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Author: Daniel Kane Publisher: Univ of California Press ISBN: 0520233840 Category : History Languages : en Pages : 342
Book Description
Together with its accompanying CD, this text captures the excitement of the vibrant, irreverent poetry scene of New York's Lower East Side in the 1960s. The text draws from personal interviews with many of the participants, from unpublished letters and from rare sound recordings.
Author: Daniel Kane Publisher: Univ of California Press ISBN: 0520936434 Category : Poetry Languages : en Pages : 343
Book Description
This landmark book, together with its accompanying CD, captures the heady excitement of the vibrant, irreverent poetry scene of New York's Lower East Side in the 1960s. Drawing from personal interviews with many of the participants, from unpublished letters, and from rare sound recordings, Daniel Kane brings together for the first time the people, political events, and poetic roots that coalesced into a highly influential community. From the poetry-reading venues of the early sixties, such as those at the Les Deux Mégots and Le Metro coffeehouses to The Poetry Project at St. Mark's Church, a vital forum for poets to this day, Kane traces the history of this literary renaissance, showing how it was born from a culture of publicly performed poetry. The Lower East Side in the sixties proved foundational in American verse culture, a defining era for the artistic and political avant-garde. The voices and works of John Ashbery, Amiri Baraka, Charles Bernstein, Bill Berkson, Ted Berrigan, Kenneth Koch, Bernadette Mayer, Ron Padgett, Denise Levertov, Paul Blackburn, Frank O'Hara, and many others enliven these pages, and the thirty five-track CD includes recordings of several of the poets reading from their work in the sixties and seventies. The Lower East Side's cafes, coffeehouses, and salons brought together poets of various aesthetic sensibilities, including writers associated with the so-called New York School, Beats, Black Mountain, Deep Image, San Francisco Renaissance, Umbra, and others. Kane shows that the significance for literary history of this loosely defined community of poets and artists lies in part in its reclaiming an orally centered poetic tradition, adapted specifically to open up the possibilities for an aesthetically daring, playful poetics and a politics of joy and resistance.
Author: Daniel Kane Publisher: Univ of California Press ISBN: 0520233840 Category : History Languages : en Pages : 342
Book Description
Together with its accompanying CD, this text captures the excitement of the vibrant, irreverent poetry scene of New York's Lower East Side in the 1960s. The text draws from personal interviews with many of the participants, from unpublished letters and from rare sound recordings.
Author: Miranda Paul Publisher: Millbrook Press (Tm) ISBN: 1541523636 Category : Juvenile Fiction Languages : en Pages : 44
Book Description
This poetry anthology, edited by Miranda Paul, explores a wide range of ways to be grateful (from gratitude for a puppy to gratitude for family to gratitude for the sky) with poems by a diverse group of contributors, including Joseph Bruchac, Margarita Engle, Cynthia Leitich Smith, Naomi Shihab Nye, Charles Waters, and Jane Yolen.
Author: Alan Golding Publisher: University of Wisconsin Press ISBN: 9780299146047 Category : Poetry Languages : en Pages : 264
Book Description
From Outlaw to Classic presents a sweeping history of the forces that have shaped, and continue to shape, the American poetry canon. Students, scholars, critics, and poets will welcome this enlightening and impressively documented book. Recent writings by critics and theorists on literary canons have dealt almost exclusively with prose; Alan Golding shows that, like all canons, those of American poetry are characterized by conflict. Choosing a series of varied but representative instances, he analyzes battles and contentions among poets, anthologists, poetry magazine editors, and schools of thought in university English departments. The chapters: • present a history of American poetry anthologies • compare competing models of canon-formation, the aesthetic (poet-centered) and the institutional (critic-centered) • discuss the influence of the New Critics, emphasizing their status as practicing poets, their anti-nationalist reading of American poetry, and the landmark textbook, Understanding Poetry by Cleanth Brooks and Robert Penn Warren • examine the canonizing effects of an experimental “little magazine,” Origin • trace how the Language poets address, in both their theory and their method, the canonizing institutions and canonical assumptions of the age.
Author: Mary Karr Publisher: Harper Collins ISBN: 0061877786 Category : Poetry Languages : en Pages : 116
Book Description
Mary Karr describes herself as a black-belt sinner, and this -- her fourth collection of poems --traces her improbable journey from the inferno of a tormented childhood into a resolutely irreverent Catholicism. Not since Saint Augustine wrote "Give me chastity, Lord -- but not yet!" has anyone brought such smart-assed hilarity to a conversion story. Karr's battle is grounded in common loss (a bitter romance, friends' deaths, a teenage son's leaving home) as well as in elegies for a complicated mother. The poems disarm with the arresting humor familiar to readers of her memoirs, The Liars' Club and Cherry. An illuminating cycle of spiritual poems have roots in Karr's eight-month tutelage in Jesuit prayer practice, and as an afterword, her celebrated essay on faith weaves the tale of how the language of poetry, which relieved her suffering so young, eventually became the language of prayer. Those of us who fret that poetry denies consolation will find clear-eyed joy in this collection.
Author: Abayomi Animashaun Publisher: Black Lawrence Press, Incorporated ISBN: 9781625577146 Category : Poetry Languages : en Pages : 0
Book Description
Literary Nonfiction. Poetry. Poetry manuals, at their most essential, are aimed at demystifying aspects of poetry, in order to make poetry less daunting--especially for beginner poets. Such manuals are also reminders that poetry itself is a discipline with a landscape and a history. FAR VILLAGES builds on the body of work in this tradition by bringing a number of established and emerging poets together in a single volume to welcome new and beginner poets to the art of poetry, its craft, and the long journey within it. Contributors to this anthology include Abayomi Animashaun, Jose Araguz, Stacey Balkun, Chaun Ballard, Christine Beck, David Bergman, Marina Blitshteyn, Michelle Bonczek, DanielBosch, Zoe Brigley, Aaron Brown, Guillermo Cancio-Bello, Rob Carney, Kelly Cherry, Michael Collins, Tasha Cotter, Rishi Dastidar, Noah Davis, Victoria L. Davis, Todd Fleming Davis, Jaydn DeWald, Melanie Faith, Jenny Ferguson, Kyle Flak, Leonard Franzen, Robbie Gamble, John Guzlowski, David Harris, Duane L. Herrmann, Jon Hoel, Natalie Homer, Kathryn Hummel, Ashton Kamburoff, Laura Kaminski, C. Kubasta, John Langfeld, Joan Leotta, Tanis MacDonald, David Maduli, Katie Manning, Michael Martin, Jason McCall, Nathan McClain, J.G. McClure, Megan Merchant, Amy Miller, Norman Minnick, Jennifer Moore, James B. Nicola, Dike Okoro, Stephen Page, Gillian Parrish, Barbara Perry, Kevin Pilkington, Darby Price, Jessamine Price, Michael Rather, Jr., Nancy Reddy, Christine Riddle, John Robinson, Diana Rosen, Helen Ruggieri, Claudia Savage, Nancy Scott, David Shumate, Linda Simone, Tara Skurtu, Carol Smallwood, Emily Stoddard, WhitneySweet, Thom Tammaro, Sophia Terazawa, Kari Treese, J.S. Watts, Kari Wergeland, and Ben White.
Author: Gerald L Bruns Publisher: University of Iowa Press ISBN: 1609380800 Category : Literary Criticism Languages : en Pages : 247
Book Description
Conceptions and practices of poetry change not only from time to time and from place to place but also from poet to poet. This has never been more the case than in recent years. Gerald Bruns’s magisterial What Are Poets For? explores typographical experiments that distribute letters randomly across a printed page, sound tracks made of vocal and buccal noises, and holographic poems that recompose themselves as one travels through their digital space. Bruns surveys one-word poems, found texts, and book-length assemblies of disconnected phrases; he even includes descriptions of poems that no one could possibly write, but which are no less interesting (or no less poetic) for all of that. The purpose of the book is to illuminate this strange poetic landscape, spotlighting and describing such oddities as they appear, anomalies that most contemporary poetry criticism ignores. Naturally this breadth raises numerous philosophical questions that Bruns also addresses—for example, whether poetry should be responsible (semantically, ethically, politically) to anything outside itself, whether it can be reduced to categories, distinctions, and the rule of identity, and whether a particular poem can seem odd or strange when everything is an anomaly. Perhaps our task is simply to learn, like anthropologists, how to inhabit such an anarchic world. The poets taken up for study are among the most important and innovative in the late twentieth and early twenty-first centuries: John Ashbery, Charles Bernstein, Paul Celan, Kenneth Goldsmith, Lyn Hejinian, Susan Howe, Karen Mac Cormack, Steve McCaffery, John Matthias, J. H. Prynne, and Tom Raworth.What Are Poets For? is nothing less than a lucid, detailed study of some of the most intractable writings in contemporary poetry.
Author: Sara Blair Publisher: Princeton University Press ISBN: 0691172226 Category : History Languages : en Pages : 298
Book Description
How New York’s Lower East Side inspired new ways of seeing America New York City's Lower East Side, long viewed as the space of what Jacob Riis notoriously called the "other half," was also a crucible for experimentation in photography, film, literature, and visual technologies. This book takes an unprecedented look at the practices of observation that emerged from this critical site of encounter, showing how they have informed literary and everyday narratives of America, its citizens, and its possible futures. Taking readers from the mid-nineteenth century to the present, Sara Blair traces the career of the Lower East Side as a place where image-makers, writers, and social reformers tested new techniques for apprehending America—and their subjects looked back, confronting the means used to represent them. This dynamic shaped the birth of American photojournalism, the writings of Stephen Crane and Abraham Cahan, and the forms of early cinema. During the 1930s, the emptying ghetto opened contested views of the modern city, animating the work of such writers and photographers as Henry Roth, Walker Evans, and Ben Shahn. After World War II, the Lower East Side became a key resource for imagining poetic revolution, as in the work of Allen Ginsberg and LeRoi Jones, and exploring dystopian futures, from Cold War atomic strikes to the death of print culture and the threat of climate change. How the Other Half Looks reveals how the Lower East Side has inspired new ways of looking—and looking back—that have shaped literary and popular expression as well as American modernity.
Author: Daniel Kane
Author: Daniel Kane
Author: Daniel Kane
Author: Daniel Kane
Author: Miranda Paul
Author: Alan Golding
Author: Mary Karr
Author: Abayomi Animashaun
Author: Gerald L Bruns
Author: Gale, Cengage Learning
Author: Sara Blair