The Sackbut Tapes PDF Download

Author: Natty Bumppo
Publisher: Borf Books
ISBN: 9780960489435
Category : Humor
Languages : en
Pages : 304

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Category : Music
Languages : en
Pages : 226

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Author: Henry George Fischer
Publisher: Metropolitan Museum of Art
ISBN: 0870994123
Category : Sackbut
Languages : en
Pages : 73

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Author:
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Category : Music
Languages : en
Pages : 836

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Author: Jeffrey Pulver
Publisher:
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Category : Music
Languages : en
Pages : 282

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Author: William Lines Hubbard
Publisher:
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Category : Music
Languages : en
Pages : 376

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Author: William Lines Hubbard
Publisher:
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Category : Music
Languages : en
Pages : 324

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Author: George Whitfield Andrews
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 324

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Author: Trevor Herbert
Publisher: Yale University Press
ISBN: 9780300100952
Category : Music
Languages : en
Pages : 426

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This is the first comprehensive study of the trombone in English. It covers the instrument, its repertoire, the way it has been played, and the social, cultural, and aesthetic contexts within which it has developed. The book explores the origins of the instrument, its invention in the fifteenth century, and its story up to modern times, also revealing hidden aspects of the trombone in different eras and countries. The book looks not only at the trombone within classical music but also at its place in jazz, popular music, popular religion, and light music. Trevor Herbert examines each century of the trombone's development and details the fundamental impact of jazz on the modern trombone. By the late twentieth century, he shows, jazz techniques had filtered into the performance idioms of almost all styles of music and transformed ideas about virtuosity and lyricism in trombone playing.

Author: Theodor Dumitrescu
Publisher: Routledge
ISBN: 1351544950
Category : Music
Languages : en
Pages : 429

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Since the days in the early twentieth century when the study of pre-Reformation English music first became a serious endeavour, a conceptual gap has separated the scholarship on English and continental music of the late fifteenth and early sixteenth centuries. The teaching which has informed generations of students in influential textbooks and articles characterizes the musical life of England at this period through a language of separation and conservatism, asserting that English musicians were largely unaware of, and unaffected by, foreign practices after the mid-fifteenth century. The available historical evidence, nevertheless, contradicts a facile isolationist exposition of musical practice in early Tudor England. The increasing appearance of typically continental stylistic traits in mid-sixteenth-century English music represents not an arbitrary and unexpected shift of compositional approach, but rather a development prefaced by decades of documentable historical interactions. Theodor Dumitrescu treats the matter of musical relations between England and continental Europe during the first decades of the Tudor reign (c.1485-1530), by exploring a variety of historical, social, biographical, repertorial and intellectual links. In the first major study devoted to this topic, a wealth of documentary references scattered in primary and secondary sources receives a long-awaited collation and investigation, revealing the central role of the first Tudor monarchs in internationalizing the royal musical establishment and setting an example of considerable import for more widespread English artistic developments. By bringing together the evidence concerning Anglo-continental musical relations for the first time, along with new documents and interpretations concerning musicians, music manuscripts and theory sources, the investigation paves the way for a new evaluation of English musical styles in the first half of the sixteenth century.