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Author: Bruce Haynes Publisher: ISBN: 9780199373772 Category : Music Languages : en Pages :
Book Description
What is rhetorical music? In 'The Pathetick Musician', Bruce Haynes and Geoffrey Burgess illustrate the vital place of rhetoric and eloquent expression in the creation and performance of Baroque music.
Author: Bruce Haynes Publisher: ISBN: 9780199373772 Category : Music Languages : en Pages :
Book Description
What is rhetorical music? In 'The Pathetick Musician', Bruce Haynes and Geoffrey Burgess illustrate the vital place of rhetoric and eloquent expression in the creation and performance of Baroque music.
Author: Bruce Haynes Publisher: Oxford University Press ISBN: 0199373736 Category : Music Languages : en Pages : 361
Book Description
Baroque oboists Bruce Haynes and Geoffrey Burgess established reputations as authorities on the history of their instrument with their co-authored book The Oboe, voted an outstanding achievement by the American Music Instrument Society. Haynes' writings, notably The End of Early Music, are known for pioneering new approaches in historical performance practice and inspiring healthy debate among scholars and performers of early music. Burgess, an instructor at the Eastman School of Music, recently published Well-Tempered Woodwinds: Friedrich von Huene and the Making of Early Music in a New World, which combines the biography of a leading manufacturer of historic instruments with a history of the emerging early music scene in America. Bruce Haynes passed away in May, 2011.
Author: Bettina Varwig Publisher: University of Chicago Press ISBN: 0226826899 Category : Music Languages : en Pages : 380
Book Description
A corporeal history of music-making in early modern Europe. Music in the Flesh reimagines the lived experiences of music-making subjects—composers, performers, listeners—in the long seventeenth century. There are countless historical testimonies of the powerful effects of music upon the early modern body; it is described as moving, ravishing, painful, dangerous, curative, and miraculous while affecting “the circulation of the humors, the purification of the blood, the dilation of the vessels and pores.” How were these early modern European bodies constituted that music generated such potent bodily-spiritual effects? Bettina Varwig argues that early modern music-making practices challenge our modern understanding of human nature as a mind-body dichotomy. Instead, they persistently affirm a more integrated anthropology, in which body, soul, and spirit remain inextricably entangled. Moving with ease across repertories and regions, sacred and vernacular musics, and domestic and public settings, Varwig sketches a “musical physiology” that is as historically illuminating as it is relevant for present-day performance. This book makes a significant contribution not just to the history of music, but also to the history of the body, the senses, and the emotions, revealing music as a unique access point for reimagining early modern modes of being-in-the-world.
Author: Bruce Haynes
Author: Bruce Haynes
Author: Bruce Haynes
Author: Bettina Varwig
Author: 
Author: 
Author: Frédéric Louis Ritter
Author: Frédéric Louis Ritter
Author: James Augustus Henry Murray
Author: James Augustus Henry Murray
Author: Sir James Augustus Henry Murray