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Author: Ming Dong Gu Publisher: SUNY Press ISBN: 0791481484 Category : Literary Criticism Languages : en Pages : 304
Book Description
In this innovative work, Ming Dong Gu examines Chinese literature and traditional Chinese criticism to construct a distinctly Chinese theory of fiction and places it within the context of international fiction theory. He argues that because Chinese fiction, or xiaoshuo, was produced in a tradition very different from that of the West, it has formed a system of fiction theory that cannot be adequately accounted for by Western fiction theory grounded in mimesis and realism. Through an inquiry into the macrocosm of Chinese fiction, the art of formative works, and theoretical data in fiction commentaries and intellectual thought, Gu explores the conceptual and historical conditions of Chinese fiction in relation to European and world fiction. In the process, Gu critiques and challenges some accepted views of Chinese fiction and provides a theoretical basis for fresh approaches to fiction study in general and Chinese fiction in particular. Such masterpieces as the Jin Ping Mei (The Plum in the Golden Vase) and the Hongloumeng (The Story of the Stone) are discussed at length to advance his notion of fiction and fiction theory.
Author: Ming Dong Gu Publisher: SUNY Press ISBN: 0791481484 Category : Literary Criticism Languages : en Pages : 304
Book Description
In this innovative work, Ming Dong Gu examines Chinese literature and traditional Chinese criticism to construct a distinctly Chinese theory of fiction and places it within the context of international fiction theory. He argues that because Chinese fiction, or xiaoshuo, was produced in a tradition very different from that of the West, it has formed a system of fiction theory that cannot be adequately accounted for by Western fiction theory grounded in mimesis and realism. Through an inquiry into the macrocosm of Chinese fiction, the art of formative works, and theoretical data in fiction commentaries and intellectual thought, Gu explores the conceptual and historical conditions of Chinese fiction in relation to European and world fiction. In the process, Gu critiques and challenges some accepted views of Chinese fiction and provides a theoretical basis for fresh approaches to fiction study in general and Chinese fiction in particular. Such masterpieces as the Jin Ping Mei (The Plum in the Golden Vase) and the Hongloumeng (The Story of the Stone) are discussed at length to advance his notion of fiction and fiction theory.
Author: David L. Rolston Publisher: Princeton University Press ISBN: 1400860474 Category : Literary Criticism Languages : en Pages : 552
Book Description
Fiction criticism has a long and influential history in pre-modern China, where critics would read and reread certain novels with a concentration and fervor far exceeding that which most Western critics give to individual works. This volume, a source book for the study of traditional Chinese fiction criticism from the late sixteenth to the early twentieth centuries, presents translations of writings taken from the commentary editions of six of the most important novels of pre-modern China. These translations consist mainly of tu-fa, or "how-to-read" essays, which demonstrate sensitivity and depth of analysis both in the treatment of general problems concerning the reading of any work of fiction and in more focused discussions of particular compositional details in individual novels. The translations were produced by pioneers in the study of this form of fiction criticism in the West: Shuen-fu Lin, Andrew H. Plaks, David T. Roy, John C. Y. Wang, and Anthony C. Yu. Four introductory essays by Andrew H. Plaks and the editor address the historical background for this type of criticism, its early development, its formal features, recurrent terminology, and major interpretive strategies. A goal of this volume is to aid in the rediscovery of this traditional Chinese poetics of fiction and help eliminate some of the distortions encountered in the past by the imposition of Western theories of fiction on Chinese novels. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Yiheng Zhao Publisher: Springer Nature ISBN: 9811577242 Category : Literary Criticism Languages : en Pages : 278
Book Description
This book presents 18 highly influential essays on Chinese literature and semiotics by Professor Zhao Yiheng, including his analysis and discussions of the development of Chinese literature and its characteristics from traditional to modern times. It is divided into three parts: traditional Chinese literature, contemporary Chinese literature, and semiotics. In the first part, Professor Zhao summarizes the core elements of narrative cultural relations, ethical dilemmas, and narrative features. He also provides a comprehensive description of the formal structures in Chinese traditional literature. Taking the traditional Chinese play White Rabbit as a case, he discusses the connections between the narrative structure and the characteristics of Chinese novels and stratification of Chinese culture.
Author: Milena Dolezelova-Velingerova Publisher: University of Toronto Press ISBN: 1442638338 Category : Literary Criticism Languages : en Pages :
Book Description
This collection of essays reveals the dynamic role of the late Qing novel in the process of modernization of Chinese fiction. Substantial changes in various aspects of the Chinese novel at the turn of the century, demonstrated by structural analyses of several representative novels, suggest that the evolution of modern Chinese fiction was a more complex process than a simple imitation of Western literatures. The results challenge the scholarly consensus that modern Chinese fiction resulted from a radical change brought about by the May Fourth Movement in 1919. It is demonstrated rather that the transformation had already begun in the first decade of the twentieth century and that the conspicuous changes in Chinese fiction of the 1920s represent a culmination rather than a beginning of the modern evolutionary process. The book consists of nine studies which analyse the late Qing novel in its general and specific aspects. The introduction and first essay explain how social changes conditioned cultural and literary changes during the period and how the resultant new theory of fiction generated new concepts of a politically engaged novel. The two following studies develop a general statement of narrative structures and devices, derived from structural analyses of seven outstanding late Qing novels. The last six articles examine particular novels in detail, focusing on the specific fictional techniques which predominate in each. This is the first volume in a new series, Modern East Asian Studies.
Author: Ellen Widmer Publisher: Harvard University Press ISBN: 0674045165 Category : Social Science Languages : en Pages : 459
Book Description
What do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share several aims: to liberate these narrative arts from previous aesthetic orthodoxies, to draw on foreign sources for inspiration, and to free individuals from social conformity. Although these consistencies seem readily apparent, with a sharper focus the distinguished contributors to this volume reveal that in many ways discontinuity, not continuity, prevails. Their analysis illuminates the powerful meeting place of language, imagery, and narrative with politics, history, and ideology in twentieth-century China. Drawing on a wide range of methodologies, from formal analysis to feminist criticism, from deconstruction to cultural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and film in China's unique historical context. The volume illustrates three general issues preoccupying this century's scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticism; the diacritics of voice, narrative mode, and intertextuality; and the reintroduction of issues surrounding gender and subjectivity. Table of Contents: Preface Acknowledgments Introduction David Der-wei Wang part:1 Country and City 1. Visitation of the Past in Han Shaogong's Post-1985 Fiction Joseph S. M. Lau 2. Past, Present, and Future in Mo Yan's Fiction of the 1980s Michael S. Duke 3. Shen Congwen's Legacy in Chinese Literature of the 1980s Jeffrey C. Kinkley 4. Imaginary Nostalgia: Shen Congwen, Song Zelai, Mo Yan, and Li Yongping David Der-wei Wang 5. Urban Exoticism in Modern and Contemporary Chinese Literature Heinrich Fruehauf part: 2 Subjectivity and Gender 6. Text, Intertext, and the Representation of the Writing Self in Lu Yun, Dafu,and Wang Meng Yi-tsi Mei Feuerwerker 7. Invention and Intervention: The Making of a Female Tradition in Modern Chinese Literature Lydia H. Liu 8. Living in Sin: From May Fourth via the Antirightist Movement to the Present Margaret H. Decker part: 3 Narrative Voice and Cinematic Vision 9. Lu Xun's Facetious Muse: The Creative Imperative in Modern Chinese Fiction Marston Anderson 10. Lives in Profile: On the Authorial Voice in Modern and Contemporary Chinese Literature Theodore Huters 11. Melodramatic Representation and the "May Fourth" Tradition of Chinese Cinema Paul G. Pickowicz 12. Male Narcissism and National Culture: Subjectivity in Chen Kaige's King of the Children Rey Chow Afterword: Reflections on Change and Continuity in Modern Chinese Fiction Leo Ou-fan Lee Notes Contributors From May Fourth to June Fourth will he warmly welcomed. It should be of great interest to all concerned with literary developments in the contemporary world on the one hand, and on the other with the enigmas surrounding China's alternating attempts to develop and to destroy herself as a civilization. --Cyril Birch, University of California, Berkeley
Author: Tonglin Lu Publisher: State University of New York Press ISBN: 1438411332 Category : Social Science Languages : en Pages : 218
Book Description
"Only women and inferior men are difficult to deal with." — Confucius Two thousand years after Confucius, the contributors to this book ask if Chinese women have succeeded in changing their status as the equivalent of "inferior men." Gender and Sexuality in Twentieth-Century Chinese Literature and Society approaches the role of women in social change through analyzing literature and culture during the May Fourth and the Post-Cultural Revolution periods.
Author: Ming Dong Gu
Author: Ming Dong Gu
Author: Ming Dong Gu
Author: James J. Y. Liu
Author: Ming Dong Gu
Author: David L. Rolston
Author: Xiaobin Yang
Author: Yiheng Zhao
Author: Milena Dolezelova-Velingerova
Author: Ellen Widmer
Author: Tonglin Lu