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Author: Anthony Julius Publisher: CUP Archive ISBN: 9780521586733 Category : Literary Criticism Languages : en Pages : 324
Book Description
Julius's critically acclaimed study (looking both at the detail of Eliot's deployment of anti-Semitic discourse and at the role it played in his greater literary undertaking) has provoked a reassessment of Eliot's work among poets, scholars, critics and readers, which will invigorate debate for some time to come.
Author: Anthony Julius Publisher: CUP Archive ISBN: 9780521586733 Category : Literary Criticism Languages : en Pages : 324
Book Description
Julius's critically acclaimed study (looking both at the detail of Eliot's deployment of anti-Semitic discourse and at the role it played in his greater literary undertaking) has provoked a reassessment of Eliot's work among poets, scholars, critics and readers, which will invigorate debate for some time to come.
Author: Anthony Julius Publisher: Oxford University Press ISBN: 0199600724 Category : History Languages : en Pages : 870
Book Description
The first ever comprehensive history of anti-Semitism in England, from medieval murder and expulsion through to contemporary forms of anti-Zionism in the 21st century.
Author: Matthew Biberman Publisher: Routledge ISBN: 1351919369 Category : Literary Criticism Languages : en Pages : 299
Book Description
Offering a profound re-assessment of the conceptual, rhetorical, and cultural intersections among sexuality, race and religion in English Renaissance texts, this study argues that antisemitism is a by-product of tensions between received Classical conceptions of masculinity and Christianity's strident critique of that ideal. Utilizing works by Shakespeare, Milton, Marlowe and others, Biberman illustrates how modern antisemitism develops as a way to stigmatize hypermasculine behavior, thus facilitating the transformation of the culture's gender ideal from knight to businessman. Subsequently, the function of antisemitism changes, becoming instead the mark of effeminate behavior. Consequently, the central antisemitic image changes from Jew-Devil to Jew-Sissy. Biberman traces this shift's repercussions, both in renaissance culture and what followed it. He also contends that as a result of this linkage between Jewishness and the limits of masculine behavior, the image of the Jewish woman remains especially unstable. In concluding, Biberman argues that the Gothic resurrects the Jew-Devil (bequeathing it to the Nazis), and that the horror genre is often a rewriting of Renaissance discourse about Jews. In the course of making this larger argument, Biberman introduces a series of more limited claims that challenge the conventional wisdom within the field of literary studies. First, Biberman overturns the assumption that Jewishness and femininity are always associated in the cultural imagination of Western Europe. Second, Biberman provides the historical context needed to understand the emergence of the stereotype of the pathological Jewish woman. Third, Biberman revises the incorrect notion that divorce was not practiced in Renaissance England. Fourth, Biberman argues for the novel claim that serial monogamy in Western culture is a practice understood to possess a Jewish "taint." Fifth, Biberman contributes a major advance in scholarship devoted to T. S. Eliot, illustrating how Eliot's famous critical argument against Milton is an expression of his antisemitism, and a coherent compliment to the antisemitic touches in his poetry. Sixth, in his discussion of Gothic literature, Biberman introduces novel readings of Frankenstein and Dracula, persuasively arguing that Mary Shelley's monster bears the mark of the Jew according to modern antisemitic discourse; and that, in Stoker, both the vampire and the vampire-killer represent Jews executing a scenario of self-policing that was realized in the ghettos and the concentration camps. Biberman's final contribution in this study is to provide a definition for postmodern antisemitism and to apply it to various contemporary incidents, including September 11th and the Arab-Israeli conflict.
Author: Thomas Stearns Eliot Publisher: Houghton Mifflin Harcourt ISBN: 9780156005876 Category : Literary Collections Languages : en Pages : 476
Book Description
Presents over fifty poems written by the author in his twenties, including early drafts of famous poems, and extensive critical notes on the works.
Author: Patricia Sloane Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 408
Book Description
Patricia Sloane's study is a detailed reassessment of two of the poet's most provocative works that examines Eliot's allusions and larger purpose. In this close reading of the two poems in which Bleistein appears, Sloane shows that Burbank is an intricate derivation of Dante's Inferno.
Author: Thomas Stearns Eliot Publisher: Columbia University Press ISBN: 9780231071505 Category : Philosophy Languages : en Pages : 228
Book Description
T. S. Elliot left Harvard during his third year of study in the department of philosophy and went to England. Forty-six years later he authorized the publication of his doctoral dissertation. Here we have a reprint of his sympathetic but not entirely uncritical study of the English idealist philosopher F. H. Bradley.
Author: Thomas Stearns Eliot Publisher: Alpha Edition ISBN: 9789354032004 Category : History Languages : en Pages : 68
Book Description
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Author: Anthony Julius Publisher: ISBN: 9780500282625 Category : Art Languages : en Pages : 120
Book Description
In this ground-breaking book Anthony Julius derives a Jewish aesthetic from the Second Commandment. The prohibition of idolatry in fact contains a positive program. It is both an injunction against idol worshipping and a call to idol breaking; it promotes a creative iconoclasm that uses irony to expose inflated claims about art. Examining works by artists such as Chagall and Shahn, Julius finds that much Jewish art does not meet this bracing criterion. But in the output of contemporary artists Komar and Melamid he identifies and celebrates an aesthetic that by irony subverts both artistic and political idolatry. Idolizing Pictures is a manifesto for Jewish art.
Author: Anthony Julius
Author: Anthony Julius
Author: Anthony Julius
Author: Anthony Julius
Author: Matthew Biberman
Author: Thomas Stearns Eliot
Author: Anthony Julius
Author: Patricia Sloane
Author: Thomas Stearns Eliot
Author: Thomas Stearns Eliot
Author: Anthony Julius