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Author: Boris Groys Publisher: MIT Press ISBN: 0262525089 Category : Art Languages : en Pages : 205
Book Description
An insider's account of the art and artists of the most interesting Russian artistic phenomenon since the Russian Avant-Garde. In the 1970s and 1980s, a group of “unofficial” artists in Moscow—artists not recognized by the state, not covered by state-controlled media, and cut off from wider audiences—created artworks that gave artistic form to a certain historical moment: the experience of Soviet socialism. The Moscow conceptualists not only reflected and analyzed by artistic means a spectacle of Soviet life but also preserved its memory for a future that turned out to be different from the officially predicted one. They captured both the shabby austerity of everyday Soviet life and the utopian energy of Soviet culture. In History Becomes Form, Boris Groys offers a contemporary's account of what he calls the most interesting Russian artistic phenomenon since the Russian avant-garde. The book collects Groys's essays on Moscow conceptualism, most of them written after his emigration to the West in 1981. The individual artists of the group—including Ilya Kabakov, Lev Rubinstein, and Ivan Chuikov—became known in the West after perestroika, but until now the artistic movement as a whole has received little attention. Groys's account sheds light not only on the Moscow Conceptualists and their work but also on the dilemmas of Soviet artists during the cold war.
Author: Boris Groys Publisher: MIT Press ISBN: 0262525089 Category : Art Languages : en Pages : 205
Book Description
An insider's account of the art and artists of the most interesting Russian artistic phenomenon since the Russian Avant-Garde. In the 1970s and 1980s, a group of “unofficial” artists in Moscow—artists not recognized by the state, not covered by state-controlled media, and cut off from wider audiences—created artworks that gave artistic form to a certain historical moment: the experience of Soviet socialism. The Moscow conceptualists not only reflected and analyzed by artistic means a spectacle of Soviet life but also preserved its memory for a future that turned out to be different from the officially predicted one. They captured both the shabby austerity of everyday Soviet life and the utopian energy of Soviet culture. In History Becomes Form, Boris Groys offers a contemporary's account of what he calls the most interesting Russian artistic phenomenon since the Russian avant-garde. The book collects Groys's essays on Moscow conceptualism, most of them written after his emigration to the West in 1981. The individual artists of the group—including Ilya Kabakov, Lev Rubinstein, and Ivan Chuikov—became known in the West after perestroika, but until now the artistic movement as a whole has received little attention. Groys's account sheds light not only on the Moscow Conceptualists and their work but also on the dilemmas of Soviet artists during the cold war.
Author: Pierluigi Serraino Publisher: Springer Science & Business Media ISBN: 9783764365639 Category : Architecture Languages : en Pages : 100
Book Description
Developed in 1989, the software Form*Z has become an important digital tool for architects when exploring three dimensional objects, in particular when designing spaces which have complex shapes and multiple curved surfaces, which do not adher to Cartesian geometry and cannot be depicted by traditional CAD programs. This book outlines the development, qualities and the future potential of this ingenious program, and the genuine contribution it has made to architectural design is illustrated by projects from Roto Architects, Skidmore Owings & Merrill, Siegel Diamond Architecture, Stanley Saitowitz Office, Form 4 amongst others. Pierluigi Serraino, born in 1965, studied architecture in Rome and Los Angeles. Since 1997 he has lived in San Francisco.
Author: Elena Filipovic Publisher: Walther Konig Verlag ISBN: 9783960981787 Category : Art Languages : en Pages : 409
Book Description
"This is an anthology of essays that first appeared in The Artist as Curator, a series that occupied eleven issues of Mousse from no. 41 (December 2013/January 2014) to no. 51 (December 2015/January 2016). It set out to examine what was then a profoundly influential but still under-studied phenomenon, a history that had yet to be written: the fundamental role artists have played as curators. Taking that ontologically ambiguous thing we call "the exhibition" as a critical medium, artists have often radically rethought conventional forms of exhibition making. This anthology surveys seminal examples of such exhibitions from the postwar to the present, including rare documents and illustrations. It includes an introduction and the twenty essays that first appeared in Mousse, a newly commissioned afterword by Hans Ulrich Obrist, and two additional essays that appear here for the first time."
Author: June Howard Publisher: UNC Press Books ISBN: 1469620693 Category : Literary Criticism Languages : en Pages : 224
Book Description
Examining the novels of Frank Norris, Theodore Dreiser, Jack London, and other writers, June Howard presents a study of American literary naturalism as a genre. Naturalism, she states, is a way of imagining the world and the relation of the self to the world, a way of making sense -- and making narrative -- out of the comforts and discomforts of its historical moment. Howard believes that naturalism accomodates the sense of perilousness, uncertainty, and disorder that many Americans felt in the late nineteenth and early twentieth centuries. She argues for a redefinition of the form which allows it to be seen as an immanent ideology responding to a specific historical situation. Working both from accepted definitions of naturalism and from close analysis of the literary texts themselves, Howard consructs a new description of the genre in terms of its thematic antinomies, patterns of characterization, and narrative strategies. She defines a range of historical and cultural reference for the ideas and images of American naturalism and suggests that the form has affinities with such contemporary ideologies as political progressivism and criminal anthropology. In the process, she demonstrates that genre criticism and historical analysis can be combined to create a powerful method for writing literary history. Throughout Howard's study, the concept of genre is used not as a prescriptive straitjacket but as a category allowing the perception of significant similarities and differences among literary works and the coordination of textual analysis with the history of literary and social forces. For Howard, naturalism is a dynamic solution to the problem of generating narrative from the particular historical and cultural materials available to the authors. Originally published in 1985. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Francis Fukuyama Publisher: Simon and Schuster ISBN: 1416531785 Category : History Languages : en Pages : 464
Book Description
Ever since its first publication in 1992, The End of History and the Last Man has provoked controversy and debate. Francis Fukuyama's prescient analysis of religious fundamentalism, politics, scientific progress, ethical codes, and war is as essential for a world fighting fundamentalist terrorists as it was for the end of the Cold War. Now updated with a new afterword, The End of History and the Last Man is a modern classic.
Author: David Graeber Publisher: Farrar, Straus and Giroux ISBN: 0374721106 Category : Social Science Languages : en Pages : 384
Book Description
INSTANT NEW YORK TIMES BESTSELLER A dramatically new understanding of human history, challenging our most fundamental assumptions about social evolution—from the development of agriculture and cities to the origins of the state, democracy, and inequality—and revealing new possibilities for human emancipation. For generations, our remote ancestors have been cast as primitive and childlike—either free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or, alternatively, by taming our baser instincts. David Graeber and David Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction to powerful critiques of European society posed by Indigenous observers and intellectuals. Revisiting this encounter has startling implications for how we make sense of human history today, including the origins of farming, property, cities, democracy, slavery, and civilization itself. Drawing on pathbreaking research in archaeology and anthropology, the authors show how history becomes a far more interesting place once we learn to throw off our conceptual shackles and perceive what’s really there. If humans did not spend 95 percent of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what kinds of social and economic organization did they lead to? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more full of playful, hopeful possibilities, than we tend to assume. The Dawn of Everything fundamentally transforms our understanding of the human past and offers a path toward imagining new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual range, animated by curiosity, moral vision, and a faith in the power of direct action. Includes Black-and-White Illustrations
Author: Frederick Turner Publisher: Transaction Publishers ISBN: 1412849446 Category : Literary Criticism Languages : en Pages : 387
Book Description
There is widespread belief that the world's religions contradict each other. It follows that if one religion is true, the others must be false-an assumptions that implies, and may actually create, religious strife. In Natural Religion, acclaimed poet; critic, and essayist Frederick Turner sets out to show that the natural world offers grounds for stating that all religions are, in some respect, true. This book explores syncretism, whereby all religions are seen as grasping the same strange and complex reality, but by very different means and handles. The idea that all religions are true raises a supervening question: if so, what must the real physical universe be like? Turner approaches these questions in terms of scientific inquiry. Book jacket.
Author: Boris Groys
Author: Boris Groys
Author: Pierluigi Serraino
Author: Maureen Furniss
Author: Herbert Ernest Cushman
Author: Elena Filipovic
Author: June Howard
Author: Johann Eduard Erdmann
Author: Francis Fukuyama
Author: David Graeber
Author: Frederick Turner