensibilities, and sense-making faculties. It includes a mix of well-known and lesser-known plays from an international range of dramatists and theatre-makers, and offers original interpretations through close reading and performance analysis.
Author: Mischa Twitchin Publisher: Springer ISBN: 1137478721 Category : Performing Arts Languages : en Pages : 336
Book Description
This book is concerned with such questions as the following: What is the life of the past in the present? How might “the theatre of death” and “the uncanny in mimesis” allow us to conceive of the afterlife of a supposedly ephemeral art practice? How might a theatrical iconology engage with such fundamental social relations as those between the living and the dead? Distinct from the dominant expectation that actors should appear life-like onstage, why is it that some theatre artists – from Craig to Castellucci – have conceived of the actor in the image of the dead? Furthermore, how might an iconology of the actor allow us to imagine the afterlife of an apparently ephemeral art practice? This book explores such questions through the implications of the twofold analogy proposed in its very title: as theatre is to the uncanny, so death is to mimesis; and as theatre is to mimesis, so death is to the uncanny. Walter Benjamin once observed that: “The point at issue in the theatre today can be more accurately defined in relation to the stage than to the play. It concerns the filling-in of the orchestra pit. The abyss which separates the actors from the audience like the dead from the living...” If the relation between the living and the dead can be thought of in terms of an analogy with ancient theatre, how might avant-garde theatre be thought of in terms of this same relation “today”?
Author: Howard Barker Publisher: Psychology Press ISBN: 9780415349864 Category : Drama Languages : en Pages : 120
Book Description
The latest collection of Barker's philosophical musings on theatre, this volume includes speculations, deductions, prose poems & poetic apercus, which cast a unique light on the nature of tragedy, eroticism, love & theatre.
Author: Karoline Gritzner Publisher: Univ of Hertfordshire Press ISBN: 9781902806921 Category : Performing Arts Languages : en Pages : 292
Book Description
The essays brought together in this collection offer new perspectives on the eros/death relation in a wide selection of dramatic texts, theatrical practices and cultural performances.
Author: Jennifer Woodward Publisher: Boydell & Brewer Ltd ISBN: 0851157041 Category : History Languages : en Pages : 286
Book Description
English royal funeral ceremony from Mary, Queen of Scots to James I gives fascinating insight into the relationship between power and ritual at the renaissance court.
Author: Nat Brandt Publisher: SIU Press ISBN: 080932721X Category : History Languages : en Pages : 241
Book Description
A blow-by-blow account of the deadliest fire in American history retraces the final days of the Iroquois Theatre in Chicago, a supposedly indestructible building that burned killing more than six hundred people.
Author: Elinor Fuchs Publisher: Indiana University Press ISBN: 0253113474 Category : Performing Arts Languages : en Pages : 238
Book Description
"Extremely well written, and exceedingly well informed, this is a work that opens a variety of important questions in sophisticated and theoretically nuanced ways. It is hard to imagine a better tour guide than Fuchs for a trip through the last thirty years of, as she puts it, what we used to call the 'avant-garde.'" —Essays in Theatre ". . . an insightful set of theoretical 'takes' on how to think about theatre before and theatre after modernism." —Theatre Journal "In short, for those who never experienced a 'postmodern swoon,' Elinor Fuchs is an excellent informant." —Performing Arts Journal ". . . a thoughtful, highly readable contribution to the evolving literature on theatre and postmodernism." —Modern Drama "A work of bold theoretical ambition and exceptional critical intelligence. . . . Fuchs combines mastery of contemporary cultural theory with a long and full participation in American theater culture: the result is a long-needed, long-awaited elaboration of a new theatrical paradigm." —Una Chaudhuri, New York University "What makes this book exceptional is Fuchs' acute rehearsal of the stranger unnerving events of the last generation that have—in the cross-reflections of theory—determined our thinking about theater. She seems to have seen and absorbed them all." —Herbert Blau, Center for Twentieth Century Studies, University of Wisconsin, Milwaukee "Surveying the extraordinary scene of the postmodern American theater, Fuchs boldly frames key issues of subjectivity and performance with the keenest of critical eyes for the compelling image and the telling gesture." —Joseph Roach, Tulane University " . . . Fuchs makes an exceptionally lucid and eloquent case for the value and contradictions in postmodern theater." —Alice Rayner, Stanford University "Arguably the most accessible yet learned road map to what remains for many impenetrable territoryan obligatory addition to all academic libraries serving upper-division undertgraduates and above." —Choice "A systematic, comprehensive and historically-minded assessment of what, precisely, 'post-modern theatre' is, anyway." —American Theatre In this engrossing study, Elinor Fuchs explores the multiple worlds of theater after modernism. While The Death of Character engages contemporary cultural and aesthetic theory, Elinor Fuchs always speaks as an active theater critic. Nine of her Village Voice and American Theatre essays conclude the volume. They give an immediate, vivid account of contemporary theater and theatrical culture written from the front of rapid cultural change.
Author: Mark Robson Publisher: Methuen Drama ISBN: 1352006499 Category : Performing Arts Languages : en Pages : 0
Book Description
This new title in the Theatre And series confronts the complex relationship between theatre and death. Taking the position that all humans need to 'live' with the reality of death, Mark Robson draws on a range of examples, from Greek theatre to contemporary practitioners, in order to testify to the potency of both theatre and death in contemporary culture. Striking and thought-provoking, this book is ideal for undergraduate and postgraduate students of theatre and performance, or English literature students with an interest in tragedy.
Author: Alice Rayner Publisher: ISBN: 9780816645459 Category : Performing Arts Languages : en Pages : 205
Book Description
Making spirits visible has been a part of the theatrical experience since at least the sixteenth century. Instead of illusions, however, ghostly doubles in theatre are materially real and pervasive. In Ghosts, Alice Rayner examines theatre as a memorial practice that is haunted by the presence of loss, looking at how aspects of stagecraft turn familiar elements into something uncanny. Citing examples from the works of Shakespeare, Beckett, and Suzan-Lori Parks as well as the films Vertigo, Gaslight, and The Sixth Sense, she begins by describing time as it is employed by theatre with multiple aspects of presence, duration, and passage. Suggesting that objects connect past to present through the sense of touch, she explores how props are suspended backstage between motion and meaning. Her final chapters consider the curtain as theatre's means for attempting to divide real and imaginary worlds. If ghosts hover where secrets--secrets of the past, secrets from oneself, secrets of life and death--are kept, then, according to Rayner, "theatre is where ghosts best make their appearances and let communities and individuals know that we live amid secrets hiding in plain sight." Alice Rayner is associate professor of drama at Stanford University and author of, most recently, To Act, To Do, To Perform: Drama and the Phenomenology of Action.
Author: Rob Urbinati Publisher: Samuel French, Incorporated ISBN: 9780573700934 Category : Drama Languages : en Pages : 76
Book Description
Edward Bennett, a playwright, and his wife Sorel Bennett, an actress, flee London and head to Cookham after a disastrous opening night. But various guests arrive unexpectedly - a conservative politician, a fiery socialist, a nearsighted ingenue, a zany modern dancer - each with a long-held secret. When one of the guests is murdered, it's left to Bridgit, the feisty Irish maid with a macabre interest in homicide, to solve the crime.
Author: Adrian Curtin
Author: Adrian Curtin
Author: Mischa Twitchin
Author: Howard Barker
Author: Karoline Gritzner
Author: Jennifer Woodward
Author: Nat Brandt
Author: Elinor Fuchs
Author: Mark Robson
Author: Alice Rayner
Author: Rob Urbinati