Virginia Woolf and the Visible World PDF Download

Author: Emily Dalgarno
Publisher: Cambridge University Press
ISBN: 9780521033602
Category : Literary Criticism
Languages : en
Pages : 236

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Book Description
Dalgarno examines Woolf's engagement with notions of the visible.

Author: Alex Zwerdling
Publisher: Univ of California Press
ISBN: 9780520061842
Category : Literary Criticism
Languages : en
Pages : 388

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Book Description
"The finest critical book on Virgina Woolf to date. Alex Zwerdling's large and subtle study places Virginia Woolf's world of class, politics, feminism, pacifism, and the family into firm historical perspective. The book leaves us with renewed appreciation for Woolf's work and for her mind." -Elaine Showalter, Princeton University "Buried beneath piles of criticism Virginia Woolf has at last been dug out by Alex Zwerdling. Virginia Woolf and the Real World is the most enlightened account of the real woman to appear for years." -Noel Annan, The Observer "A relief from the Bloomsbury fan dub: penetrating, learned, wide-ranging appreciation of Virginia Woolf in her social and political context, documenting what muscle and thought there was in her allegedly gossamer work." -Richard Mayne, Encounter "A well written book that deals with a field of Woolf studies that badly needs dear thinking and dear expression .... I think it a most useful work and in every way first rate." -Quentin Bell

Author: Lorraine Sim
Publisher: Routledge
ISBN: 1317001591
Category : Literary Criticism
Languages : en
Pages : 249

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Book Description
In her timely contribution to revisionist approaches in modernist studies, Lorraine Sim offers a reading of Virginia Woolf's conception of ordinary experience as revealed in her fiction and nonfiction. Contending that Woolf's representations of everyday life both acknowledge and provide a challenge to characterizations of daily life as mundane, Sim shows how Woolf explores the potential of everyday experience as a site of personal meaning, social understanding, and ethical value. Sim's argument develops through readings of Woolf's literary representations of a subject's engagement with ordinary things like a mark on the wall, a table, or colour; Woolf's accounts of experiences that are both common and extraordinary such as physical pain or epiphanic 'moments of being'; and Woolf's analysis of the effect of new technologies, for example, motor-cars and the cinema, on contemporary understandings of the external world. Throughout, Sim places Woolf's views in the context of the philosophical and lay accounts of ordinary experience that dominated the cultural thought of her time. These include British Empiricism, Romanticism, Platonic thought and Post-Impressionism. In addition to drawing on the major novels, particularly The Voyage Out, Mrs. Dalloway, and To the Lighthouse, Sim focuses close attention on short stories such as 'The Mark on the Wall', 'Solid Objects', and 'Blue & Green'; nonfiction works, including 'On Being Ill', 'Evening over Sussex: Reflections in a Motor-car', and 'A Sketch of the Past'; and Woolf's diaries. Sim concludes with an account of Woolf's ontology of the ordinary, which illuminates the role of the everyday in Woolf's ethics.

Author: Dr Lorraine Sim
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409475867
Category : Literary Criticism
Languages : en
Pages : 234

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Book Description
In her timely contribution to revisionist approaches in modernist studies, Lorraine Sim offers a reading of Virginia Woolf's conception of ordinary experience as revealed in her fiction and nonfiction. Contending that Woolf's representations of everyday life both acknowledge and provide a challenge to characterizations of daily life as mundane, Sim shows how Woolf explores the potential of everyday experience as a site of personal meaning, social understanding, and ethical value. Sim's argument develops through readings of Woolf's literary representations of a subject's engagement with ordinary things like a mark on the wall, a table, or colour; Woolf's accounts of experiences that are both common and extraordinary such as physical pain or epiphanic 'moments of being'; and Woolf's analysis of the effect of new technologies, for example, motor-cars and the cinema, on contemporary understandings of the external world. Throughout, Sim places Woolf's views in the context of the philosophical and lay accounts of ordinary experience that dominated the cultural thought of her time. These include British Empiricism, Romanticism, Platonic thought and Post-Impressionism. In addition to drawing on the major novels, particularly The Voyage Out, Mrs. Dalloway, and To the Lighthouse, Sim focuses close attention on short stories such as 'The Mark on the Wall', 'Solid Objects', and 'Blue & Green'; nonfiction works, including 'On Being Ill', 'Evening over Sussex: Reflections in a Motor-car', and 'A Sketch of the Past'; and Woolf's diaries. Sim concludes with an account of Woolf's ontology of the ordinary, which illuminates the role of the everyday in Woolf's ethics.

Author: Virginia Woolf
Publisher: Diamond Pocket Books Pvt Ltd
ISBN: 9356843384
Category : Fiction
Languages : en
Pages : 123

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Book Description
A Room of One’s Own is an essay written by Virginia Woolf. It was published in 1929 and is based on two lectures given by the author in 1928 at two colleges for women at Cambridge. In this famous essay, Woolf addressed the status of women, and women artists in particular. In this essay, the author also asserts that a woman must have money and a room of her own if she is to write. According to Woolf, women’s creativity has been curtailed due to centuries of prejudice and financial and educational disadvantages. To emphasize her view, she offers the example of an imaginary gifted but uneducated sister of William Shakespeare, who, discouraged from all eventually kills herself. Woolf celebrates the work of women who have overcome that tradition and become writers, including Jane Austen, George Eliot, and the Brontë sisters, Anne, Charlotte, and Emily. In the final section Woolf suggests that great minds are neutral and argues that intellectual freedom requires financial freedom. The author entreats her audience to write not only fiction but poetry, criticism, and scholarly works as well.

Author: Michael H. Whitworth
Publisher: Oxford University Press
ISBN: 0199556083
Category : Biography & Autobiography
Languages : en
Pages : 287

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Political and social change during Woolf's lifetime led her to address the role of the state and the individual. Michael H. Whitworth shows how ideas and images from contemporary novelists, philosophers, theorists, and scientists fuelled her writing, and how critics, film-makers, and novelists have reinterpreted her work for later generations.

Author: Virginia Woolf
Publisher: Read Books Ltd
ISBN: 1473362962
Category : Fiction
Languages : en
Pages : 132

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Book Description
Adeline Virginia Woolf (1882–1941) was an English writer. She is widely hailed as being among the most influential modernist authors of the 20th century and a pioneer of stream of consciousness narration. She suffered numerous nervous breakdowns during her life primarily as a result of the deaths of family members, and it is now believed that she may have suffered from bipolar disorder. In 1941, Woolf drowned herself in the River Ouse at Lewes, aged 59. The last novel written by Woolf, “Between the Acts” is set just before the onset of World War II and describes a play and all its elements performed at an rustic English Village festival. The chief portion of the book is written in verse, representing one of Woolf's most lyrical works. A must read for fans and collectors of Woolf's seminal work. Other notable works by this author include: “To the Lighthouse” (1927), “Orlando” (1928), and “A Room of One's Own” (1929). Read & Co. Classics is proudly republishing this novel now in a brand new edition complete with a specially-commissioned biography of the author.

Author: Pamela L. Caughie
Publisher: Oxford University Press
ISBN: 0990895807
Category : Literary Criticism
Languages : en
Pages : 264

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Book Description
This collection addresses such themes as the creation of worlds through literary writing, Woolf's reception as a world writer, world wars and the centenary of the First World War, and natural worlds in Woolf's writings. The selected papers represent the major themes of the conference as well as a diverse range of contributors from around the world and from different positions in and outside the university. The contents include familiar voices from past conferences--e.g., Judith Allen, Eleanor McNees, Elisa Kay Sparks--and well-known scholars who have contributed less frequently, if at all, to past Selected Papers--e.g., Susan Stanford Friedman, Steven Putzel, Michael Tratner--as well as new voices of younger scholars, students, and independent scholars. The volume is divided into four themed sections. The first and longest section, War and Peace, is framed by Mark Hussey's keynote roundtable, War and Violence, and Maud Ellmann's keynote address, Death in the Air: Virginia Woolf and Sylvia Townsend Warner in World War II. The second section, World Writer(s), includes papers that read the Woolfs in a global context. The papers in Animal and Natural Worlds bring recent developments in ecocriticism and post-humanist studies to analysis of Woolf's writing of human and nonhuman worlds. Finally, Writing and Worldmaking addresses various aspects of genre, style, and composition. Madelyn Detloff's closing essay, The Precarity of 'Civilization' in Woolfs Creative Worldmaking, brings us back to international and cultural conflicts in our own day, reminding us, as Detloff says, why Woolf still matters today.

Author: Claudia Olk
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110340232
Category : Literary Criticism
Languages : en
Pages : 212

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Book Description
The category of vision is significant for Modernist texts as well as for the unfolding discourse of Modernism itself. Within the general Modernist fascination with the artistic and experimental possibilities of vision and perception this study looks at Virginia Woolf’s novels and her critical writings and examines the relation between visuality and aesthetics. An aesthetics of vision, as this study argues, becomes a productive principle of narrative. The visual is not only pertinent to Woolf’s processes of composition, but her works create a kind of vision that is proper to the text itself – a vision that reflects on the experience of seeing and renegotiates the relation between the reader and the text. The study investigates key dimensions of aesthetic vision. It addresses vision in the context of theories of aesthetic experience and identifies a semantics of seeing. It analyses functions of symbolic materiality in the presentation of boundaries of perception, modes of temporality and poetic potentialities. In exploring the connections between vision and language, it seeks to provide new perspectives for a reassessment of what occurs in Modernism's relation to vision.

Author: Gillian Gill
Publisher: Houghton Mifflin
ISBN: 1328683958
Category :
Languages : en
Pages : 437

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Book Description
An insightful, witty look at Virginia Woolf through the lens of the extraordinary women closest to her. How did Adeline Virginia Stephen become the great writer Virginia Woolf? Acclaimed biographer Gillian Gill tells the stories of the women whose legacies--of strength, style, and creativity--shaped Woolf's path to the radical writing that inspires so many today. Gill casts back to Woolf's French-Anglo-Indian maternal great-grandmother Thérèse de L'Etang, an outsider to English culture whose beauty passed powerfully down the female line; and to Woolf's aunt Anne Thackeray Ritchie, who gave Woolf her first vision of a successful female writer. Yet it was the women in her own family circle who had the most complex and lasting effect on Woolf. Her mother, Julia, and sistersStella, Laura, and Vanessa were all, like Woolf herself, but in markedly different ways, warped by the male-dominated household they lived in. Finally, Gill shifts the lens onto the famous Bloomsbury group. This, Gill convinces, is where Woolf called upon the legacy of the women who shaped her to transform a group of men--united in their love for one another and their disregard for women--into a society in which Woolf ultimately found her freedom and her voice.