Tragedy, Vision and Form PDF Download

Author: Robert Willoughby Corrigan
Publisher: HarperCollins Publishers
ISBN:
Category : Tragedy
Languages : en
Pages : 390

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Author: Robert Willoughby Corrigan
Publisher:
ISBN: 9780030413711
Category :
Languages : en
Pages : 370

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Author: M. Johnson
Publisher: Springer
ISBN: 023010911X
Category : Religion
Languages : en
Pages : 189

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Many have used the term 'tragic' to refer to African American religious and cultural experience. After a studied meditation on and articulation of the 'tragic vision,' Johnson argues that African American Christian Consciousness is an expression of the tragic and a tragic expression of the Christian Faith.

Author: Jeannette King
Publisher: Cambridge University Press
ISBN: 9780521216708
Category : Literary Criticism
Languages : en
Pages : 200

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How does one dominant literary genre fall into decline, to be superseded by another? The classic instance is the rise of the novel in the nineteenth century, and how it came to embody the tragic vision of life which had previously been the domain of drama. Dr King focuses on three novelists, George Eliot. Thomas Hardy and Henry James. All three, while trying to offer a realistic picture of life in prose narrative, wrote with the concept of tragedy clearly in mind. The concern was widespread, and Victorian literary critics found themselves discussing the problem of how one might reconcile concepts as dissimilar as tragedy and realism. Their criticism provides Dr King with her starting point. Dr King examines the work of her three authors in relation to the large concepts of traditional tragic thought, and also examines how the form of specific novels was affected by their differing ideas of tragedy.

Author: Richard Benson Sewall
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 178

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Author: Chris Murray
Publisher: Routledge
ISBN: 1317008359
Category : Literary Criticism
Languages : en
Pages : 200

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To Samuel Taylor Coleridge, tragedy was not solely a literary mode, but a philosophy to interpret the history that unfolded around him. Tragic Coleridge explores the tragic vision of existence that Coleridge derived from Classical drama, Shakespeare, Milton and contemporary German thought. Coleridge viewed the hardships of the Romantic period, like the catastrophes of Greek tragedy, as stages in a process of humanity’s overall purification. Offering new readings of canonical poems, as well as neglected plays and critical works, Chris Murray elaborates Coleridge’s tragic vision in relation to a range of thinkers, from Plato and Aristotle to George Steiner and Raymond Williams. He draws comparisons with the works of Blake, the Shelleys, and Keats to explore the factors that shaped Coleridge’s conception of tragedy, including the origins of sacrifice, developments in Classical scholarship, theories of inspiration and the author’s quest for civic status. With cycles of catastrophe and catharsis everywhere in his works, Coleridge depicted the world as a site of tragic purgation, and wrote himself into it as an embattled sage qualified to mediate the vicissitudes of his age.

Author: Pink Dandelion
Publisher: Routledge
ISBN: 1351878417
Category : Religion
Languages : en
Pages : 196

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The 'death of tragedy' in the modern era has been proposed and debated in recent years, largely in terms of literature and western culture in general. Today, any catastrophe or misadventure is likely to be labeled a 'tragedy', without any inference of a larger, transcendent horizon or providential design that the word once conveyed. This book offers new perspectives on the idea of the 'death of tragedy', taking England and the Religious Society of Friends (Quakers) in particular as a case study. Chapters focus on the origins of tragedy in ancient Greece, gospel and tragedy, the beginnings of the Quaker movement in seventeenth-century England, apocalyptic versus secularized experiences of time, Edwardian Quaker triumphalism, the search for English identity in postcolonial Britain, liberal Quakerism at the end of the twentieth century, and the promise and dilemma of postmodernity. The different disciplinary perspectives of the contributing authors bring literature, history, theology and sociology into a creative and revealing conversation. A Foreword by Richard Fenn introduces the book with an original and provocative meditation on tragedy and time.

Author: R.R. Khare
Publisher: Mittal Publications
ISBN: 9788170995586
Category : Greek drama (Tragedy)
Languages : en
Pages : 564

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Author: Lydia B. Amir
Publisher: State University of New York Press
ISBN: 1438449380
Category : Philosophy
Languages : en
Pages : 406

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By exploring the works of both Anthony Ashley Cooper, Third Earl of Shaftesbury, and Søren Kierkegaard, Lydia B. Amir finds a rich tapestry of ideas about the comic, the tragic, humor, and related concepts such as irony, ridicule, and wit. Amir focuses chiefly on these two thinkers, but she also includes Johann Georg Hamann, an influence of Kierkegaard's who was himself influenced by Shaftesbury. All three thinkers were devout Christians but were intensely critical of the organized Christianity of their milieux, and humor played an important role in their responses. The author examines the epistemological, ethical, and religious roles of humor in their philosophies and proposes a secular philosophy of humor in which humor helps attain the philosophic ideals of self-knowledge, truth, rationality, virtue, and wisdom.

Author: Chandreshwar Prasad Sinha
Publisher: Humanities Press International
ISBN:
Category : Literary Criticism
Languages : en
Pages : 196

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