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Author: Frank Sewell Publisher: OUP Oxford ISBN: 0191584355 Category : Literary Criticism Languages : en Pages : 250
Book Description
Recently, chapters on individual Irish-language authors have formed part of publications regarding modern Irish art and culture in general. Such chapters are welcome but they have excited the curiosity of readers to the degree that longer, more detailed works are now required to put writing in Irish into perspective. In this study of four modern poets (two each from two generations), Sewell attempts to illustrate not only the accumulative but the transformative nature of tradition. Chapters 1 and 2 turn from the mid-20th century master Seán Ó Riordáin to the contemporary poet Cathal Ó Searcaigh because the comparison and contrast highlights significant aspects of the amazing development of Irish poetry and, indeed, society in the period. Here, importantly, the word 'development' is meant in a neutral way - the image used is that of a zig-zag movement in the pattern of the continuing Irish tradition. Chapter 3 returns to the slightly earlier, major Irish-language poet Máirtín Ó Direáin. In doing so, it returns home (from the internationalism of the previous chapter on Searcaigh) to Ireland - a major focus and concern for the more solely traditionalist Ó Direáin. This switch back (in time, geography, social mores or outlook) fits and illustrates Sewell's concept of the zig-zag movement of a country's culture as it proceeds from generation to generation. The positioning, therefore, has a thematic purpose. The fourth and final chapter focuses on the contemporary poet Nuala Ní Dhomhnaill who has managed to synthesise tradition and modernity (central concerns of this book) and who, in doing so, has become the current trail-blazer of Irish poetry in either language.
Author: Frank Sewell Publisher: OUP Oxford ISBN: 0191584355 Category : Literary Criticism Languages : en Pages : 250
Book Description
Recently, chapters on individual Irish-language authors have formed part of publications regarding modern Irish art and culture in general. Such chapters are welcome but they have excited the curiosity of readers to the degree that longer, more detailed works are now required to put writing in Irish into perspective. In this study of four modern poets (two each from two generations), Sewell attempts to illustrate not only the accumulative but the transformative nature of tradition. Chapters 1 and 2 turn from the mid-20th century master Seán Ó Riordáin to the contemporary poet Cathal Ó Searcaigh because the comparison and contrast highlights significant aspects of the amazing development of Irish poetry and, indeed, society in the period. Here, importantly, the word 'development' is meant in a neutral way - the image used is that of a zig-zag movement in the pattern of the continuing Irish tradition. Chapter 3 returns to the slightly earlier, major Irish-language poet Máirtín Ó Direáin. In doing so, it returns home (from the internationalism of the previous chapter on Searcaigh) to Ireland - a major focus and concern for the more solely traditionalist Ó Direáin. This switch back (in time, geography, social mores or outlook) fits and illustrates Sewell's concept of the zig-zag movement of a country's culture as it proceeds from generation to generation. The positioning, therefore, has a thematic purpose. The fourth and final chapter focuses on the contemporary poet Nuala Ní Dhomhnaill who has managed to synthesise tradition and modernity (central concerns of this book) and who, in doing so, has become the current trail-blazer of Irish poetry in either language.
Author: Fran Brearton Publisher: OUP Oxford ISBN: 0191636746 Category : Literary Criticism Languages : en Pages : 743
Book Description
Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period. The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.
Author: Peter Robinson Publisher: Oxford University Press ISBN: 0199596808 Category : History Languages : en Pages : 782
Book Description
This Handbook offers an authoritative and up-to-date collection of original essays bringing together ground breaking research into the development of contemporary poetry in Britain and Ireland.
Author: Matthew Campbell Publisher: Cambridge University Press ISBN: 9780521012454 Category : Literary Criticism Languages : en Pages : 318
Book Description
In the last fifty years Irish poets have produced some of the most exciting poetry in contemporary literature, writing about love and sexuality, violence and history, country and city. This book provides a unique introduction to major figures such as Seamus Heaney, but also introduces the reader to significant precursors like Louis MacNeice or Patrick Kavanagh, and vital contemporaries and successors: among others, Thomas Kinsella, Paul Muldoon and Nuala Ni Dhomhnaill. Readers will find discussions of Irish poetry from the traditional to the modernist, written in Irish as well as English, from both North and South. This Companion, the only book of its kind on the market, provides cultural and historical background to contemporary Irish poetry in the contexts of modern Ireland but also in the broad currents of modern world literature. It includes a chronology and guide to further reading and will prove invaluable to students and teachers alike.
Author: Daniela Theinová Publisher: Springer Nature ISBN: 3030559548 Category : Literary Criticism Languages : en Pages : 284
Book Description
Limits and Languages in Contemporary Irish Women’s Poetry examines the transactions between the two main languages of Irish literature, English and Irish, and their formative role in contemporary poetry by Irish women. Daniela Theinová explores the works of well-known poets such as Eavan Boland, Eiléan Ní Chuilleanáin, Nuala Ní Dhomhnaill, Biddy Jenkinson and Medbh McGuckian, combining for the first time a critical analysis of the language issue with a focus on the historical marginality of women in the Irish literary tradition. Acutely alert to the textures of individual poems even as she reads these against broader critical-theoretical horizons, Theinová engages directly with texts in both Irish and English. By highlighting these writers’ uneasy poetic and linguistic identity, and by introducing into this wider context some more recent poets—including Vona Groarke, Caitríona O’Reilly, Sinéad Morrissey, Ailbhe Darcy and Aifric Mac Aodha—this book proposes a fundamental critical reconsideration of major late-twentieth-century Irish women poets, and, by extension, the nation’s canon.
Author: Marisol Morales Ladrón Publisher: Netbiblo ISBN: 9780972989268 Category : English literature Languages : en Pages : 276
Book Description
This book represents an attempt to tackle questions related to fragmented and often conflicting ideologies within Irish studies. Although a collective outcome, with contributions in English and Spanish, its unifying concern has been the appliance of postcolonial and gender perspectives to the analysis of Irish literature (prose, drama and verse) and cinema, as well as to the aesthetic production of both the Republic of Ireland and Northern Ireland. Along the volume, while some authors have chosen to delve into the broad theoretical debate concerning the position of Irish studies within postcolonial and feminist theories, others offer detailed examinations of specific literary pieces and authors that fit in this panorama. All in all, the chapters are wide and diverse enough to trace a spatial and temporal map of the evolution of these paradigms within contemporary Irish studies, North and South of the border.
Author: Maureen O'Rourke Murphy Publisher: Syracuse University Press ISBN: 0815630387 Category : Literary Collections Languages : en Pages : 579
Book Description
In a volume that has become a standard text in Irish studies and serves as a course-friendly alternative to the Field Day anthology, editors Maureen O’Rourke Murphy and James MacKillop survey thirteen centuries of Irish literature, including Old Irish epic and lyric poetry, Irish folksongs, and drama. For each author the editors provide a biographical sketch, a brief discussion of how his or her selections relate to a larger body of work, and a selected bibliography. In addition, this new volume includes a larger sampling of women writers.
Author: Seán Crosson Publisher: Cambridge Scholars Publishing ISBN: 1527565556 Category : Literary Criticism Languages : en Pages : 312
Book Description
The oldest records indicate that the performance of poetry in Gaelic Ireland was normally accompanied by music, providing a point of continuity with past tradition while bolstering a sense of community in the present. Music would also offer, particularly for poets writing in English from the eighteenth century onwards, a perceived authenticity, a connection with an older tradition perceived as being untarnished by linguistic and cultural division. While providing an innovative analysis of theoretical work in music and literary studies, this book examines how traditional Irish music, including the related song tradition (primarily in Irish), has influenced, and is apparent in, the work of Irish poets. While looking generally at where this influence is evident historically and in contemporary Irish poetry, this work focuses primarily on the work of six poets, three who write in English and three who write primarily in the Irish language: Thomas Kinsella, Seamus Heaney, Ciaran Carson, Gearóid Mac Lochlainn, Nuala Ní Dhomhnaill and Cathal Ó Searcaigh.
Author: Frank Sewell
Author: Frank Sewell
Author: Fran Brearton
Author: Peter Robinson
Author: Matthew Campbell
Author: Daniela Theinová
Author: Gerald Dawe
Author: Eric Falci
Author: Marisol Morales Ladrón
Author: Maureen O'Rourke Murphy
Author: Seán Crosson