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Author: Judith Veronica Field Publisher: Yale University Press ISBN: 9780300103427 Category : Art Languages : en Pages : 440
Book Description
Studie over de wiskundige kennis van de renaissanceschilder (ca. 1416-1492) en over het belang van de exacte wetenschap in de betreffende kunstperiode.
Author: Judith Veronica Field Publisher: Yale University Press ISBN: 9780300103427 Category : Art Languages : en Pages : 440
Book Description
Studie over de wiskundige kennis van de renaissanceschilder (ca. 1416-1492) en over het belang van de exacte wetenschap in de betreffende kunstperiode.
Author: Carlo Bertelli Publisher: ISBN: 9780300057034 Category : Art Languages : en Pages : 240
Book Description
Includes a biography of the Italian painter, compares his work with that of other artists of his time, discusses his mathematic and geometric theories, and provides a complete catalog of his work
Author: Machtelt Brüggen Israëls Publisher: Reaktion Books ISBN: 1789143217 Category : Art Languages : en Pages : 369
Book Description
As one of the most innovative and enlightened painters of the early Italian Renaissance, Piero della Francesca brought space, luminosity, and unparalleled subtlety to painting. In addition, Piero invented the role of the modern artist by becoming a traveler, a courtier, a geometrician, a patron, and much else besides. In this nuanced account of this great painter’s life and art, Machtelt Brüggen Israëls reconstructs how Piero came of age. Successfully demystifying the persistent notion of Piero’s art as enigmatic, she reveals the simple and stunning intentions behind his work.
Author: Sir John Wyndham Pope-Hennessy Publisher: New York Review of Books ISBN: 9781892145130 Category : Art Languages : en Pages : 100
Book Description
Thousands of travelers visit Tuscany and Umbria each year to follow the Piero della Francesca Trail. John Pope-Hennessy examines each work of Piero della Francesca. Included is Aldous Huxley's essay "The Best Picture, " which inspired Pope-Hennessy to seek out these paintings and frescoes. 56 photos.
Author: Marilyn Aronberg Lavin Publisher: University of Chicago Press ISBN: 9780226469584 Category : Art Languages : en Pages : 116
Book Description
"Lavin's study of the Pierro della Francesca "Flagellation" at Urbino, as befits this exquisite masterpiece, is a model of lucid and precise exposition as well as being an exciting exercise of scholarship. Informed with the intellectual rigour of Scholastic exegesis, it deserves to be placed with the classic readings of fifteenth and sixteenth century works by Erwin Panofsky and Edgar Wind."—Spectator "[Lavin] leaves the picture more wondrous than before, a simultaneous triumph of the theological and biographical, as well as pictorial, imagination."—Rackstraw Downes, New York Times Book Review
Author: Carlo Ginzburg Publisher: Verso Books ISBN: 1789607795 Category : Art Languages : en Pages : 390
Book Description
Sifting the available evidence, Carlo Ginzburg builds up a vivid portrait of Piero della Francesca's patrons and convincingly explains the contemporary intrigues resonant in his painting. This new edition, extensively illustrated, includes additional material by Ginzburg dealing with the work of Roberto Longhi, the dating of the Arezzo Cycle, and the rediscovery of della Francesca in the twentieth century.
Author: Hubert Damisch Publisher: Stanford University Press ISBN: 9780804734424 Category : Literary Criticism Languages : en Pages : 138
Book Description
Piero della Francesca's Madonna del Parto, a celebrated fifteenth-century Tuscan fresco in which the Virgin gestures to her partially open dress and her pregnant womb, is highly unusual in its iconography. Hubert Damisch undertakes an anthropological and historical analysis of an artwork he constructs as a childhood dream of one of humanity's oldest preoccupations, the mysteries of our origins, of our conception and birth. At once parodying and paying homage to Freud's seminal essay on Leonardo da Vinci, Damisch uses Piero's enigmatic painting to narrate our archaic memories. He shows that we must return to Freud because work in psychoanalysis and art has not solved the problem of what is being analyzed: in the triangle of author, work, and audience, where is the psychoanalytic component located?
Author: Judith Veronica Field
Author: Judith Veronica Field
Author: Carlo Bertelli
Author: Machtelt Brüggen Israëls
Author: Sir John Wyndham Pope-Hennessy
Author: James R. Banker
Author: Marilyn Aronberg Lavin
Author: Piero (della Francesca)
Author: Carlo Ginzburg
Author: Marilyn Aronberg Lavin
Author: Hubert Damisch