Belgian Photographic Literature of the 19th Century. L’édition photographique belge au 19e siècle. PDF Download

Author: Steven F. Joseph
Publisher: Leuven University Press
ISBN: 9462700478
Category : Photography
Languages : en
Pages : 126

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Book Description
First comprehensive and richly illustrated overview of historical Belgian photographic literature The development of photography from its roots in 19th-century science gradually transformed book illustration and the dissemination of images. This fully bilingual reference work presents a first comprehensive survey of Belgian photographic literature of the 19th century, both of illustrated books and of technical publications. It makes a major contribution to academic study in the field, with a corpus composed of 681 entries and, for each title, indicates locations of surviving copies in institutional collections in Belgium and elsewhere. An introductory essay plots the development of photographic publishing in Belgium, making full use of primary and secondary sources. An album of over eighty images draws on the rich iconography of early Belgian photographic literature, most reprinted here for the first time. Premier bilan complet et illustré de l’édition photographique belge au 19e siècle L’évolution de la photographie depuis ses origines dans les sciences du 19e siècle a transformé progressivement l’illustration du livre et la diffusion des images. Le présent ouvrage de référence, entièrement bilingue, a pour but de dresser un premier bilan complet de l’édition photographique belge au 19e siècle, tant iconographique que scientifique. Il constitue une importante contribution aux connaissances historiques dans le domaine et se compose d’un corpus de 681 notices, assorties chacune d’un recensement d’exemplaires localisés dans les collections publiques en Belgique comme ailleurs. Une introduction trace l’évolution de l’édition photographique belge, exploitant pleinement des sources primaires et secondaires. Un album de plus de quatre-vingts illustrations puise dans la riche iconographie des débuts de l’édition photographique belge ; la plupart sont reproduites ici pour la première fois.

Author: Paul Ernest Michael Edwards
Publisher: Manchester University Press
ISBN: 1526167565
Category : Photography
Languages : en
Pages : 375

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Book Description
This volume sets out to challenge and ultimately broaden the category of the ‘photobook’. It critiques the popular art-market definition of the photobook as simply a photographer’s book, proposing instead to show how books and photos come together as collective cultural productions. Focusing on North American, British and French photobooks from 1920 to the present, the chapters revisit canonical works – by Claudia Andujar and George Love, Mohamed Bourouissa, Walker Evans, Susan Meiselas and Roland Penrose – while also delving into institutional, digital and unrealised projects, illegal practices, DIY communities and the poetic impulse. They throw new light on the way that gendered, racial or colonial assumptions are resisted. Taken as a whole, the volume provides a better understanding of how the meaning of a photobook is collectively produced both inside and outside the art market.

Author: Tamara Berghmans
Publisher: Hannibal
ISBN: 9789492677884
Category :
Languages : en
Pages : 352

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Book Description
* Over time, the Belgian photobook has become well established. With Photobook Belge, it finally gets the recognition it deserves* Featuring works by famous names such as Dirk Braeckman, Marcel Broodthaers, Bieke Depoorter, Gilbert Fastenaekens, Edmond Fierlants, Geert Goiris, Harry Gruyaert, Max Pinckers, Marie-Françoise Plissart, Marc Trivier and Stephan Vanfleteren, as well as many undiscovered gems from Belgium's rich photographic history Since the birth of photography, the photobook has always been an essential medium for photographers wanting to display and distribute their work. But the photobook is more than just a display case: it's a means of expression, an art object, a historical record, a propaganda tool, a multi-sensory experience. Photobook Belge is the first ever overview of photobooks created by Belgian photographers. Covering a period of more than 150 years, from the mid-19th century to the present, it features almost 250 photobooks, all carefully described and illustrated. It's the first time that research into the production and context of Belgian photobooks has been carried out on this scale. In so doing, it sheds light on a hitherto neglected part of Belgium's long and fascinating photo history. Over time, the Belgian photobook has become well established. With Photobook Belge, it finally gets the recognition it deserves. Featuring works by famous names such as Dirk Braeckman, Marcel Broodthaers, Bieke Depoorter, Gilbert Fastenaekens, Edmond Fierlants, Geert Goiris, Harry Gruyaert, Max Pinckers, Marie-Françoise Plissart, Marc Trivier and Stephan Vanfleteren, as well as many undiscovered gems from Belgium's rich photographic history. Compiled by Tamara Berghmans (curator FOMU - Fotomuseum Antwerp), with contributions from Pool Andries, Jan Baetens, Sandrine Colard, Emmanuel d'Autreppe, Johan De Vos, Steven F. Joseph, Johan Pas and Stefan Vanthuyne. Contents: Tamara Berghmans; Introduction - Steven F. Joseph; The 19th Century - Pool Andries; The 20th Century up to 1965 - Sandrine Colard; The Congo Photobook: 75 Years of Imaging the Colonial Bond - Jan Baetens; Words and Images - Emmanuel d'Autreppe; ...To Stop the Waves. Or How to Centre a Marginal Country on the Page - Johan De Vos; The Big World Seen from Belgium - Johan Pas; Photobook to Artist's Book: The Conceptual Turn in Belgium - Stefan Vanthuyne; Thinking in Books - Selective Bibliography - About the Authors - Index of Names - Index of Books. Published on the occasion of the exhibition Photobook Belge at FOMU - Fotomuseum Antwerp, Belgium, 1 March - 6 October, 2019.

Author: William Vaughan
Publisher: ABRAMS
ISBN:
Category : Art, American
Languages : en
Pages : 634

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Book Description
Revolution and profusion -- these are the hallmarks of Western art from 1780 to 1850. The astonishingly rapid changes wrought by the industrial -- and American and French -- revolutions led to a wealth of artistic production. This profusely illustrated guide to the arts of the early 19th century on both sides of the Atlantic is the most comprehensive volume available on the subject. Through both famous and obscure works, William Vaughan explores a stunning variety of artistic achievement, including landscape, still life, and figure painting by Gericault, Ingres, Delacroix, Turner, Blake, Constable, Goya, and Friedrich. Vaughan also treats sculpture, architecture, town planning, and photography, and offers an in-depth survey of the decorative arts: furniture, ceramics, glass, metalwork, and more. Drawing on the most up-to-date research, the author brings this exciting period and its inexhaustible artistic production to life.

Author: Patrick Pasture
Publisher: Leuven University Press
ISBN: 9058679128
Category : Religion
Languages : en
Pages : 241

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Book Description
Case studies upon the use of concepts like feminization and masculinization in relation to christianity. Since the 1970s the feminization thesis has become a powerful trope in the rewriting of the social history of Christendom. However, this 'thesis' has triggered some vehement debates, given that men have continued to dominate the churches, and the churches themselves have reacted to the association of religion and femininity, often formulated by their critics, by explicitly focusing their appeal to men. In this book the authors critically reflect upon the use of concepts like feminization and masculinization in relation to Christianity.

Author: Debarati Sanyal
Publisher: JHU Press
ISBN: 1421429292
Category : Literary Criticism
Languages : en
Pages : 289

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Book Description
The Violence of Modernity turns to Charles Baudelaire, one of the most canonical figures of literary modernism, in order to reclaim an aesthetic legacy for ethical inquiry and historical critique. Works of modern literature are commonly theorized as symptomatic responses to the trauma of history. In a climate that tends to privilege crisis over critique, Debarati Sanyal argues that it is urgent to rethink literary experience in terms that recall its contestatory potential. Examining Baudelaire's poems afresh, she shifts the focus of critical attention toward an account of modernism as an active engagement with violence, specifically the violence of history in nineteenth-century France. Sanyal analyzes a literary current that uses the traditional hallmarks of modernism—irony, intertextuality, self-reflexivity, and formalism—to challenge the historical violence of modernity. Baudelaire and the committed ironists writing in his wake teach us how to read and resist the violence of history, and thereby to challenge the melancholy tenor of our contemporary "wound culture." In a series of provocative readings, Sanyal presents Baudelaire's poetry as an aesthetic form that contests historical violence through rhetorical strategies of complicity, counterviolence, and critique. The book develops a new account of Baudelaire's significance as a modernist by dislodging him both from his traditional status as a practitioner of "art for art's sake" and from his more recent incarnation as the poet of trauma. Following her extended analysis of Baudelaire's poetry, Sanyal in later chapters considers a number of authors influenced by his strategies—including Rachilde, Virginie Despentes, Albert Camus, and Jean-Paul Sartre—to examine the relevance of their interventions for our current climate of trauma and terror. The result is a study that underscores how Baudelaire's legacy continues to energize literary engagements with the violence of modernity.

Author: Sarah Dellmann
Publisher: Amsterdam University Press
ISBN: 9048532973
Category : Art
Languages : en
Pages : 421

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Book Description
Why do early films present the Netherlands as a country full of canals and windmills, where people wear traditional costumes and wooden shoes, while industries and modern urban life are all but absent? Images of Dutchness investigates the roots of this visual repertoire from diverse sources, ranging from magazines to tourist brochures, from anthropological treatises to advertising trade cards, stereoscopic photographs, picture postcards, magic lantern slide sets and films of early cinema. This richly illustrated book provides an in-depth study of the fascinating corpus of popular visual media and their written comments that are studied for the first time. Through the combined analysis of words and images, the author identifies not only what has been considered "typically Dutch" in the long nineteenth century, but also provides new insights into the logic and emergence of national clichés in the Western world.

Author: Susana Zapke
Publisher: Fundacion BBVA
ISBN: 8496515508
Category : Church music
Languages : es
Pages : 481

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Author: J. F. Ade Ajayi
Publisher: Univ of California Press
ISBN: 9780520067011
Category : History
Languages : en
Pages : 400

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Book Description
Volume VI of this acclaimed series is now available in an abridged paperback edition. The result of years of work by scholars from all over the world, The UNESCO General History of Africa reflects how the different peoples of Africa view their civilizations and shows the historical relationships between the various parts of the continent. Historical connections with other continents demonstrate Africa's contribution to the development of human civilization. Each volume is lavishly illustrated and contains a comprehensive bibliography. Volume VI covers the period from the beginning of the nineteenth century to the onset of the European "scramble" for colonial territory in the 1880s. In spite of a growing European commercial, religious, and political presence during the first three quarters of the century, outside influences were felt indirectly by most African societies, and they made a number of culturally distinctive attempts to modernize, expand, and develop. These are detailed in four thematic chapters, twenty-three chapters detailing developments in specific areas, and two concluding chapters tracing the African diaspora and assessing the state of the Continent's political, economic, and cultural development on the eve of the European conquest.

Author: Michael Jones
Publisher: Springer Science & Business Media
ISBN: 9789048199327
Category : Science
Languages : en
Pages : 326

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Book Description
This important and insightful book provides, for the first time, a broad presentation of ongoing research into public participation in landscape conservation, management and planning, following the 2000 European Landscape Convention which came into force in 2004. The book examines both the theory of participation and what lessons can be learnt from specific European examples. It explores in what manner and to what extent the provisions for participation in the European Landscape Convention have been followed up and implemented. It also presents and compares different experiences of participation in selected countries from northern, southern, eastern and western Europe, and provides a critical examination of public participation in practice. However, while the book’s focus is necessarily on Europe, many of the conclusions drawn are of global relevance. The book provides a valuable reference for researchers and advanced students in landscape policies and management, as well as for professionals and others interested in land-use planning and environmental management.