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Author: Mererid Puw Davies Publisher: ISBN: 9781787352889 Category : Languages : en Pages : 0
Book Description
An examination of the largely forgotten anti-war writing from West Germany spurred by the Vietnam War. Though the Vietnam War did not directly involve West Germany, it was nonetheless a decisive catalyst for the era's wider protest movements in that country, and it gave rise to an ardent anti-war discourse. Poetry and poetic writing were key to anti-war work. Hundreds of poems and related writings about Vietnam circulated in West Germany, yet they are almost entirely forgotten today. Poetic Writing and the Vietnam War in West Germany uncovers and explores some of that rich artistic production in order to present a new history of engaged poetic writing in West Germany in the 1960s and 1970s and to draw out distinctive characteristics of wider protest culture. In doing so, it makes the case for attending to marginal, non-canonical, or neglected literary and cultural forms, and for critical thinking about why they might, over time, have been obscured. The book also offers a case study for reflection on the representation of war, on ways in which German oppositional culture could imagine its others, and on the relationship of poetry to the historical world.
Author: Mererid Puw Davies Publisher: ISBN: 9781787352889 Category : Languages : en Pages : 0
Book Description
An examination of the largely forgotten anti-war writing from West Germany spurred by the Vietnam War. Though the Vietnam War did not directly involve West Germany, it was nonetheless a decisive catalyst for the era's wider protest movements in that country, and it gave rise to an ardent anti-war discourse. Poetry and poetic writing were key to anti-war work. Hundreds of poems and related writings about Vietnam circulated in West Germany, yet they are almost entirely forgotten today. Poetic Writing and the Vietnam War in West Germany uncovers and explores some of that rich artistic production in order to present a new history of engaged poetic writing in West Germany in the 1960s and 1970s and to draw out distinctive characteristics of wider protest culture. In doing so, it makes the case for attending to marginal, non-canonical, or neglected literary and cultural forms, and for critical thinking about why they might, over time, have been obscured. The book also offers a case study for reflection on the representation of war, on ways in which German oppositional culture could imagine its others, and on the relationship of poetry to the historical world.
Author: Mererid Puw Davies Publisher: UCL Press ISBN: 1800085338 Category : Poetry Languages : en Pages : 248
Book Description
In the 1960s and 1970s in the Federal Republic of Germany (FRG), or West Germany, newspaper readers and television viewers were appalled by terrible images of fires burning half a world away. The Vietnam War was a decisive catalyst for the era’s wider protest movements and gave rise to an ardent anti-war discourse. This discourse privileged writing in many forms. Within it, poetry and poetic writing were key; and because coverage of the conflict in Vietnam often focused on spectacular, destructive conflagrations ignited by hi-tech machines of war, their dominant trope was fire. Hundreds of poems and related writings about Vietnam circulated in the FRG, yet they are almost entirely forgotten today. Poetic Writing and the Vietnam War in West Germany uncovers and explores some of this rich production in order to present a new history of engaged poetic writing in the FRG in the 1960s and 1970s, and to draw out distinctive characteristics of wider protest culture. In doing so, it makes the case for attending to marginal, non-canonical or neglected literary and cultural forms, and for critical thinking about why they might, over time, have been obscured. This book offers, too, a case study for reflection on the representation of war, on ways in which German oppositional culture could imagine its others, and the ways in which other voices could speak to it in turn, and on the relationship of poetry to the historical world.
Author: Clare Bielby Publisher: Boydell & Brewer ISBN: 1640141146 Category : History Languages : en Pages : 239
Book Description
"Explores what postwar German representations of violence in other places and times tell us about Germany. Germany's 20th-century history has made imagining and representing violence in German culture especially challenging: it has made certain constructions of violence unspeakable, even unthinkable. As a result, new ways of thinking about violence in postwar German culture are needed. One such approach is critical analysis of "violence elsewhere," that is, representations in literature, art, and film of violence in distant, imagined or temporally distinct times and places. Such representations have offered Germans a stage on which to imagine violence. Moreover, German representations of "violence elsewhere" are simultaneously images of Germany itself, revealing something about otherwise submerged or deeply encoded meanings and functions of violence in German culture. This volume explores what representations of "violence elsewhere" tell us about Germany. Its essays consider cultural products that arose from East, West, and reunified Germany and that imagine violence in Latin America, Vietnam, Cambodia, the USA, and the Middle East, as well as in the respective "other" German state and in the German past. Drawing on film, literary, gender, cultural, and postcolonial studies as well as visual culture, history, and life writing, they also introduce theoretical perspectives that are transferable beyond German Studies. As such, they allow us to reflect more broadly on relationships between violence, culture, community, and the creation of identities. Edited by Clare Bielby and Mererid Puw Davies. Contributors: Seán Allan, Martin Brady, Evelien Geerts, Katharina Karcher, J.J. Long, Ernest Schonfield, and Katherine Stone. On publication the chapter "Problematizing Political Violence in the Federal Republic of Germany: A Hauntological Analysis of the NSU Terror and a Hyper-Exceptionalized "9/11" is available as Open Access under the Creative Commons license CC BY-NC-ND"--
Author: Subarno Chattarji Publisher: ISBN: 019818767X Category : American poetry Languages : en Pages : 272
Book Description
In this unique and significant addition to Vietnam studies, Memories of a Lost War analyzes the poems written by American veterans, protest poets, and Vietnamese, within political, aesthetic, and cultural contexts. Drawing on a wealth of material often published in small presses and journals, the book highlights the horrors of war and the continuing traumas of veterans in post-Vietnam America. In its inclusion of Vietnamese perspectives, the book marks a departure from earlier works that have largely concentrated on Vietnam as a war rather than a country.
Author: Désiré Arnold Publisher: GRIN Verlag ISBN: 3638258181 Category : Literary Collections Languages : en Pages : 31
Book Description
Seminar paper from the year 2003 in the subject American Studies - Literature, grade: good, University of Potsdam (Institute for Anglistics/ American Studies), course: "After our war how will love speak", WS 03/04, language: English, abstract: The Vietnam War originally was a civil war between the Southern and the Northern part of Vietnam. The USA started being involved in 1954. They tried to support South Vietnam. The Vietnam War ended in 1975, when the communist troops invaded the South Vietnamese city Saigon, the last American soldiers fled and Saigon capitulated without any conditions. The American aim of the war was to combat communism, as the Northern part of Vietnam was communistic. The US government feared more Asian states would fall to communism and similar battles would break out between the states (like the civil war between the two Vietnamese states); if they lost the war in Vietnam, this was called the Domino theory. During the Vietnam War about 7 Million tons of bombs were dropped and other devastations were caused by herbicides, like Agent Orange. During the Vietnam War about 55000 (concrete number below) American soldiers died, half of them weren′t even 21 years old; many of them were blacks and/ or children of a working-class- family. All in all the Vietnam War cost 2,5 Million lives, 90% were civilians of South Vietnam, people that were to be protected by the US soldiers. But not only men were in Country, "The U.S. Department of Veterans Affairs knows exactly how many men served in Vietnam (2,594,200) and how many were killed in action (58,188). It can furnish all kinds of stats about those soldiers, like the percentage of men who worked in supply (between 60 and 70 percent) as opposed to combat (30 to 40 percent). But ask about the women who served in Vietnam -- women other than nurses -- and the numbers disappear. The records are muddled, they say; the files don′t work that way. Yes, the armed forces sent women to Vietnam, but an official record of their presence there doesn′t really exist. At least 1,200 female soldiers were stationed in Vietnam in various branches of the military as photojournalists, clerks, typists, intelligence officers, translators, flight controllers, even band leaders. They served prominently in Saigon, in the Mekong Delta and at Long Binh, which was, for a time, the largest Army headquarters in the world. They could not fight, nor were they allowed to carry weapons to defend themselves. Most were part of the pioneering Women′s Army Corps (WAC), created in 1942 to integrate the armed forces. All of them enlisted for service in Vietnam, mostly in the early part of the war. Like a lot of Vietnam veterans, these women have been dogged by their experiences in country; unlike many veterans, they do not feel officially recognized and have been reluctant to seek help. Some have been plagued by symptoms of post-traumatic stress syndrome and exposure to chemicals. Others have harbored the fact of their service like a shameful secret." (Bunn) "Women served in Vietnam in many support staff assignments, in hospitals, crewed on medical evacuation flights, with MASH Units, hospital ships, operations groups, information offices, service clubs, headquarters offices, and numerous other clerical, medical, intelligence and personnel positions.
Book Description
How can literature help clarify the meaning of the Vietnam War? This study, written by an award-winning poet, both considers and looks beyond the war's dimensions of ideological, geopolitical and military conflict.In the Vietnam War, human eloquence, as a cultural force, proved decisive for historical outcomes. For each side in the war, cultural factors ultimately eclipsed those of doctrine, economics and technology.Through attentiveness to the role of literature, literacy, tradition and ferment, author Gjekë Marinaj, PhD, highlights the depth of Vietnamese culture, chronically underestimated by the West.Marinaj also pays tribute to the growing influence of truth-telling voices in the United States, where the peace and civil rights movements catalyzed broader questioning of the war's justness.In Vietnam, heritage bolstered resistance, while in America, courage and cultural dialectics helped secure the war's end and canonization as a nightmare.Inspired by the author's stays in Vietnam, interwoven original poems underscore Inkshed's case for shedding ink, not blood, for the cause of a better future.Among many honors, Gjekë Marinaj has received two National Insignia Prizes from the Vietnam Writers' Association, recognizing his translation of Ho Chi Minh's Prison Diary and his scholarly work "for the cause of Vietnam's Literature and Arts."
Author: Jim Neilson Publisher: ISBN: Category : History Languages : en Pages : 284
Book Description
Although the Vietnam conflict ended two decades ago, a fierce cultural war over how its literature is to be perceived continues to be waged. Warring Fictions accuses American critics of twenty years of whitewash and reminds us that Vietnam was not just an American anguish and its fiction a rock-and-roll acid trip. From the blind patriotism of The Green Berets to the postmodern hip of Dispatches this book brings history and politics back to the Vietnam War novel.It is a brilliant case study of canon formation and of the role commercial and academic literary institutions have played in assessing Vietnam War fiction; it exposes their complicity in the writing of recent American history and rebukes academic literary culture that speciously purports a radical calling for itself. Beyond an academic audience, this book will challenge all who are piqued by studies of the war and of Vietnam War fiction. And it raises important questions about the interlocking interests and ideologies of literary culture, the publishing industry, the mass media, and the academy.With its exemplary command of actual history and its well-documented investigation of the Vietnam fiction canon, this book throws a probing light on a literary culture whose tastes and attitudes have helped enforce a conservative interpretation of the war. In extraordinary readings of The Quiet American, The Ugly American, The Prisoners of Quai Dong, The Laotian Fragments, Dispatches, The Things They Carried, and In Country, Warring Fictions provides a radical historical perspective on the fiction that emerged from the Vietnam War.
Author: David O. Dowling Publisher: Yale University Press ISBN: 0300245009 Category : Language Arts & Disciplines Languages : en Pages : 440
Book Description
A vibrant history of the renowned and often controversial Iowa Writers’ Workshop and its celebrated alumni and faculty As the world’s preeminent creative writing program, the Iowa Writers’ Workshop has produced an astonishing number of distinguished writers and poets since its establishment in 1936. Its alumni and faculty include twenty-eight Pulitzer Prize winners, six U.S. poet laureates, and numerous National Book Award winners. This volume follows the program from its rise to prominence in the early 1940s under director Paul Engle, who promoted the “workshop” method of classroom peer criticism. Meant to simulate the rigors of editorial and critical scrutiny in the publishing industry, this educational style created an environment of both competition and community, cooperation and rivalry. Focusing on some of the exceptional authors who have participated in the program—such as Flannery O’Connor, Dylan Thomas, Kurt Vonnegut, Jane Smiley, Sandra Cisneros, T. C. Boyle, and Marilynne Robinson—David Dowling examines how the Iowa Writers’ Workshop has shaped professional authorship, publishing industries, and the course of American literature.
Author: Mererid Puw Davies
Author: Mererid Puw Davies
Author: Mererid Puw Davies
Author: Clare Bielby
Author: Dick and Robert
Author: Subarno Chattarji
Author: Désiré Arnold
Author: Ringnalda, Donald
Author: Gjekë Marinaj
Author: Jim Neilson
Author: David O. Dowling