“There's like the Galleria and like all these like really great shoe stores”: Why non-native speakers do not speak this way and what it means for them PDF Download
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Author: Kathrin Biegner Publisher: GRIN Verlag ISBN: 3640867300 Category : Literary Collections Languages : en Pages : 11
Book Description
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Comparative Literature, grade: 1,3, , language: English, abstract: Learners of a second language are confronted with different challenges. They have to learn new words and grammar rules and how to apply them. To improve their skills they need to be corrected or they must have the possibility to correct themselves by comparing their usage of the foreign language with that of native speakers. However, there are some implicit rules to using a language which are rarely detected by both learners and native speakers. One of these cases is the usage of discourse markers (DM) (Svartvik 1980:171). Swedish linguist Jan Svartvik assumes that such particles’ inadequate applications have more far-reaching consequences during communication than grammatical incorrectness (1980:172). In this essay I will concentrate on the DM like since it is amongst the most frequently used by native speakers of English (Fox Tree 2006:727, 2007:309; Müller 2005:197). As research has shown, non-native speakers use like less often as a DM than native speakers (Fuller 2003:200; Fung and Carter 2007:435; Hikyoung 2004:121; Müller 2005:230). Thus, I will firstly argue that the infrequent use of like as a DM is one feature by which non-native speakers can be recognized as such. Secondly, I will show that this deficit in pragmatic competence effects their communication with native speakers negatively. I claim that the reasons for the lower rate of like relates to its pragmatic functions and the way in which English is taught.
Author: Kathrin Biegner Publisher: GRIN Verlag ISBN: 3640867300 Category : Literary Collections Languages : en Pages : 11
Book Description
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Comparative Literature, grade: 1,3, , language: English, abstract: Learners of a second language are confronted with different challenges. They have to learn new words and grammar rules and how to apply them. To improve their skills they need to be corrected or they must have the possibility to correct themselves by comparing their usage of the foreign language with that of native speakers. However, there are some implicit rules to using a language which are rarely detected by both learners and native speakers. One of these cases is the usage of discourse markers (DM) (Svartvik 1980:171). Swedish linguist Jan Svartvik assumes that such particles’ inadequate applications have more far-reaching consequences during communication than grammatical incorrectness (1980:172). In this essay I will concentrate on the DM like since it is amongst the most frequently used by native speakers of English (Fox Tree 2006:727, 2007:309; Müller 2005:197). As research has shown, non-native speakers use like less often as a DM than native speakers (Fuller 2003:200; Fung and Carter 2007:435; Hikyoung 2004:121; Müller 2005:230). Thus, I will firstly argue that the infrequent use of like as a DM is one feature by which non-native speakers can be recognized as such. Secondly, I will show that this deficit in pragmatic competence effects their communication with native speakers negatively. I claim that the reasons for the lower rate of like relates to its pragmatic functions and the way in which English is taught.
Author: Kathrin Biegner Publisher: GRIN Verlag ISBN: 3640867734 Category : Languages : en Pages : 33
Book Description
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Comparative Literature, grade: 1,3, language: English, abstract: Learners of a second language are confronted with different challenges. They have to learn new words and grammar rules and how to apply them. To improve their skills they need to be corrected or they must have the possibility to correct themselves by comparing their usage of the foreign language with that of native speakers. However, there are some implicit rules to using a language which are rarely detected by both learners and native speakers. One of these cases is the usage of discourse markers (DM) (Svartvik 1980:171). Swedish linguist Jan Svartvik assumes that such particles' inadequate applications have more far-reaching consequences during communication than grammatical incorrectness (1980:172). In this essay I will concentrate on the DM like since it is amongst the most frequently used by native speakers of English (Fox Tree 2006:727, 2007:309; Müller 2005:197). As research has shown, non-native speakers use like less often as a DM than native speakers (Fuller 2003:200; Fung and Carter 2007:435; Hikyoung 2004:121; Müller 2005:230). Thus, I will firstly argue that the infrequent use of like as a DM is one feature by which non-native speakers can be recognized as such. Secondly, I will show that this deficit in pragmatic competence effects their communication with native speakers negatively. I claim that the reasons for the lower rate of like relates to its pragmatic functions and the way in which English is taught.
Author: Ahmed M. Badr Publisher: Andrews McMeel Publishing ISBN: 1524865850 Category : Poetry Languages : en Pages : 164
Book Description
A groundbreaking collection of poetry, personal narratives, and art from refugee youth around the world. Foreword by actor and UNHCR Goodwill Ambassador Ben Stiller. Beginning in 2018, Ahmed M. Badr—an Iraqi-American poet and former refugee—traveled to Greece, Trinidad & Tobago, and Syracuse, New York, holding storytelling workshops with hundreds of displaced youth: those living in and outside of camps, as well as those adjusting to life after resettlement. Combining Badr’s own poetry with the personal narratives and creative contributions of dozens of young refugees, While the Earth Sleeps We Travel seeks to center and amplify the often unheard perspectives of those navigating through and beyond the complexities of displacement. The result is a diverse and moving collection—a meditation on the concept of "home" and a testament to the power of storytelling.
Author: Publisher: ISBN: Category : Languages : en Pages : 212
Book Description
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.
Author: Publisher: ISBN: Category : Languages : en Pages : 136
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author: Publisher: ISBN: Category : Languages : en Pages : 282
Book Description
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.
Author: Paula Newton Publisher: Viva Publishing Network ISBN: 0979126487 Category : Travel Languages : en Pages : 371
Book Description
This June 2010 version is the most up-to-date travel guide to Nicaragua available anywhere. With this guide you can: - Surf hidden breaks uncovered by local surfers - Summit active volcanoes, zipline over lush rainforest, sit and sip at one of the country's many organic coffee farms, or hang your hammock in a remote Caribbean village - Float through the pristine rain forest that lines the Rio San Juan, tracing the Costa Rican border from Lake Nicaragua to the Caribbean Sea. - Navigate the border crossings with Costa Rica and get around Nicaragua by bus, boat and puddle jumper airplane - Understand the Nicaraguan people and how you can help them live a better life by traveling responsibly - Stay a while volunteering or studying Spanish in Granada, Ometepe, San Juan del Sur or Leon Why settle for an outdated guidebook? The V!VA community of on-the-ground travel writers, local experts and travelers like you are continuously updating and improving this guide at vivatravelguides.com. Join them, and together we'll make the best guidebook to Nicaragua even better.
Author: Mark Rudman Publisher: Northwestern University Press ISBN: 0810125382 Category : Literary Collections Languages : en Pages : 289
Book Description
Crisis, breakdown, rejuvenation: this is the territory of poetry that Rudman takes readers into with this set of essays. Constructed as a series of character studies, the essays are rooted in autobiographical material with biographical counterpoints, tying the poets distinctly to places. Even as they are placed, however, they are displaced: Rudman's subjects, from D.H. Lawrence to Czeslaw Milosz to T. S. Eliot, are almost all exiles, either geographically or within themselves. This exile spins anger into energy, transmuting emotion into imagination the same way that Passaic Falls, known to William Carlos Williams, turns water into power. The mosaic style of the essays touches on nerve after nerve, avoiding the snags of academic jargon to ease towards an illuminating truth about the artists' shifting work and worlds. Some of the Samuels—Beckett and Fuller—were able to navigate these shifts, while others--Coleridge and Johnson--are shown to be less able to transmute their energy into motion.
Author: Kathrin Biegner
Author: Kathrin Biegner
Author: Kathrin Biegner
Author: Ahmed M. Badr
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Author: Paula Newton
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Author: Mark Rudman