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Author: Lucy Maddox Publisher: University of Georgia Press ISBN: 0820334898 Category : Literary Criticism Languages : en Pages : 194
Book Description
Lucy Maddox's sensitive treatment of Nabokov's eight finished novels written in English—Pale Fire, Ada, Lolita, Bend Sinister, The Real Life of Sebastian Knight, Transparent Things, Look at the Harlequins! and Pnin—approaches the novelist's work as significant fiction with its own integrity. Maddox provides the kind of discursive introduction that makes Nabokov's complex work more accessible, focusing on the relationship between the eccentric, artificial structures of the novels and their deeply traditional, humanistic themes. While the forms of the novels are idiosyncratic and often bizarre, says Maddox, the texts themselves are neither unfamiliar nor eccentric. Repeatedly the text is the frustration of desire or loss, which is for Nabokov the most agonizing and inescapable of human experiences. Maddox also traces through all eight novels the development of Nabokov's style, which she treats as a matter of both technique and vision.
Author: Vladimir Nabokov Publisher: HMH ISBN: 0544106555 Category : Literary Collections Languages : en Pages : 627
Book Description
“Wonderful, compulsively readable, delicious” personal correspondences, spanning decades in the life and literary career of the author of Lolita (The Washington Post Book World). An icon of twentieth-century literature, Vladimir Nabokov was a novelist, poet, and playwright, whose personal life was a fascinating story in itself. This collection of more than four hundred letters chronicles the author’s career, recording his struggles in the publishing world, the battles over Lolita, and his relationship with his wife, among other subjects, and gives a surprising look at the personality behind the creator of such classics as Pale Fire and Pnin. “Dip in anywhere, and delight follows.” —John Updike
Author: Robert Alter Publisher: Princeton University Press ISBN: 0691218668 Category : Literary Criticism Languages : en Pages : 244
Book Description
From award-winning literary scholar Robert Alter, a masterful exploration of how Nabokov used artifice to evoke the dilemmas, pain, and exaltation of the human condition Admirers and detractors of Vladimir Nabokov have viewed him as an ingenious contriver of literary games, teasing and even outsmarting his readers through his self-reflexive artifice and the many codes and puzzles he devises in his fiction. Nabokov himself spoke a number of times about reality as a term that always has to be put in scare quotes. Consequently, many critics and readers have thought of him as a writer uninterested in the world outside literature. Robert Alter shows how Nabokov was passionately concerned with the real world and its complexities, from love and loss to exile, freedom, and the impact of contemporary politics on our lives. In these illuminating and exquisitely written essays, Alter spans the breadth of Nabokov's writings, from his memoir, lectures, and short stories to major novels such as Lolita. He demonstrates how the self-reflexivity of Nabokov's fiction becomes a vehicle for expressing very real concerns. What emerges is a portrait of a brilliant stylist who is at once serious and playful, who cared deeply about human relationships and the burden of loss, and who was acutely sensitive to the ways political ideologies can distort human values. Offering timeless insights into literature’s most fabulous artificer, Nabokov and the Real World makes an elegant and compelling case for Nabokov's relevance today.
Author: Andrea Pitzer Publisher: Open Road Media ISBN: 1453271678 Category : Biography & Autobiography Languages : en Pages : 410
Book Description
A startling and revelatory examination of Nabokov’s life and works—notably Pale Fire and Lolita—bringing new insight into one of the twentieth century’s most enigmatic authors Novelist Vladimir Nabokov witnessed the horrors of his century, escaping Revolutionary Russia then Germany under Hitler, and fleeing France with his Jewish wife and son just weeks before Paris fell to the Nazis. He repeatedly faced accusations of turning a blind eye to human suffering to write artful tales of depravity. But does one of the greatest writers in the English language really deserve the label of amoral aesthete bestowed on him by so many critics? Using information from newly-declassified intelligence files and recovered military history, journalist Andrea Pitzer argues that far from being a proponent of art for art’s sake, Vladimir Nabokov managed to hide disturbing history in his fiction—history that has gone unnoticed for decades. Nabokov emerges as a kind of documentary conjurer, spending the most productive decades of his career recording a saga of forgotten concentration camps and searing bigotry, from World War I to the Gulag and the Holocaust. Lolita surrenders Humbert Humbert’s secret identity, and reveals a Nabokov appalled by American anti-Semitism. The lunatic narrator of Pale Fire recalls Russian tragedies that once haunted the world. From Tsarist courts to Nazi film sets, from CIA front organizations to wartime Casablanca, the story of Nabokov’s family is the story of his century—and both are woven inextricably into his fiction.
Author: Leona Toker Publisher: Cornell University Press ISBN: 1501707035 Category : Literary Criticism Languages : en Pages : 323
Book Description
Vladimir Nabokov described the literature course he taught at Cornell as "a kind of detective investigation of the mystery of literary structures." Leona Toker here pursues a similar investigation of the enigmatic structures of Nabokov's own fiction. According to Toker, most previous critics stressed either Nabokov’s concern with form or the humanistic side of his works, but rarely if ever the two together. In sensitive and revealing readings of ten novels, Toker demonstrates that the need to reconcile the human element with aesthetic or metaphysical pursuits is a constant theme of Nabokov’s and that the tension between technique and content is itself a key to his fiction. Written with verve and precision, Toker’s book begins with Pnin and follows the circular pattern that is one of her subject’s own favored devices.
Author: Vladimir Nabokov Publisher: ببلومانيا للنشر والتوزيع ISBN: Category : Fiction Languages : en Pages : 282
Book Description
The American poet John Shade is dead. His last poem, 'Pale Fire', is put into a book, together with a preface, a lengthy commentary and notes by Shade's editor, Charles Kinbote. Known on campus as the 'Great Beaver', Kinbote is haughty, inquisitive, intolerant, but is he also mad, bad - and even dangerous? As his wildly eccentric annotations slide into the personal and the fantastical, Kinbote reveals perhaps more than he should be. Nabokov's darkly witty, richly inventive masterpiece is a suspenseful whodunit, a story of one-upmanship and dubious penmanship, and a glorious literary conundrum.
Author: Andrey Biely Publisher: Open Road + Grove/Atlantic ISBN: 0802196799 Category : Fiction Languages : en Pages : 396
Book Description
A landmark in Russian literature hailed as “one of the four great masterpieces of twentieth-century prose” by Vladimir Nabokov, author of Lolita. In this incomparable novel of the seething revolutionary Russia of 1905, Andrey Biely plays ingeniously on the great themes of Russian history and literature as he tells the mesmerizing tale of Apollon Apollonovich Ableukhov, a high-ranking Tsarist official, and his dilettante son, Nikolai, an aspiring terrorist, whose first assignment is to assassinate his father. “There is nothing like a ticking time bomb to supply fictional suspense, and perhaps no other writer has ever used the device more successfully than Andrey Biely in St. Petersburg . . . Biely is a crafty storyteller who can keep a reader flipping the pages while whipping up an intellectual storm.” —Time
Author: Eric Naiman Publisher: Cornell University Press ISBN: 0801460239 Category : Literary Criticism Languages : en Pages : 320
Book Description
In an original and provocative reading of Vladimir Nabokov's work and the pleasures and perils to which its readers are subjected, Eric Naiman explores the significance and consequences of Nabokov's insistence on bringing the issue of art's essential perversity to the fore. Nabokov's fiction is notorious for the interpretive panic it occasions in its readers, the sense that no matter how hard he or she tries, the reader has not gotten Nabokov "right." At the same time, the fictions abound with characters who might be labeled perverts, and questions of sexuality lurk everywhere. Naiman argues that the sexual and the interpretive are so bound together in Nabokov's stories and novels that the reader confronts the fear that there is no stable line between good reading and overreading, and that reading Nabokov well is beset by the exhilaration and performance anxiety more frequently associated with questions of sexuality than of literature. Nabokov's fictions pervert their readers, obligingly training them to twist and turn the text in order to puzzle out its meanings, so that they become not better people but closer readers, assuming all the impudence and potential for shame that sexually oriented close-looking entails. In Nabokov, Perversely, Naiman traces the connections between sex and interpretation in Lolita (which he reads as a perverse work of Shakespeare scholarship), Pnin, Bend Sinister, and Ada. He examines the roots of perverse reading in The Defense and charts the enhanced attention to the connection between sex and metafiction in works translated from the Russian. He also takes on books by other authors—such as Reading Lolita in Tehran—that misguidedly incorporate Nabokov's writing within frameworks of moral usefulness. In a final, extraordinary chapter, Naiman reads Dostoevsky's The Double with Nabokov-trained eyes, making clear the power a strong writer can exert on readers.
Author: Luke Parker Publisher: Cornell University Press ISBN: 1501766783 Category : Literary Criticism Languages : en Pages : 289
Book Description
Nabokov Noir places Vladimir Nabokov's early literary career—from the 1920s to the 1940s—in the context of his fascination with silent and early sound cinema and the chiaroscuro darkness and artificial brightness of the Weimar era, with its movie palaces, cultural Americanism, and surface culture. Luke Parker argues that Nabokov's engagement with the cinema and the dynamics of mass culture more broadly is an art of exile, understood both as literary poetics and practical strategy. Obsessive and competitive, fascinated and disturbed, Nabokov's Russian-language fiction and essays, written in Berlin, present a compelling rethinking of modernist-era literature's relationship to an unabashedly mass cultural phenomenon. Parker examines how Nabokov's involvement with the cinema as actor, screenwriter, moviegoer, and, above all, chronicler of the cinematized culture of interwar Europe enabled him to flourish as a transnational writer. Nabokov, Parker shows, worked tirelessly to court publishers and film producers for maximum exposure for his fiction across languages, media, and markets. In revealing the story of Nabokov's cinema praxis—his strategic instrumentalization of the movie industry—Nabokov Noir reconstructs the deft response of a modern master to the artificial isolation and shrinking audiences of exile.
Author: Julian W. Connolly
Author: Julian W. Connolly
Author: Lucy Maddox
Author: Vladimir Nabokov
Author: Robert Alter
Author: Andrea Pitzer
Author: Leona Toker
Author: Vladimir Nabokov
Author: Andrey Biely
Author: Eric Naiman
Author: Luke Parker