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Author: Andrea Most Publisher: NYU Press ISBN: 0814708196 Category : History Languages : en Pages : 304
Book Description
“Makes new sense of aspects of popular culture we have all grown up with and thought we knew only too well. Most bridges religious studies and theater, political theory and American studies, high criticism and middlebrow performance. Her book will help us see better how Jews and their Jewishness did not merely ‘enter’ American popular culture, but did so much to invent it.”—Jonathan Boyarin Leonard and Tobee Kaplan Distinguished Professor of Modern Jewish Thought, University of North Carolina For centuries, Jews were one of the few European cultures without any official public theatrical tradition. Yet in the modern era, Jews were among the most important creators of popular theater and film–especially in America. Why? In Theatrical Liberalism, Andrea Most illustrates how American Jews used the theatre and other media to navigate their encounters with modern culture, politics, religion, and identity, negotiating a position for themselves within and alongside Protestant American liberalism by reimagining key aspects of traditional Judaism as theatrical. Discussing works as diverse as the Hebrew Bible, The Jazz Singer, and Death of a Salesman—among many others—Most situates American popular culture in the multiple religious traditions that informed the worldviews of its practitioners. Offering a comprehensive history of the role of Judaism in the creation of American entertainment, Theatrical Liberalism re-examines the distinction between the secular and the religious in both Jewish and American contexts, providing a new way of understanding Jewish liberalism and its place in a pluralist society. With extensive scholarship and compelling evidence, Theatrical Liberalism shows how the Jewish worldview that permeates American culture has reached far beyond the Jews who created it.
Author: Andrea Most Publisher: NYU Press ISBN: 0814708196 Category : History Languages : en Pages : 304
Book Description
“Makes new sense of aspects of popular culture we have all grown up with and thought we knew only too well. Most bridges religious studies and theater, political theory and American studies, high criticism and middlebrow performance. Her book will help us see better how Jews and their Jewishness did not merely ‘enter’ American popular culture, but did so much to invent it.”—Jonathan Boyarin Leonard and Tobee Kaplan Distinguished Professor of Modern Jewish Thought, University of North Carolina For centuries, Jews were one of the few European cultures without any official public theatrical tradition. Yet in the modern era, Jews were among the most important creators of popular theater and film–especially in America. Why? In Theatrical Liberalism, Andrea Most illustrates how American Jews used the theatre and other media to navigate their encounters with modern culture, politics, religion, and identity, negotiating a position for themselves within and alongside Protestant American liberalism by reimagining key aspects of traditional Judaism as theatrical. Discussing works as diverse as the Hebrew Bible, The Jazz Singer, and Death of a Salesman—among many others—Most situates American popular culture in the multiple religious traditions that informed the worldviews of its practitioners. Offering a comprehensive history of the role of Judaism in the creation of American entertainment, Theatrical Liberalism re-examines the distinction between the secular and the religious in both Jewish and American contexts, providing a new way of understanding Jewish liberalism and its place in a pluralist society. With extensive scholarship and compelling evidence, Theatrical Liberalism shows how the Jewish worldview that permeates American culture has reached far beyond the Jews who created it.
Author: Andrea Most Publisher: NYU Press ISBN: 0814759343 Category : History Languages : en Pages : 305
Book Description
Finalist for the 2013 National Jewish Book Award, American Jewish Studies For centuries, Jews were one of the few European cultures without any official public theatrical tradition. Yet in the modern era, Jews were among the most important creators of popular theater and film–especially in America. Why? In Theatrical Liberalism, Andrea Most illustrates how American Jews used the theatre and other media to navigate their encounters with modern culture, politics, religion, and identity, negotiating a position for themselves within and alongside Protestant American liberalism by reimagining key aspects of traditional Judaism as theatrical. Discussing works as diverse as the Hebrew Bible, The Jazz Singer, and Death of a Salesman—among many others—Most situates American popular culture in the multiple religious traditions that informed the worldviews of its practitioners. Offering a comprehensive history of the role of Judaism in the creation of American entertainment, Theatrical Liberalism re-examines the distinction between the secular and the religious in both Jewish and American contexts, providing a new way of understanding Jewish liberalism and its place in a pluralist society. With extensive scholarship and compelling evidence, Theatrical Liberalism shows how the Jewish worldview that permeates American culture has reached far beyond the Jews who created it.
Author: Joel Faflak Publisher: University of Toronto Press ISBN: 1442641843 Category : Literary Criticism Languages : en Pages : 305
Book Description
The Public Intellectual and the Culture of Hope reflects on the challenging and often vexed work of intellectualism within the public sphere by exploring how cultural materials frame intellectual debates within the clear and ever-present gaze of the public writ large.
Author: Diana Brydon Publisher: University of Toronto Press ISBN: 9780802036551 Category : Drama Languages : en Pages : 518
Book Description
Is there a distinctly Canadian Shakespeare? What is the status and function of Shakespeare in various locations within the nation: at Stratford, on CBC radio, in regional and university theatres, in Canadian drama and popular culture? Shakespeare in Canada brings insights from a little explored but extensive archive to contemporary debates about the cultural uses of Shakespeare and what it means to be Canadian. Canada's long history of Shakespeare productions and reception, including adaptations, literary reworkings, and parodies, is analysed and contextualized within the four sections of the book. A timely addition to the growing field that studies the transnational reach of Shakespeare across cultures, this collection examines the political and cultural agendas invoked not only by Shakespeare's plays, but also by his very name. In part a historical and regional survey of Shakespeare in performance, adaptation, and criticism, this is the first work to engage Shakespeare with distinctly Canadian debates addressing nationalism, separatism, cultural appropriation, cultural nationalism, feminism, and postcolonialism.
Author: Marcus G. Raskin Publisher: Rowman & Littlefield ISBN: 9780742515918 Category : Political Science Languages : en Pages : 348
Book Description
Contrary to those who believe that liberalism has descended into the dustbins of history, renowned political activist and social critic Marcus G. Raskin argues that there is no escape from liberalism. Against the empty headed and mean spirited conservative onslaught of recent times, Raskin asserts and ably demonstrates how the liberal purpose is tied to human liberation and inclusivity for all people. For liberalism to succeed in a new century, it must reckon with its past mistakes--especially its reluctance to be bold. It must also embrace the inextricably interwoven character of morality and politics. To this end, Raskin seeks no less than a new intellectual and spiritual covenant in the university, the political economy, and foreign policy. He shows how this is possible through a radical rethinking of America's role in the world including war avoidance and economic restructuring. He probes the tensions and limits as well as the promise of community, family, and technology. He helps us to recognize the potential of a new multiculturalism within American society and the important role that knowledge workers and specialists will play as change agents in a changed world. Liberalism: The Genius of American Ideals traces Raskin's remarkable journey of the last 50 years through social and political action as well as thought. It is a book for people "in motion" who realize the importance of humane ideas in relation to action, aware that it is not only that peace should be given a chance but that our best instincts must also be engaged through the reconstruction of our institutions. In the face of a new, distinctly uncompassionate brand of conservatism that has shuttered the doors to the very real world of struggle, alienation, and pain, Liberalism is intended to hold out a candle in the window of this dark time.
Author: Yair Lipshitz Publisher: Bloomsbury Publishing ISBN: 1350316261 Category : Performing Arts Languages : en Pages : 82
Book Description
This new title in the Theatre & series explores the intersections between theatre and Judaism, offering a uniquely nuanced approach as a counterpart to the more common discourse surrounding Jewish theatre. Arguing that theatre allows for a subtle engagement with religious heritage that does not easily fall into a religious/secular dichotomy, it examines the ways in which Jewish tradition lends itself to theatrical performance. With rigorous scholarship and a fresh perspective, Theatre and Judaism promotes a transnational and comparative approach, considering Judaism as a religious-cultural tradition rather than focusing on a particular national context. Exciting and thought-provoking, this is the perfect companion for undergraduate and postgraduate students of theatre or religious studies.
Author: Susan C. W. Abbotson Publisher: Bloomsbury Publishing ISBN: 1350014613 Category : Literary Criticism Languages : en Pages : 328
Book Description
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major writers and their works to receive in-depth coverage in this volume include: * William Inge: Picnic (1953), Bus Stop (1955) and The Dark at the Top of the Stairs (1957); * Stephen Sondheim, Arthur Laurents and Jerome Robbins: West Side Story (1957) and Gypsy (1959); * Alice Childress: Just a Little Simple (1950), Gold Through the Trees (1952) and Trouble in Mind (1955); * Jerome Lawrence and Robert Lee: Inherit the Wind (1955), Auntie Mame (1956) and The Gang's All Here (1959).
Author: Samuel L. Leiter Publisher: McFarland ISBN: 147665137X Category : Performing Arts Languages : en Pages : 388
Book Description
America's third largest city until 1890, Brooklyn, New York, had a striking theatrical culture before it became a borough of Greater New York in 1898. As the city gained size and influence, more and more theatres arose, with at least 15 venues ultimately vying for favor. Too many theatregoers, however, preferred the discomforts of a ferry and horsecar trip to New York's playhouses instead of supporting the local product. Nor did the completion of the Brooklyn Bridge in 1883 do Brooklyn's theatres any favors. Manhattan's Goliath slayed Brooklyn's David. This first comprehensive study of Brooklyn's old-time theatre describes the city's early history, each of its many playhouses, its plays and actors (including nearly every foreign and domestic star), and its scandals and catastrophes, including the theatre fire that killed nearly 300. Brooklyn's ongoing struggle to establish theatres in a society dominated by anti-theatrical preachers, including Henry Ward Beecher, is detailed, as are all the ways that Brooklyn typified 19th century American theatre, from stock companies to combinations. Replete with fascinating anecdotes, this is the story of a major city from which theatre all but vanished before being reborn as a present-day artistic mecca.
Author: Julia Listengarten Publisher: Bloomsbury Publishing ISBN: 1350024767 Category : Literary Criticism Languages : en Pages : 313
Book Description
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Theresa Rebeck: Omnium Gatherum (2003), Mauritius (2007), and The Understudy (2008); * Sarah Ruhl: Eurydice (2003), Clean House (2004), and In the Next Room (or the Vibrator Play) (2009); * Lynn Nottage: Intimate Apparel (2003), Fabulation or Re-Education of Undine (2004), and Ruined (2008); * Charles Mee: Big Love (2000), Wintertime (2005), and Hotel Cassiopeia (2006).
Author: Andrea Most
Author: Andrea Most
Author: Andrea Most
Author: Joel Faflak
Author: Diana Brydon
Author: Marcus G. Raskin
Author: Yair Lipshitz
Author: Rhea Anastas
Author: Susan C. W. Abbotson
Author: Samuel L. Leiter
Author: Julia Listengarten