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Author: Jonathan Mulrooney Publisher: Cambridge University Press ISBN: 1107183871 Category : Literary Criticism Languages : en Pages : 295
Book Description
Provides new theatrical contexts for Romantic-period literary writing, reframing the relationship between theater and poetry in Regency London.
Author: Jonathan Mulrooney Publisher: Cambridge University Press ISBN: 1107183871 Category : Literary Criticism Languages : en Pages : 295
Book Description
Provides new theatrical contexts for Romantic-period literary writing, reframing the relationship between theater and poetry in Regency London.
Author: Jonathan Mulrooney Publisher: Cambridge University Press ISBN: 1316877396 Category : Literary Criticism Languages : en Pages : 295
Book Description
Bringing together studies in theater history, print culture, and literature, this book offers a new consideration of Romantic-period writing in Britain. Recovering a wide range of theatrical criticism from newspapers and periodicals, some of it overlooked since its original publication in Regency London, Jonathan Mulrooney explores new contexts for the work of the actor Edmund Kean, essayist William Hazlitt, and poet John Keats. Kean's ongoing presence as a figure in the theatrical news presented readers with a provocative re-imagining of personal subjectivity and a reworking of the British theatrical tradition. Hazlitt and Keats, in turn, imagined the essayist and the poet along similar theatrical lines, reframing Romantic prose and poetics. Taken together, these case studies illustrate not only theater's significance to early nineteenth-century Londoners, but also the importance of theater's textual legacies for our own re-assessment of 'Romanticism' as a historical and cultural phenomenon.
Author: Diane Piccitto Publisher: University of Michigan Press ISBN: 0472129767 Category : Performing Arts Languages : en Pages : 397
Book Description
The Visual Life of Romantic Theater examines the dynamism and vibrancy of stage spectacle and its impact in an era of momentous social upheaval and aesthetic change. Situating theatrical production as key to understanding visuality ca. 1780-1830, this book places the stage front and center in Romantic scholarship by re-envisioning traditional approaches to artistic and social creation in the period. How, it asks, did dramaturgy and stagecraft influence aesthetic and sociopolitical concerns? How does a focus on visuality expand our understanding of the historical experience of theatergoing? In what ways did stage performance converge with visual culture beyond the theater? How did extratheatrical genres engage with theatrical sight and spectacle? Finally, how does a focus on dramatic vision change the way we conceive of Romanticism itself? The volume’s essays by emerging and established scholars provide exciting and suggestive answers to these questions, along with a more capacious conception of Romantic theater as a locus of visual culture that reached well beyond playhouse walls.
Author: Joseph M. Ortiz Publisher: Routledge ISBN: 135190079X Category : Literary Criticism Languages : en Pages : 476
Book Description
The idea of Shakespearean genius and sublimity is usually understood to be a product of the Romantic period, promulgated by poets such as Coleridge and Byron who promoted Shakespeare as the supreme example of literary genius and creative imagination. However, the picture looks very different when viewed from the perspective of the myriad theater directors, actors, poets, political philosophers, gallery owners, and other professionals in the nineteenth century who turned to Shakespeare to advance their own political, artistic, or commercial interests. Often, as in John Kemble’s staging of The Winter’s Tale at Drury Lane or John Boydell’s marketing of paintings in his Shakespeare Gallery, Shakespeare provided a literal platform on which both artists and entrepreneurs could strive to influence cultural tastes and points of view. At other times, Romantic writers found in Shakespeare’s works a set of rhetorical and theatrical tools through which to form their own public personae, both poetic and political. Women writers in particular often adapted Shakespeare to express their own political and social concerns. Taken together, all of these critical and aesthetic responses attest to the remarkable malleability of the Shakespearean corpus in the Romantic period. As the contributors show, Romantic writers of all persuasions”Whig and Tory, male and female, intellectual and commercial”found in Shakespeare a powerful medium through which to claim authority for their particular interests.
Author: Gerald Ernest Paul Gillespie Publisher: John Benjamins Publishing ISBN: 9027234418 Category : Literary Criticism Languages : en Pages : 533
Book Description
It does not treat Romanticism as a limited "period" dominated by some construed singular master-ethos or dialectic; rather, it follows the literary patterns and dynamics of Romanticism as a flow of interactive currents across geocultural frontiers
Author: Jonathan Mulrooney
Author: Jonathan Mulrooney
Author: Jonathan Mulrooney
Author: Diane Piccitto
Author: Diane Piccitto
Author: Benedict Taylor
Author: Joseph M. Ortiz
Author: Ian Haywood
Author: Gerald Ernest Paul Gillespie
Author: Ian Newman
Author: John Claiborne Isbell